The WFMT Radio Network is preparing to release the complete digitized radio archives of Pulitzer Prize–winning oral historian Studs Terkel online by early 2015.

Plus: The New York Times profiles Sandra Tsing Loh, and public media still matter to the director of the Peabody Awards.

A community forum in Milwaukee Tuesday will cap a seven-month reporting project by two of the city's public broadcasters on their county’s astronomically high rate of incarceration among black males.

PBS Kids will expand the footprint of its math-focused programs with Odd Squad, a live-action TV series for school-aged children. The new show, which follows the fall 2013 debut of Peg + Cat, a preschool series presenting math concepts, will debut Nov. 26. Creators Tim McKeon and Adam Peltzman, who previously collaborated as television writers on another PBS Kids series for school-aged children, The Electric Company, are producing Odd Squad through Toronto-based Sinking Ship Entertainment and the Fred Rogers Company (which also produces Peg + Cat and Daniel Tiger’s Neighborhood for PBS). Odd Squad stars sleuths Olive and Otto, members of a detective agency who use math concepts to solve unusual mysteries around their town.

The second of two commentaries adapted from the Association of Independents in Radio’s recent report on Localore.

Plus: The University of Missouri's j-school welcomes "institutional fellows," and Bill Buzenberg steps down from the Center for Public Integrity.

Houston Pacifica station KPFT-FM is preparing to ask the FCC for a third extension on its license renewal, a delay resulting from transmitter damage caused by a lightning strike two years ago. The station, part of the financially troubled Pacifica network, has been struggling to raise funds to replace the transmitter. It has operated at half power since March 2012 and is pursuing its third Special Temporary Authority from the FCC. By failing to operate at full power for so long, the station puts itself at risk of  FCC fines. KPFT General Manager Duane Bradley said the internal divisions plaguing Pacifica aren’t helping.

Plus: NPR's ombudsman explains what he's been up to, and Storycorps plays a hand in the Sept. 11 Memorial Museum.

The FCC formally adopted rules today for the television spectrum auctions slated for mid-2015. Most of the provisions align with what the FCC has said leading up to today’s announcement. The commission formally declined to provide protections to low-power TV stations and TV translators. Neither facility category is eligible for protection under its current rules, the commission’s order said,  and shielding them would “unduly constrain flexibility in the repacking process and undermine the likelihood of meeting the objectives for the incentive auction.” The commission will open a special filing window for LPTV and translators that provide “important services” to select new channels, and establish an special process for relocating displaced stations.

SAN FRANCISCO – Amid previews of upcoming programming at the PBS Annual Meeting, including a groundbreaking 14-hour series on the Roosevelt family from Ken Burns, came extraordinary news of a record-setting donation for Masterpiece. Executive Producer Rebecca Eaton told attendees that the icon strand, through its Masterpiece Trust, will receive $3 million from longtime supporter Darlene Shiley on behalf of herself and her late husband Donald. Shiley’s local station, KPBS in San Diego, will share a portion of the contribution. The gift triples Shiley’s previously unprecedented $1 million donation in 2012. Since its inception in 2011, the trust has raised nearly $10 million for Masterpiece and local stations designated by donors.

In the first installment of our interview with Linda Winslow, outgoing e.p. of PBS NewsHour, she discussed her early start in broadcast journalism and working with Fred Friendly, a founding father of public broadcasting. In this, the second of three parts, she discusses the start of the NewsHour, working as a woman in media, and the NewsHour‘s commitment to its mission. Part three will be posted next week. This transcript has been edited. Current: What did you do next after Public Broadcasting Laboratory? Winslow: I have all my life worked in public television, and one job led to another.

A new website and mobile app backed by CPB will showcase videos of new and emerging bands.