System/Policy
Texas Public Radio employees seek to unionize amid leadership transition
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The staffers say the union would “safeguard our organization’s future success.”
Current (https://current.org/current-mentioned-sources/kathy-goldgeier/page/549/)
The staffers say the union would “safeguard our organization’s future success.”
“As traditional broadcast gives way to new media, public television needs to dust off its early spirit of scrappy, decentralized innovation.”
Plus: A TV quiz show hits its 40th year on the air, and Arthur gets a hip-hop treatment.
A public television documentary about Little League Baseball is turning into a fitting Independence Day scheduling choice for programmers.
A recent analysis of web metrics for NPR member stations’ websites showed continued growth in visits from mobile users along with declines in cumulative audiences and the amount of time web users spent with content. Though web metrics for public radio stations have grown dramatically since 2012, analytics from this spring were especially volatile, said Steve Mulder, director of user experience and analytics at NPR Digital Services, during a May 29 public radio metrics webinar with station representatives. Mulder drew analytics data from 204 stations that operate 415 web streams; together, their online platforms drew 14 million unique visitors and a cumulative audience of 3.3 million listeners from April 2013-14. In a comparison of the year-to-year data, the cumulative audience for pubradio streams dropped 9 percent, Mulder said. And while visitors were listening to a wider variety of content, the total amount of listening time per streaming session remained flat, at about an hour.
While public broadcasting covers poets and their work, a new anthology may be the first book of poems inspired by public media stories. Poet Robbi Nester of Lake Forest, Calif., edited The Liberal Media Made Me Do It: Poetic Responses to NPR & PBS Stories (Lummox Press), featuring works of 56 poets reacting to segments and programs aired by public stations. Nester answered a few questions by email. This exchange has been edited. Where did the idea for this book come from?
After hosting WGBH’s Greater Boston for 18 years, Emily Rooney is scaling back her role to focus on the weekly Beat the Press program.
Plus: Reading Rainbow hits its fundraising goal, and a call to boycott NPR.
Downton Abbey creator Julian Fellowes has weighed in on PBS’s decision to delay airing the Masterpiece megahit for months after each season premieres in Britain. And as his countryfolk might say, he is cheesed off. “I want to have simultaneous transmission in America and Britain,” he tells the Telegraph of London. “The difficulty that we have is that people are discussing the series as it happens online before America’s seen it and on the internet we’re all in the same company. It’s madness.”
Then he adds: “It’s what I’d like, but who cares what I think?”
Scheduling Downton is a tricky subject for PBS. The blockbuster costume drama has always premiered in January on PBS, two months after the British airing.
And we’re still waiting on spectrum auction specifics.
A mandate for a balanced budget and a drive to reduce its production commitments spurred NPR to cancel Tell Me More, one of the few remaining broadcast shows outside of its newsmagazines that the network produces itself. NPR will end the production as of Aug. 1 as part of a broader newsroom restructuring announced May 20. Twenty-eight jobs in its newsroom and library will be cut; eight of the positions are currently unfilled. Tell Me More, a weekdaily program featuring host Michel Martin and focusing on news topics related to people of color, now airs on 136 stations.
The producers of public radio’s This American Life will take over distribution of their show starting July 1, using Public Radio Exchange to deliver the program to stations. TAL and Public Radio International, its distributor of 17 years, announced in March that they would part ways effective July 1. Under the agreement announced Wednesday, Chicago Public Media and Ira Glass will handle distribution and underwriting, while Marge Ostroushko will be responsible for marketing and station relations. Ostroushko handled those duties before PRI picked up the show in 1997. “We’re excited and proud to be partners now with PRX,” Glass said in a statement.