• U.S. Rep. John Dingell, who helped sign the 1967 Public Broadcasting Act into law and remained a staunch supporter of pubcasting, is retiring after a record 58 years in Congress. “I find serving in the House to be obnoxious,” the 88-year-old Michigan Democrat said at a Monday luncheon. “It’s become very hard because of the acrimony and bitterness, both in Congress and in the streets.”
• March Madness is approaching quickly, but this bracket competition has nothing to do with basketball. WHYY in Philadelphia is sponsoring PBS vs. NPR: Public Media Madness, which encourages pubmedia fans to vote for their favorite TV and radio personalities.
The broadcast union SAG-AFTRA said Wednesday that it had secured a majority of votes to represent staff members at Chicago Public Media. SAG-AFTRA said it would represent 49 editorial members of Chicago Public Media, the pubcaster that operates WBEZ and Vocalo. In September, 36 full-time editorial staff members and three additional employees signed a petition seeking union representation and presented it to CPM interim CEO Alison Scholly. “We have great leaders and a committed board and we believe organizing as staff members is an important step to achieving the goals we all share here: producing excellent journalism that serves the public and making this important local institution even stronger than it is today,” said Rob Wildeboer, criminal and legal affairs reporter for WBEZ, in a prepared statement. The National Labor Relations Board conducted the election, which took place Dec. 18.
Editorial employees at Chicago Public Media filed a petition to unionize with the National Labor Relations Board Oct 18 after earlier efforts to gain recognition from management were rebuffed. Nearly 80 percent of the 54 employees who work at CPM as on-air talent, producers, web staff, reporters, editors and production assistants support the petition, according to a statement provided by the employees. The group initially notified interim CEO Alison Scholly of their request for union recognition Sept. 25. That request was rejected Oct.
Programs produced by Chicago’s WBEZ, New York’s WNYC and Miami’s WLRN won awards from the Third Coast International Audio Festival, handed out Oct. 20 at the organization’s Filmless Festival in Chicago.
When Torey Malatia unexpectedly announced his resignation as president of WBEZ licensee Chicago Public Media Friday, July 26, news of the longtime leader’s exit reverberated across Chicago media and public radio.
Presented by NPR’s Scott Simon in Cleveland June 22, Public Radio News Directors Inc. honored the best local public radio news in 16 categories based on the size of stations’ newsroom staff. In addition, PRNDI recognized stations for standout news reporting edited by a national producer; these awards were presented in several categories without consideration of newsroom size. Top winners among this year’s contenders were Colorado Public Radio, Chicago’s WBEZ, WUOT of Knoxville, Tenn., and WBGO in Newark, N.J., which each received four first-place awards in their divisions. Miami’s WLRN and WBFO in Buffalo, N.Y., both topped three categories. CPR, WBEZ, and WLRN competed amongst stations with the largest newsrooms: Division A, for newsrooms staffed by five or more full-time journalists.
WLRN in Miami won large-market radio Murrows for feature reporting and use of sound. Chicago’s WBEZ also won for news documentary and hard-news reporting. The award for investigative reporting went to KQED and the Center for Investigative Reporting, both based in San Francisco, for “Broken Shield: Exposing Abuses at California Developmental Centers.”
Public radio reporters took all nine awards for radio reporting in this year’s Sigma Delta Chi Awards, which recognize outstanding reporting on radio, TV and the Web by national and local news organizations. NPR’s Ina Jaffe, Quinn O’Toole and Steven Drummond won for breaking news reporting (network syndication) for “Los Angeles VA Has Made Millions on Rental Deals.” For investigative reporting, John Ryan and Jim Gates of KUOW in Seattle were cited among stations in markets 1–100 for “Shell’s Arctic Oil-Spill Gear ‘Crushed Like a Beer Can,’” while Sandy Hausman of WVTF and Radio IQ in Roanoke, Va., won in the 101+ market category for “Naming the Fralin,” about naming the University of Virginia Art Museum. In the feature categories, Linda Lutton, Cate Cahan and Sally Eisele of Chicago’s WBEZ won for “The weight of the city’s violence, on one school principal,” and Lance Orozco of KCLU in Thousand Oaks, Calif., for “My Cancer.”
NPR’s State of the Re:Union, co-distributed by Public Radio Exchange, won the syndicated documentary award for “As Black as We Wish to Be,” which explored an Appalachian foothills town in Ohio where residents who look white identify as African-American; it was reported and produced by Lu Olkowski, Laura Spero, Taki Telonidis and Al Letson. Alabama Public Radio’s “Winds of Change,” coverage by Pat Duggins, Ryan Vasquez, Maggie Martin and Stan Ingold of a Tuscaloosa tornado, won for smaller-market documentary. The public service in radio journalism winners were “If it’s legal: Five ways legal pot could affect your life,” by the staff of Seattle’s KPLU (markets 1–100); Charles Lane and Naomi Starobin of WSHU in Fairfield, Conn., for “State struggled at fire prevention ahead of Manorville blaze.”
In the television categories, San Francisco’s KQED and the Center for Investigative Reporting won for large-market (1–50) documentary for “Heat and Harvest,” a report on the effect of climate change on California agriculture by Mark Schapiro, Serene Fang, Gabriela Quiros and Craig Miller.
NPR stations won 82 large-market regional Murrow Awards, while small-market pubcasters captured 91. Among all stations, WLRN in Miami topped public radio’s regional winners by taking 11 awards in 13 Murrow categories: overall excellence, breaking news, continuing coverage, feature reporting, investigative reporting, news documentary, new series, hard-news reporting, use of sound, writing and website. “We feel thrilled and humbled by the honor,” said Dan Grech, news director. “I couldn’t be prouder of the team.”
Four additional large-market pubcasters each won six Murrows: KQED in San Francisco, WBEZ in Chicago, KUT in Austin and WBUR in Boston. And four large-market stations each won four Murrows: KUOW in Seattle; St.
Dubbed the “2032 Membership Drive,” the station’s newest citywide marketing blitz encourages young “interesting people” to “make babies” who will grow up listening to public radio. The ads appear on billboards and buses; a Facebook app created for the campaign has a matchmaking feature to help curious listeners connect.
From exploring underground tunnels to tracking the evolution of the Chicago accent, Curious City is an unconventional spin on community-based public media reporting.
Torey Malatia’s argument against “advocacy journalism” — leveled at Smiley & West after Chicago’s WBEZ carried the program for two years — is merely a weapon of mass distraction from the real issue.
In a pluralistic America, public media is a central resource for promoting inclusiveness in civic engagement. This misson-based role has become even more important in today’s broadcast and digital media environment, in which content is tailored exclusively to audiences based on their ideology and beliefs.
Two commercial radio stations in Chicago have picked up the weekly Smiley & West show after it was dropped from WBEZ, the city’s public radio news outlet. WCPT, a progressive talk station, began airing the show Sunday, Nov. 4 at 3 p.m. and will add it to its three FM stations starting in January. It also picked up The Tavis Smiley Show for its weekend lineup. WVON-AM, which targets an African-American audience, will debut Smiley & West Saturday at 11 a.m.
WBEZ canceled the show hosted by author and broadcast host Tavis Smiley and activist and critic Cornel West last month, citing a drop in audience.
