Programs/Content
How ‘Radio Ambulante’ is sparking connections with in-person Listening Clubs
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Radio Ambulante Studios received funding this year to convene new Listening Clubs focused on issues of importance to Latino voters.
Current (https://current.org/current-mentioned-sources/sara-robertson/page/536/)
Radio Ambulante Studios received funding this year to convene new Listening Clubs focused on issues of importance to Latino voters.
CAI staff are expected to remain in the building until a new location is found.
BEVERLY HILLS, Calif. — The success of Downton Abbey, whose fifth season has been set for Jan. 4, has created a novel problem for PBS: too many programs to fit into the Sunday-night slot occupied by Masterpiece. It’s possible that PBS might schedule some of the excess series at another hour or on another day. But there are no plans to do so for now, according to Masterpiece Executive Producer Rebecca Eaton.
In a session with TV critics, PBS’s Kerger said the streaming experiment will “accommodate a wide range of viewing habits.”
Plus: A Mississippi reporter discusses his difficult past, and Carl Kasell assists with a marriage proposal.
The FCC recently released the entire text of its Report and Order detailing rules for the upcoming broadcast spectrum auctions, making it clear that it intends to make no effort to preserve public TV signal coverage. The 484-page report, “Expanding the Economic and Innovation Opportunities of Spectrum Through Incentive Auctions,” rejects the proposal supported by CPB and other leading broadcast organizations to preserve at least one station per geographic market. If you dive into this ponderous document, I recommend paragraph 367 and footnote 1090 (unfortunately, not a typo — there really are over 1,000 footnotes). In paragraph 367, the FCC states that it declines to “restrict acceptance of such bids based on the potential loss of television service or specific programming.”
The FCC further states that any such restrictions “could reduce the amount of spectrum available” to carry out the auction and undermine the “goal of allowing market forces to determine the highest and best use of spectrum.” The long and short of it is that if the entities that hold America’s 289 UHF public TV licenses decide to sell their underlying spectrum in the forthcoming “incentive” auction, that spectrum will be lost to noncommercial television forever. It need not be so.
PBS’s 43 nominations for News and Documentary Emmys topped all networks. Its programs will compete against each other in many categories. In some categories, including those for outstanding investigative journalism, best documentary and coverage of a current event, PBS earned more than half of the nominations. Frontline, the documentary series produced by WGBH in Boston, led with 11 nominations, including three of the six nominations for investigative reporting. Those went to “A Death in St.
The stars of Downton Abbey aren’t the only luminaries whom journalists will chat with during PBS’s portion of the Television Critics Association Summer Press Tour today and Wednesday. Other big names at the Beverly Hilton in Beverly Hills, Calif., include rapper and songwriter Nas, director Spike Lee, Oscar winner Geena Davis, actor Nathan Lane and television legend Dick Cavett. The twice-yearly tour is a chance for broadcasters to woo more than 200 reporters with news of their upcoming schedules, deploying sizzle reels, high-profile appearances, question-and-answer sessions and, of course, food and drinks. PBS President Paula Kerger will greet journalists during her executive session at 10 a.m. Pacific time. Later today, the press conference for Season 5 of Downton Abbey, PBS’s blockbuster series on Masterpiece, will feature Lady Edith (Laura Carmichael), Lady Mary (Michelle Dockery), Anna Bates (Joanne Froggatt) and Tom Branson (Allen Leech), as well as Executive Producer Gareth Neame and Masterpiece’s Rebecca Eaton.
Plus: Beat Making Lab returns to PBS Digital Studios, and John Oliver joins Muppet-like creatures to sing about prisons.
The pubcaster is restructuring its news division, with little effect on programs airing on stateside pubmedia.
Public media employees have increasingly sought to organize unions during the past two years, spurred by expanding newsrooms, shifting management priorities and a desire for more influence in strategic planning.
Plus: Roger Ebert’s hand-picked protege on why PBS’s At the Movies reboot failed.