“Looks like we have a ways to go in local public radio and television. Like the rest of the media, women are underrepresented in our newsrooms,” writes Michael Marcotte, longtime pubcasting analyst and the Donald W. Reynolds Chair in the Ethics of Entrepreneurial and Innovative Journalism at the University of Nevada, Reno. In a blog post, Marcotte takes a deep dive into a February study, The Status of Women in the U.S. Media 2013, by the Women’s Media Center, an advocacy and press monitoring organization based in New York City. Reports filed by public stations to CPB reveal the gender composition of the local pubmedia news workforce in positions including executives, editors, producers and senior producers, managing editors, news directors and hosts.

In honor of St. Patrick’s Day, MHz Networks launched the Today’s Ireland channel in the Washington, D.C., market on March 17, with select programming running nationwide on its Worldview service, it announced March 15. Content comes from Irish broadcasters RTÉ, TV3, TG4, and Northern Vision Television, and features independent productions from Northern Ireland and regional specialty programming. It kicks off with six hours of daily programming beginning at 3 p.m. Eastern, and will grow to a 24-hour channel by the end of the year. Select programs from Today’s Ireland will be showcased on MHz’s national channel, MHz Worldview, available in 38 million American households nationwide, mainly through public broadcasters.

Audiences for public radio and television news continue to spend less time with legacy broadcast platforms as they transition to digital listening and viewing, according to the State of the News Media study from the Pew Research Center’s Project for Excellence in Journalism, released today. The 10th annual report examines all broadcast, digital and print media. NPR’s average weekly broadcast audience fell 3 percent from 2011 to 2012, dipping to 26 million from 26.8 million, according to the report. The weekly number of listeners to American Public Media programs also shrank 2 percent, to 15.2 million. (The report did not detail specific numbers for another major pubradio distributor, Public Radio International.)

The 90-minute feature was produced and directed by Joe Brewster and Michèle Stephenson, a married couple who traced the education of two African-American boys — their own son and his best friend — at a private school in Manhattan from 1999 through 2012. “All American families want to give their children the opportunity to succeed. But the truth is, opportunity is just the first step, particularly for families raising black boys,” said Stephenson. “We hope American Promise shines a light on these issues.” The film had its world premiere at the 2013 Sundance Film Festival in Park City, Utah, Jan. 21 and received the award Jan.

Two Los Angeles–area public TV stations won Golden Mikes. KCET won three awards in Division A (for stations with 50 or more full-time news staff members): topping the category of news/public affairs program and investigative reporting with SoCal Connected. It also won for entertainment reporting. PBS Southern Cal (KOCE-TV) won for best documentary in Division B (comprised of TV stations with 49 or fewer full-time news staff) for Be Brave: Samantha’s Story and for best news public affairs program. In the radio contest, KPCC/Southern California Public Radio won 10 Golden Mikes in Division A (stations with six or more full-time news staff members): individual writing, sports reporting, live coverage of a news story, news public affairs program, news reporting, serious feature reporting, light feature reporting, news special, entertainment reporting and use of sound.

This item has been updated and reposted with additional information. PBS is ending production of Market Warriors, the much-anticipated series that premiered in July 2012 as a partner program to longtime ratings hit Antiques Roadshow, according to a March 14 WGBH internal memo to employees. Marsha Bemko, executive producer of both programs, today told Current the decision was PBS’s and declined further comment. The demise of the series triggered several layoffs. The memo said that Field Producer Rebecca Donahue and Editors Peter Hyzak and Sean Sandefur left WGBH the week of March 4, while Senior Producer John Kalish, Associate Producer Joey Toppan, Production Assistant Rebecca Taylor and Assistant Editor Jim Fetela departed on Friday.

The Writers Guild of America, West’s prize in the children’s–episodic and specials category went to Christine Ferraro for writing Sesame Street’s “The Good Sport.” Martin Smith and Marcela Gaviria won the award in the documentary–current events arena for writing the first episode of the Frontline four-part series “Money, Power and Wall Street.” And in the documentary–other than current events category, Randall MacLowry won the award for writing “The Fabric of the Cosmos: The Illusion of Time” for Nova. Founded in 1933, WGAW is a labor union representing writers of movies, television, radio and Internet programming, including news and documentaries.

NPR will test a system for delivering emergency alerts to individuals who are deaf or hard-of-hearing in Gulf Coast states under a contract with the U.S. Department of Homeland Security and the Federal Emergency Management Agency. The project marks the first attempt to deliver real-time emergency messages such as weather alerts via radio-broadcast text to those with hearing disabilities. Through the Public Radio Satellite System, NPR will relay emergency alert messages received from FEMA via the Radio Broadcast Data System to public radio stations in the Gulf region. The stations will broadcast the alerts to receivers that are able to display text messages.

The Polk Award for documentary television reporting was presented to Frontline correspondent Martin Smith and producer Michael Kirk for the four-part investigative series “Money, Power and Wall Street,” with producers Marcela Gaviria, Mike Wiser and Jim Gilmore cited for their assistance. The documentary “provided a thorough examination of the epic global financial crisis, from its origins to the present day,” said the judges. “The series also dissected and distilled down the complicated subject of the modern credit derivative market and provided a sober look inside the struggle to rescue and repair this country’s battered economy.” The Polk Award for state reporting went to California Watch’s Ryan Gabrielson for “Broken Shield,” a series that exposed the California’s Office of Protective Services’ poor job of curbing abuse at state clinics.

After automatic spending cuts required under the Budget Control Act of 2011 took effect March 1, CPB received confirmation that its 2013 appropriation was trimmed to $421.4 million, a 5 percent reduction in the original amount, $445 million. CPB, which had anticipated deeper cuts, revised its budget for the fiscal year, and notified stations of the changes in a March 4 memo. Local stations’ Community Service Grants will be slightly higher than those calculated last fall. “Reflecting our continued concern about the potential for additional budget actions in FY 2013,” CPB President Pat Harrison told station execs, CPB will base this fiscal year’s second Community Service Grant payments on an appropriation level of $421.4 million, which will incorporate a recalculation of the first CSG payment at $421.4 million.

To the Editors, I read Ben Mook’s Feb. 11 piece about the de-commercialization of classical radio with a mixture of sadness and muted happiness. The fact that the attrition has slowed is indeed a positive, but the stubborn misconception that classical music cannot be a successful commercial radio format is simply wrong and quite depressing. The problem lies not in the music — for, indeed, properly programmed classical music on the radio has been, and can be, commercially viable — but in the music-academy approach to presentation that dooms any attempt to draw in new listeners. Classical music can be day-parted and made accessible, probably more so than almost any other genre of music.

Former West Virginia Governor Bob Wise was honored for his work supporting public media’s educational service. Wise is president of the Alliance for Excellent Education, a partner in CPB’s ongoing American Graduate project to reduce the drop-out rate among high school students. He also chairs the National Board for Professional Teaching Standards. Gov. Wise spent 10 years in the U.S. House before serving as West Virginia’s governor from 2001 to 2005. The CPB Thought Leader Award honors U.S. leaders who help pubcasters serve the public in the areas of education, journalism and the arts. “Governor Wise and the Alliance for Excellent Education are champions for public media’s American Graduate initiative and the educational services that public broadcasting stations provide to their communities,” said Patricia Harrison, CPB president and c.e.o.,