CPB has hired former NPR executive Joyce MacDonald for the new position of vice president of journalism, it announced Tuesday. MacDonald will work with Bruce Theriault, s.v.p., journalism and radio, on local and regional journalism strategy, planning and major initiatives. Since January, MacDonald has led National Public Media, a subsidiary of NPR, PBS and WGBH, as interim president. NPM is responsible for corporate sponsorship sales. After joining NPR in 1999, her positions included chief of staff, v.p. of member partnership and director of station relations. MacDonald led several major projects, such as the Local News Initiative, which strengthened stations’ capacity to report in-depth news.

Frank Mankiewicz, a former NPR president credited with taking the fledgling network to new levels of professionalism while also overseeing its decline into near-bankruptcy, died of natural causes Oct. 23 at George Washington University Hospital in Washington, D.C. He was 90. Mankiewicz led NPR from 1977-83 after a career in politics, during which he served as Robert Kennedy’s press secretary. It was Mankiewicz’s task to announce the assassination of the then-presidential candidate. According to the Public Radio Archives at the University of Maryland, Mankiewicz also worked as a journalist, wrote four books and a syndicated column and delivered commentaries for television.

It don’t mean a thing if it ain’t got that swing — and a handy role in a Cold War propaganda campaign. In the late ’50s, U.S. government officials eager to make a case for America’s superiority to Communist regimes found a new vehicle to deliver the message to a global audience. They staged a series of global tours of top jazz musicians to showcase the popular and inclusive art form, promoting the democratic values enshrined in the music while also offsetting the backlash brewing among African Americans fed up with discrimination. Those tours wound down in the ’70s, but a new film next year will revisit their legacy.

Tom Magliozzi, half of Click and Clack on NPR’s Car Talk, the Tappet Brothers, died Monday of complications from Alzheimer’s disease. He was 77. Magliozzi and his brother Ray hosted Car Talk for 37 years before it ended production in 2012. The show continues airing in reruns. Doug Berman, the show’s producer, said in a blog post that Tom Magliozzi and his brother “changed public broadcasting forever.” “Before Car Talk, NPR was formal, polite, cautious . . . even stiff,” Berman wrote. “By being entirely themselves, without pretense, Tom and Ray single-handedly changed that, and showed that real people are far more interesting than canned radio announcers.

Evans will step into the position Jan. 1.

Friends and colleagues of Margot Adler gathered in New York and Washington, D.C., last week to pay tribute to the late NPR correspondent.

• The broadcast tower of St. Louis’s Nine Network picked up an unexpected Halloween decoration Thursday night: a parachutist who was stuck for two hours about 120 feet off the ground, reports KMOV-TV. Firefighters rescued 27-year-old Timothy Church after he attempted to jump off the tower. The illicit leaper and an accomplice were charged with trespassing. Officials estimate Parachuter is 120-130 feet in air. He's now been dangling for an hour and a half. pic.twitter.com/wHJagGQrWA — Cory Stark (@CoryStarkKMOV) October 31, 2014 • Elsewhere on the crime beat, a former finance manager for WFWA-TV in Fort Wayne, Ind., pleaded guilty Thursday to embezzling money from the station in July 2010, according to the News-Sentinel.

The Iowa Board of Regents agreed Oct. 23 to continue funding Iowa Public Radio at current levels through the end of fiscal year 2016, reversing a plan to zero out funding by that time. IPR’s 2012 strategic plan called for zeroing out the board of regents’ support by the end of fiscal year 2016. The station saw shortfalls in major giving revenue and lacked an executive director for a year until Myrna Johnson joined the network in January. Citing those factors, IPR asked for board funding to remain at 12.5 percent of its operating budget. “This revised plan is focused on sustainability rather than financial independence,” said Johnson said.

PBS finished the 2013-14 broadcast season in fifth place among broadcast and cable networks, up from eighth the previous season and 11th in 2011-12. Beth Hoppe, PBS’s chief programmer, has focused on scheduling similar genres together to retain primetime audience from one show to the next. “It’s a strategy that is paying off,” she said in the announcement Wednesday. Average primetime household Nielsen ratings rose over last season from 1.43 to 1.50, finishing with an average audience of some 1.9 million viewers, according to PBS. Viewing on Sunday nights, anchored by Masterpiece and its hit Downton Abbey franchise, grew 7 percent over last season.

Pubcasters Louisiana Public Broadcasting, Twin Cities Public Television and KCOS-TV in El Paso, Texas, were among the almost 700 broadcasters whose licenses were renewed en masse earlier this month, after the FCC quietly cleared many stations nationwide of indecency charges. The renewals had been on hold due to allegations that some of their programming may have violated FCC regulations barring broadcasters from airing indecent material between the hours of 6 a.m. and 10 p.m. The complaints were thrown out as part of an agency effort to reduce the backlog of applications to be processed. The complaint against LPB was apparently over an episode of Doc Martin, according to LPB President Beth Courtney.

• It’s Thursday, which means that fans of Serial are getting their weekly dose of podcast crack. The This American Life spinoff, which digs into the details of a 1999 Baltimore murder case, has spawned a bevy of equally obsessive commentary, including a podcast about the podcast from Slate. But the vortex of meta-analysis doesn’t end there — an English professor has started a weekly video chat with Rabia Chaudry, the lawyer who brought the murder case to the attention of Serial‘s Sarah Koenig (and who is also blogging about Serial). “I am interested in exploring how new media engagement affects narrative and knowledge, and Serial presented an fertile ground in which to ask those questions,” writes Pete Rorabaugh.