Independent producer Kartemquin Films posted this petition online to arrange more favorable scheduling than Thursday nights for the indie showcases POV and Independent Lens. See also <Current coverage. Taking Action: PBS Needs Independents
March 15, 2012
The following is an open letter to PBS. We encourage all independent filmmakers and fans of public media to join us as signatories by commenting below, or emailing us at PBSNeedsIndies@kartemquin.com, or tweet #PBSNeedsIndies to us on Twitter. Kartemquin has a long history of supporting public broadcasting, and we feel we must again rise to the challenge in raising our concern, and hopefully awareness and action, over the issues below. As independent filmmakers, as participants in the evolution of public broadcasting, as viewers and as citizens, we protest PBS’ decision to move the two premier strands of independent documentaries, Independent Lens and POV, from their established home on Tuesday nights to Thursday, a night on which local stations program locally-selected material.
“… The architecture of public media has to be reimagined immediately or the millennials will build their own parallel universe separate from the public broadcasting universe their Boomer grandparents live in….”
Having lost its digital projects fund last year, CPB lacks the money to develop the American Archive much further, according to Mark Erstling, senior v.p. The next step is to find an outside institution to adopt and support creation of the proposed archive of public stations’ historic audio, video and films.
That helps explain why professional archivist Matthew White left CPB Jan. 13 after two years as executive director. “It was very clear to him that things were going to change significantly,” Erstling says, and White accepted an offer to lead a “significant” archiving project abroad. White could not be reached for comment. CPB declined Current’s multiple requests for interviews with White over the previous two years.
Bill Moyers, in a speech to public TV program execs in Memphis Nov. 10 , compared today’s public broadcasting system to the half-baked union of the nation’s Articles of Confederation before the adoption of the U.S. Constitution.” Forty years after the founding, our ‘Articles of Confederation’ aren’t working all that well, either,” he said and suggested that public broadcasters call the equivalent of a weeklong constitutional convention to begin a creative “rebirth” and start developing “a structure and scheme for the 2lst century.” “Until we are able to say clearly and comprehensively what it is we really want to do, how much it will cost,” funders won’t wholeheartedly pitch in, he said. Since the second Carnegie Commission in the late 1970s, he said, “we haven’t engaged in a full and frank examination of the system — the full nature of the process — top to bottom and with all the interested internal and external public and private parties participating.”
I can’t tell you how glad I am to be here. Or maybe I can. Last Friday, after filming in Washington for our new series, I was waiting at Union Station for the train back to New York when a woman about my age approached me with a quizzical look on her face. She asked:
“Weren’t you Bill Moyers?”
“Once upon a time,” I answered. She said, “I’ll be darned . . .
The Public Broadcasting Service (“PBS”) is committed to serving the public interest by providing content of the highest quality that enriches the marketplace of ideas, unencumbered by commercial imperative. Throughout PBS’s history, four fundamental principles have guided that commitment. Editorial integrity: PBS content should embrace the highest commitment to excellence, professionalism, intellectual honesty and transparency. In its news and information content, accuracy should be the cornerstone. Quality: PBS content should be distinguished by professionalism, thoroughness, and a commitment to experimentation and innovation.
In 2011, as partisan critics attacked NPR, Frontline chief David Fanning urged public media to specialize in strong journalism. Fanning, who was accepting Quinnipiac University’s annual Fred Friendly First Amendment Award, quoted the famed CBS News producer: public TV’s “most precious right will be the right to rock the boat.”
Memos to public radio stations’ Authorized Representatives (AReps) from NPR and APTS about the Public Media Alliance, a new combined TV and radio lobbying effort, Feb. 15, 2011
From NPR’s chair and president
Fr: Dave Edwards, NPR Board Chair
Vivian Schiller , NPR President & CEO
As you well know in light of this weekend’s news from the House Appropriations Committee, the elimination of federal funding for public broadcasting is a serious threat to the future of over 900 locally run radio stations and 360 television stations — and to the entire public broadcasting economy. To succeed in the face of this challenge we need to make our case forcefully, and use our limited resources wisely. Over the past several weeks, NPR and APTS executives and board members have discussed how we might mount an even stronger advocacy effort. We’ve concluded that our interests and those of the 170 million Americans that rely on public broadcasting each month will be best served by joining forces.
CPB’s website, as of February 2013, carries this document, “Revised February 1, 2011,” redefining the assignment of its ombudsman. Kenneth Tomlinson, past chair of the CPB Board, had prompted controversy by hiring two ombudsmen in April 2005. Charter Establishing the CPB Office of the Ombudsman
The founders of public broadcasting saw a clear need for a “system-wide process of exerting upward pressure on standards of taste and performance.” (The 1967 Carnegie Commission Report, p.36) In addition, the Corporation for Public Broadcasting (CPB) was expected to become the “center of leadership” with a “primary mission…to extend and improve . . .