The massive popularity of Downton Abbey on Masterpiece Classic “couldn’t have come at a better time” for KOCE, the new PBS primary station in the Los Angeles market now known as PBS SoCal, writes TV Guide’s Michael Schneider at his blog, Franklin Avenue. “Downton Abbey enabled us to reach audiences that are not just the typical PBS audience, including younger people, and gave us a chance to establish ourselves as the area’s PBS station,” Mel Rogers, station president, told Schneider. Downton’s season finale on Sunday (Feb. 19) scored a 2.3 rating and 4 share in the Los Angeles market.

The recent announcement that South Carolina ETV was closing WJWJ in Beaufort County due to budget woes prompted this rich reminiscence in the Beaufort Gazette by the paper’s former longtime editor, Pete Pillow, who also spent five years as a producer and anchor on WJWJ’s weeknight newscast, from 1978 to 1983. “There was no high-def television or satellite reception back then,” he recalls. “A special antenna was needed to even get WJWJ’s signal. One of our initial tasks was teaching viewers how to avoid a snowy picture by manually fine-tuning their sets for Channel 16. A safecracker’s dexterity would have helped.”

WAMU News Director Jim Asendio has left the station, according to an internal station memo posted by the Washington Post. Mark McDonald, program director at the American University licensee in Washington, D.C., told staffers: “Jim has left WAMU. We wish him well in his future endeavors. Meymo Lyons is Acting News Director with immediate effect, and she and I will be working with the newsroom staff to find a replacement for Jim in the coming days and weeks.” UPDATE: Journalist Dave Hughes, who runs DCRTV, an independent website about radio and television in the Washington, D.C., and Baltimore area, reports that Asendio told him: “I resigned as news director at WAMU because I did not agree with an upper management decision to have reporters meet with donors at a donor-only station-sponsored event.

While the Alliance for Community Media fights to keep PEG (public, educational and government) channels on the air, there are local bright spots emerging, such as in Exeter, N.H., which is starting a new public-access channel, according to the Exeter News-Letter in Portsmouth. “I think of it as an opportunity for people to be more of a part of their community and to know what is going on,” Doug York, the Exeter Public Television coordinator, told the paper. “It can also be a way for people to express themselves artistically.” Supporters of the public-access channel have spent the past few years working on the project.

The inaugural Prize for Civility in Public Life, presented by Allegheny College, a small liberal arts school in Meadville, Pa., goes to PBS NewsHour political commentators David Brooks and Mark Shields. In a column in the Pittsburgh Post-Gazette, college President James H. Mullen Jr. said the school is “launching a quest” to reverse the “rise of incivility in our democracy” with the award, presented today (Feb. 21) at the National Press Club in Washington, D.C. Jim Lehrer, PBS NewsHour executive editor, said in a statement, “Mark Shields and David Brooks deserve this and all other awards there are or ever will be for civility.

The Editorial Integrity for Public Media Project has released its Code of Editorial Integrity for Local Public Media Organizations, a set of guidelines intended to serve as an ethical compass for TV and radio stations throughout the system. The Code stems from a joint effort of public TV’s Affinity Group Coalition, which began work on the guidelines two years ago, and public radio’s Station Resource Group, and it draws on guidance from a wide range of stakeholders in public media. “We think public media organizations will find much in the Code that affirms current work and makes us proud of the principles for which we stand,” wrote SRG’s Tom Thomas and Byron Knight, emeritus director of Wisconsin Public Broadcasting, in an email accompanying the release of the Code.

Frontline swept the documentary and news categories of the Writers Guild Awards Sunday (Feb. 19) in Los Angeles, winning all four honors. “Top Secret America,” written by Michael Kirk and Mike Wiser, claimed the documentary — current events award; “Wiki Secrets,” by Marcela Gaviria and Martin Smith, documentary — other than current events; “Educating Sergeant Pantzke,” by John Maggio and Martin Smith, news — regularly scheduled, bulletin or breaking report; and “Doctor Hotspot,” by Thomas Jennings, news — analysis, feature or commentary. The WGAs were presented in Los Angeles by the Writers Guild of America, West. Here’s a complete list of winners.

Now that the second season of Downton Abbey on Masterpiece Classic has wrapped up, creator Julian Fellowes took time for a question-and-answer session with the New York Times in which he reveals a few of his fave American TV shows (Mad Man, Sex and the City, Glee) and addresses what all Downton fans are wondering: Just how long will the hit Edwardian costume drama keep going? “Sufficient unto the day,” Fellowes said, laughing. “I feel that one can’t really think much beyond that. Although I agree, I do not think it should just go on and on forever.”

Ira Glass of This American Life is a recipient of a prestigious George Polk Award, announced today (Feb. 20) by Long Island University. Glass won for his reporting on “Very Tough Love,” an hour-long piece that showed “alarmingly severe” punishments by a county drug court judge in Georgia, LIU said in a press release. “Drug courts were set up to emphasize rehabilitation instead of incarceration, but Glass’ investigation revealed that Judge Amanda Williams strayed far from the principles and philosophy by routinely piling on jail sentences for relapses,”  it said. Williams ultimately stepped down from the bench. (For the back story on Glass’s reporting, see Current’s June 13, 2011, coverage).

The American Experience film Freedom Riders won for best edited documentary at the Eddie Awards presented by American Cinema Editors Saturday night (Feb. 18) in Los Angeles. Here’s a complete list of nominees, which also included Downton Abbey from Masterpiece Classic.

Karl Scroggin, classical music host at WUIS in Springfield, Ill., is retiring after a 30-year career that included, according to the State Journal-Register, assisting mezzo-soprano opera singer Marilyn Horne claim $600 in slot-machine winnings. Yes, you read that correctly. Years ago at an Association of Music Personnel in Public Radio conference in Las Vegas, Scroggin came across Horne at the Golden Nugget. “I said, ‘Marilyn, did you win some money?’ She said, ‘Yes, I won $600 on this slot machine. How do I cash it in?’ I said, ‘Well, I’ll show you how to do it.’” After collecting the cash, Horne began waving it around and singing “The Gambler.”

The Chicago News Cooperative will cease publishing content on Feb. 26, the Chicago Reader reports, due in part to a delay in a crucial MacArthur Foundation grant. The Internal Revenue Service has yet to decide if CNC and similar web news operations are 501(c)(3) nonprofits; CNC has been receiving funding via its fiscal agent, pubstation WTTW. But recently a MacArthur staff attorney advised the foundation that until the IRS ruled, MacArthur grants should go to specific programs instead of generally sustaining the co-op — that meant a different approval process and a longer wait for the money to arrive, the Reader notes.

There’s good news for pubcasters in the legislation giving the FCC spectrum auction authority that passed this week in Congress — but many questions remain, and serious technical challenges lie ahead as spectrum is reallocated and repacked to provide more bandwidth for wireless devices. President Obama is expected to sign the bill into law. “Overall, we’re feeling pretty good about how it came out,” Lonna Thompson, c.o.o. of the Association of Public Television Stations, told Current. “We got nearly all of the precautions we wanted in the legislation to protect stations.” Original Senate legislation contained an estimate of $1 billion to repack the entire spectrum following an auction; APTS and other organizations were able to push that to $1.75 billion in the final bill.

The Hollywood Reporter sat down with PBS President Paula Kerger for a wide-ranging interview posted Feb. 17. Highlights: On the potential for reality shows on PBS: “Colonial House and [2002’s] Frontier House are different types of reality. They’re experiential history programs. Moving forward, we’ll look at those types of things. To get younger people engaged in history, you have to really look closely at the formats. And since reality has taken over, I think there are some aspects of it that we can do.” On GOP hopeful Mitt Romney’s remarks on commercializing PBS: “When Mitt Romney says, we’re not going to kill Big Bird, we’re just going to make him take commercials, it’s frustrating because it shows a lack of truly understanding the impact we have.”

Congress today (Feb. 17) approved legislation providing the FCC with the ability to reclaim and auction broadcast spectrum to help pay for a payroll tax break and unemployment benefits, according to Broadcasting & Cable. The House passed the bill 293 to 132; the Senate, 60-36. House Communications Chairman Rep. Greg Walden (R-Ore.) said auctions will be voluntary and protect broadcasters and their viewers. “Bill language requires the FCC to make best efforts to protect the coverage areas and interference protections of the broadcasters who don’t give up spectrum,” B&C said. Auctions are still several years off; the legislation sets a 10-year deadline.