People
Steve Post, iconoclastic wit at WNYC and WBAI, dies at 70
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Post joined in WBAI’s freeform heyday before hosting Morning Music and The No Show at WNYC.
Current (https://current.org/author/andrew-lapin/page/4/)
Post joined in WBAI’s freeform heyday before hosting Morning Music and The No Show at WNYC.
Seigenthaler hosted A Word on Words, a series of interviews with authors, which will continue to air new Seigenthaler-hosted episodes through September.
Climate Connections will debut on public radio Aug. 18.
Plus: A Reuters photographer chronicles a day in the life of an Elmo impersonator.
In a statement, the station said it was “disappointed” by the decision.
The center is putting a $2.9 million grant toward an offshoot of its “Consider the Source” project.
Drew directed Primary, an early example of cinema verité, and more than a dozen films for PBS.
Margot Adler, a longtime NPR correspondent and former contributor to Pacifica Radio, died July 28 after a three-year battle with cancer. She was 68. The granddaughter of renowned Viennese psychotherapist Alfred Adler, she began her radio career in the mid-1960s as a volunteer reporter for Pacifica’s KPFA in Berkeley, Calif. Adler then moved to New York and joined Pacifica’s WBAI in 1972, launching and appearing on local talk shows. In 1978 she joined NPR as a freelance reporter covering New York and became full-time the following year.
Joy Parker, a station relations and web coordinator for WXXI in Rochester, N.Y., died July 12 after a years-long battle with ALS. She was 43. Parker joined the TV station in 1996 as an operations technician. In 2002 she was promoted to segment producer on programs such as Need to Know and Assignment: The World, and she worked as an associate producer on the local documentary Crucible of Freedom. “She always brought a lot of energy to her projects,” said Marion French, WXXI’s v.p. of education and interactive services and Parker’s supervisor.
• Public media’s coverage of the conflict in Israel and the Gaza Strip has some audience members questioning news outlets’ objectivity. Last week, PBS Ombudsman Michael Getler and NPR Ombudsman Edward Schumacher-Matos published a total of three blog posts about coverage of the battle between the Israeli Defense Forces and Hamas, rounding up complaints from readers with diverging criticisms.
Getler focused on the PBS NewsHour’s coverage of the conflict in his two reports. In the first, he fielded complaints about the show’s selection of guests and its usage of the term “occupied.” The second column concerned Gwen Ifill’s interview with a UNICEF specialist regarding civilian casualties in Gaza, which Getler said prompted more mail than any segment since the conflict started. Schumacher-Matos took a broader view of NPR’s reporting on Gaza within Morning Edition, All Things Considered and newscasts, touching on subjects such as guest selection and the religious affiliations of the network’s on-the-ground reporters.
Motel parking lots and other Vermont locations spawned a radio network’s search for personal accounts of drug addiction.
Amgott was one of the first female producers in TV news.
Plus: AIR releases a Kickstarter tutorial, and a small Washington state community approves public access TV.
Madison Hodges, a longtime manager of public radio stations and advocate for the system who worked to increase the community impact of pubcasters nationwide, died July 18 in Tallahassee, Fla., from cardiac arrest following treatment of a rare bone cancer. He was 66. Hodges ran several university-licensed public radio stations over the course of his career and served as executive director of the University Station Alliance. He also oversaw station services at NPR and spearheaded initiatives with the Public Telecommunications Facilities Program to increase community involvement, help licensees secure CPB funding, identify gaps in public radio’s coverage and quantify stations’ community impact for license-holders. He began his broadcasting career as a reporter for a commercial radio station in Little Rock, Ark., before joining the city’s public radio station, KUAR.
The pubcaster is restructuring its news division, with little effect on programs airing on stateside pubmedia.
Public media employees have increasingly sought to organize unions during the past two years, spurred by expanding newsrooms, shifting management priorities and a desire for more influence in strategic planning.
Plus: Roger Ebert’s hand-picked protege on why PBS’s At the Movies reboot failed.
A rejiggered phone booth from New York Public Radio, a mobile app produced by StoryCorps and a public-records data tool from the founder of FOIA Machine are among the 16 recipients of grants from this year’s Knight Foundation Prototype Fund. The foundation’s annual contest awards six-month, $35,000 grants to help recipients develop early-stage media ideas. Winners were announced Thursday. “While six months and a $35,000 grant might not always be enough to finish version one of a project, it can go a long way towards validating an assumption, developing a minimum viable product or identifying a need to revise an approach,” Chris Barr, a media innovation associate with Knight, wrote in a release. This year’s pubmedia and nonprofit media prototype grant winners include:
Talk Box, a New York Public Radio project to turn select New York City phone booths into “a direct, two-way line to the New York Public Radio newsroom.”
DIY StoryCorps, a mobile app from StoryCorps that will allow users to record and upload stories on their own, without visiting a StoryCorps booth.
Plus: Lightning strikes twice for Delmarva Public Radio.
Plus: Scott Nourse joins PBS Digital, and the Radiolab guys visit Colbert.