The National Endowment for the Arts will be holding a webinar Jan. 29, 1-2 p.m. EST, to provide guidance for applying to their Media Arts grant opportunities. Applicants have a shot at earning up to $100,000 in individual grants. The webinar registration link can be found on the NEA’s website.

Dear Readers, I wanted to take a moment to remind you about Current’s Reader Survey. Not that long ago, Current Newspaper and Current.org became a part of our family as a new center at the American University School of Communication. We take our role in managing Current very seriously, and look to you to help shape the future direction of this important industry resource. For over thirty years, Current has been the independent news and information source for public media professionals. We intend to build upon its strong foundation by adding additional editorial bandwidth and online resources to further serve you.

The Expanding Opportunities for Broadcasters Coalition, a group of 39 broadcasters willing to sell spectrum rights, filed comments with the FCC on Thursday. Among its recommendations, reports Broadcasting & Cable, is that the FCC make the upcoming spectrum auctions more attractive to stations by not limiting wireless bidders, or restricting which stations may share spectrum after the auctions are complete. “We told the FCC that when they think about what they’re going to pay these willing stations, they should think about the value of the spectrum for the wireless, not the broadcasting business,” coalition Executive Director Preston Padden told Ad Week.

The Association of Independents in Radio is joining forces with Independent Television Service for the next round of funding for Localore, the $2 million innovation initiative that pairs independent producers with public stations. Boston-based AIR spearheaded the first year of  Localore with funding from CPB, the National Endowment for the Arts and two foundations. Localore projects include a multimedia look at the impact of the oil boom in North Dakota and an alternate-reality game challenging students to stay in school, Ed Zed Omega. On Wednesday, AIR and San Francisco-based ITVS said they would partner to support a second phase of development for selected Localore projects.

Colorado Public Radio is adding an arts news bureau and online arts hub, using a $900,000 grant from Denver’s Bonfils-Stanton Foundation. Max Wycisk, station president, said the grant will “transform the organization” by providing its first full news bureau and expanding music coverage. The grant will fund three full-time staffers for three years: An arts editor and two full-time reporters, one specializing in broadcast reports and the other in digital content. Coverage will include previews and stories about cultural organizations, funding and sustainability of the arts, and arts in education, as well as reviews, interviews, audio and video performances and events calendars.

Kansas Gov. Sam Brownback has proposed cutting state aid to public television and radio by 42 percent in the next two fiscal years. State policymakers allocated $1.04 million to Kansas pubcasters for fiscal 2013. Under the budget proposal unveiled by Republican Gov. Brownback Jan. 16, the total subsidy would drop to $600,000 annually in fiscal 2014 and 2015. Gov. Brownback has previously targeted for public broadcasting even deeper spending cuts: for fiscal 2012, he sought to completely eliminate state aid. Last year he budgeted $600,000 for pubcasting, but legislators increased the appropriation to $1.04 million. In his latest budget, the governor calls for public broadcasters to continue to push for self-sufficiency.

Ashlie Wilson Pendley, a senior producer at Georgia Public Broadcasting, has resigned to protest the station’s decision in December to hire a former state legislator at the suggestion of Gov. Nathan Deal. Pendley detailed her decision to leave the station, where she has worked since 1997, in a letter to GPB President Teya Ryan, reports the Atlanta Journal-Constitution. In the letter, Pendley said former Georgia Sen. Chip Rogers’ salary of $150,000 is “more than  any other Executive Producer, more than many of the Vice Presidents — and all in a time when budget cuts are deep and the rank and file have been told there is no money.

The host of WTTW’s popular restaurant review Check Please! series, which spawned several local versions across the pubcasting system, is departing after 10 years. Alpana Singh is leaving the Chicago program to devote more time to her own new restaurant, The Boarding House, where she is also Master Sommelier. Singh took over hosting duties in the third season of Check, Please! from its original host, Amanda Puck. Previously Singh had worked as Master Sommilier at Everest, and director of wine and beverage for Lettuce Entertain You Enterprises, a major local restaurant company. V.J. McAleer, WTTW senior vice president of production, said the station would begin a search for her replacement soon.

The Chicago station topped several program categories, and its staff took awards for individual achievements in television crafts. Architect Michael Graves: A Grand Tour won for outstanding cultural documentary. It was produced by Daniel Andries with associate producer Elizabeth Reeves and executive producers Dan Soles and V.J. McAleer. Andries and Geoffrey Baer, who wrote the program, received Emmys for outstanding crafts achievement off-air. WTTW’s Kindred, produced by Michael Sternoff, Beth Bennett, Scott Lamps, Marl McLennan, Marnie Sprenger, Maria Bain Ferraro, Jaclyn Foutz, Aj Gomberg and Susan Buchanan, was named outstanding topical documentary. A segment produced by Baer for Chicago Tonight, “En Route,” won for best magazine program feature/section.

A list of attendees at the Jan. 15 pre-bid meeting for KCSM-TV in San Mateo, Calif., reveals only one public broadcasting-related entity so far. Participating via telephone in the meeting were John Schwartz, Kevin Lindsay and Ken Devine of Independent Public Media, which attempted to purchase the station during its first sale attempt. A local entity aligned with IPM, San Mateo Community TV Corp., was one of two finalists the San Mateo County Community College District Board rejected in November 2012, citing lack of proof of financing. The board reopened the bidding process with a new RFP in mid-December that includes options for purchase, or sustaining the station and sharing in the proceeds when its broadcast spectrum is sold off in upcoming auctions.

KLRU in Austin won three statuettes, including one in the community service category for “Light/The Holocaust & Humanity Project 2012,” a contemporary ballet and education program promoting human rights through the arts, education and public dialogue. Cited were Sara Robertson and Karen Bernstein, producers; Betsy Gerdeman, executive producer; Maury Sullivan, community engagement; and Cookie Ruiz, project supervisor. KRLU also won with “KRLU Collective: Asian Occasion” (Eve Tarlo, producer/editor) for arts/entertainment program feature, and “Arts in Context: Trouble Puppet” (Lauren Burton, producer; Mario Troncoso, producer/editor/videographer) for arts/entertainment program. Houston’s KUHT won an Emmy for public and current affairs with “Houston Refugees: Stories of Courage,” produced and hosted by Patricia Gras.

Charles Scruggs, known to Memphis children as “Mr. Chuck”  on WKNO Public Television for more than a decade, died Jan. 18, reports the Commercial-Appeal. He was 80 years old. Beginning in the 1990s, Scruggs hosted Number 10 Friends Circle and Hello Mr. Chuck. “He wasn’t looking for anything or trying to sell any product,” Michael LaBonia, WKNO president, told the local CBS affiliate. “He had genuine interest in trying to help make kids better.” Scruggs also was the first black g.m. of WDIA, the first all-black programming radio station in the nation. And he co-founded the National Civil Rights Museum, securing a personal loan to help purchase the Lorraine Motel, where the Rev.