Quick Takes

POV announces 26th season lineup, plans a move to Mondays

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After a season of bad press following PBS’s much-maligned 2012 decision to move its flagship independent documentary program POV from Tuesday nights to Thursdays, the show will move to Mondays for its 26th season, which premieres June 24. POV announced the lineup for its new season today. The program is also building off another recent round of good news: a $1 million grant from the MacArthur Foundation on Feb. 28. Its premiere episode will be Homegoings, a documentary about Harlem undertakers that was selected as part of the New York Museum of Modern Art’s 2013 Documentary Fortnight. The lineup, with 15 national broadcast premieres and two encore presentations, will also include the Oscar-nominated Palestinian film 5 Broken Cameras on Aug.

People

POV’s American Promise wins special jury award for U.S. docs

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The 90-minute feature was produced and directed by Joe Brewster and Michèle Stephenson, a married couple who traced the education of two African-American boys — their own son and his best friend — at a private school in Manhattan from 1999 through 2012. “All American families want to give their children the opportunity to succeed. But the truth is, opportunity is just the first step, particularly for families raising black boys,” said Stephenson. “We hope American Promise shines a light on these issues.”

The film had its world premiere at the 2013 Sundance Film Festival in Park City, Utah, Jan. 21 and received the award Jan.

Programs/Content

POV and StoryCorps each receive $1 million from MacArthur Foundation

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American Documentary, home to PBS’s independent film showcase POV, and StoryCorps, the oral history project heard on NPR, are each receiving $1 million from the MacArthur Foundation’s latest round of Awards for Creative and Effective Institutions. The grants, awarded to 13 recipients in five countries, help ensure the long-term sustainability of each organization, according to the foundation. “The award is not only recognition for past leadership and success but also an investment in the future,” the Chicago-based foundation said in the Feb. 28 announcement. “Organizations will use this support to build cash reserves and endowments, develop strategic plans and upgrade technology and physical infrastructure.”

Organizations do not apply for the awards; rather, MacArthur nominates and selects them.

Programs/Content

POV, StoryCorps get $1 million each from MacArthur Foundation

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American Documentary, home to PBS’s independent film showcase POV, and StoryCorps, the oral history project heard on NPR, are each receiving $1 million as recipients of the latest round of MacArthur Foundation Awards for Creative and Effective Institutions, announced today. The grants help ensure the long-term sustainability of the winners, 13 organizations in five countries, according to the foundation. “The award is not only recognition for past leadership and success but also an investment in the future,” the Chicago-based foundation said in the announcement. “Organizations will use this support to build cash reserves and endowments, develop strategic plans and upgrade technology and physical infrastructure.”

Organizations do not apply for the awards; rather, MacArthur nominates and selects them. To qualify, the foundation said, nonprofits must “demonstrate exceptional creativity and effectiveness; have reached a critical or strategic point in their development; show strong leadership and stable financial management; have previously received MacArthur support; and engage in work central to one of MacArthur’s core programs.”

Quick Takes

Oscar-nominated POV filmmaker detained at airport

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Palestinian documentary filmmaker Emad Burnat, whose Oscar-nominated film 5 Broken Cameras received funding from PBS’s POV, was detained Feb. 20 at Los Angeles International Airport after arriving in the country for Sunday’s Academy Awards ceremony. The news that Burnat had been held for one and a half hours was first tweeted by friend and fellow documentary filmmaker Michael Moore. Burnat later released a statement confirming that he and his family had been detained and threatened with deportation and that they had been forced to provide proof that he had been nominated for an Oscar. “Although this was an unpleasant experience, this is a daily occurrence for Palestinians, every single day, throughout the West Bank,” Burnat said.

Programs/Content

A growing push for data-driven documentary filmmaking

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Wendy Levy, the director of arts consultancy group New Arts AXIS, called for documentary filmmakers to embrace big data tools as a permanent part of their storytelling process during the keynote address at the Media That Matters Conference, held Feb. 15 in Washington, D.C.

People

POV captures five of PBS’s nine news and documentary Emmys

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PBS topped all the other broadcast networks, as runners-up ABC and CBS each won seven. POV’s “Last Train Home,” a film about Chinese migrant workers who go home to celebrate New Year’s, won in two categories — best documentary and outstanding business and economic reporting (long form) — while “Armadillo,” which tracked Danish soldiers in Afghanistan, was cited for editing in the documentary and long form category. Also in the long-form category, “Enemies of the People,” which examined Cambodia’s killing fields, won for outstanding investigative journalism; and “Where Soldiers Come From,” about National Guard recruits from northern Michigan, was cited for its continuing coverage of a news story. All films aired during 2011, POV’s 25th season. “Many of the filmmakers honored tonight have taken tremendous risks to tell these stories of common people caught up in extraordinary circumstances,” said Cynthia López, co-executive producer of POV.

Quick Takes

New class of MacArthur fellows includes two POV filmmakers

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Two acclaimed filmmakers whose work has been featured on the documentary showcase  POV on PBS were among the 2012 “Genius Grant” recipients, announced Monday by the  John D. and Catherine T. MacArthur Foundation. Natalia Almada and Laura Poitras, along with the 21 other grantees, will each receive $500,000 paid over five years. Almada, based in Brooklyn and Mexico City, produces works that spotlight the conflict and turmoil of individual lives in Mexico, as well as the complex realities of immigration. Three of her films have been featured on POV, including 2005’s Al Otro Lado and 2009’s El General. Her most recent work, El Velador (The Night Watchman), aired on Sept.

People

StoryCorps’ multiplatform production on the anniversary of 9/11 earned a prize for public radio and TV.

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The Peabody-winning segment aired on NPR’s Morning Edition and featured interviews that had been adapted as animated shorts for PBS’s POV. The award, one of nine presented for pubcasting programs this year, recognized the oral history project’s treatment of interviews with the relatives of 9/11 victims in commemoration of the 10th anniversary of the 2001 attacks on New York’s World Trade Center. NPR received two additional trophies for its radio reporting. Judges cited “Arab Spring from Egypt to Libya” by foreign correspondent Lourdes Garcia-Navarro for “exemplary coverage throughout the Middle East,” and “Native Foster Care: Lost Children, Shattered Families,” a three-part NPR News Investigation by Laura Sullivan and Amy Walters. POV received another Peabody for “My Perestroika,”a doc following five young Russians over several years after the collapse of communism.

Programs/Content

PBS weighs new night for Indie Lens, POV, after uproar

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PBS has agreed to consider “alternative scheduling options” for the independent production showcases Independent Lens and POV, which lost carriage and audience after the network moved their shared time slot from Tuesday to Thursday nights. By late last week, several hundred producers had signed an online petition started by Chicago-based Kartemquin Films after Current reported March 15 [2012] on negotiations over scheduling of the series. The petition concludes: “We are deeply concerned that PBS’ poorly considered decision could jeopardize both the meeting of public broadcasting’s mission and . . .