RTDNA national Murrow Awards for 2009

NPR won four national Edward R. Murrow Awards in latest RTDNA contest honoring excellence in electronic journalism. Top winners among the 14 additional public radio newsrooms recognized by the Radio Television Digital News Association for 2009  include Boston’s WBUR, honored for overall excellence among large-market radio stations, and Michigan Radio’s The Environment Report, cited for best news series in the radio network division. Among five public radio outlets that won in the small-market division, North Country Public Radio in Canton, N.Y., won a Murrow for investigative reporting by David Sommerstein and WSHU in Fairfield Conn., for Charles Lane’s continuing coverage of attacks against Latinos in Patchogue, Long Island. The national Murrow for overall excellence among broadcast-affiliated websites went to NPR.org, which was redesigned last summer to highlight news headlines and feature more visual elements. NPR’s winning news reports include:

A Familiar Enemy for Platoon,” a two-parter reported by Tom Bowman and Graham Smith, sharing the national Murrow for hard news reporting;

“Friday Night Lives,” a series on high school football by Tom Goldman and Mike Pesca, for sports reporting;
“Can I Just Tell You?,” commentaries by Tell Me More host Michel Martin, for writing; and

“In the Kennel: Uncovering a Navy Unit’s Culture of Abuse,” an investigation of hidden abuses of homosexuals in the military by Youth Radio’s Rachel Krantz, aired on All Things Considered.

George Foster Peabody Awards for 2009

 

Producers for public broadcasting — and developers for its websites — received 14 Peabody Awards, announced March 31, 2010
Regarding websites, the judges honored two in public media:

Sesame Street’s (“prodigious adaptability . . . delightfully educational, interactive,” the Peabody announcement said) website
NPR’s (“one of the great one-stop websites. And there’s music you can dance to”) website

Peabodys went to six PBS programs — double the number won by any other organization:

“Jerome Robbins: Something to Dance About,” about the great New York choreographer, from WNET/American Masters, produced and directed by Judy Kinberg, with Susan Lacy, e.p. — website

“The Madoff Affair” from RAINmedia and WGBH/Frontline, written and produced by Marcela Gaviria and Martin Smith, edited by Jordan Montminy, with Chris Durrance, co-producer — website, watch online

two films on Independent Lens—

“The Order of Myths,” about the black and white Mardi Gras traditions of Mobile, Ala., by Margaret Brown, with Folly River Inc., Netpoint Productions, Lucky Hat Entertainment and ITVS (“highly original, moving and insightful”) — website
“Between the Folds” from Green Fuse Films and ITVS about the art of paper-folding (“makes you gasp at the possibilities — of paper and of human creativity”) — website

“Endgame,” a dramatization of secret talks that helped end apartheid in South Africa, from Daybreak/Channel 4/Target Entertainment, presented on WGBH’s Masterpiece Contemporary — website

“Inventing LA: The Chandlers and Their Times,” from KCET, Los Angeles (“drama enough for several feature films”), written, directed and produced by Peter Jones, with Brian Tessier, supervising producer, and exec in charge, Bohdan Zachary — website

KCET also scored with with its regional broadcast SoCal Connected—specifically two reports on the medical-marijuana conflict (“lively, eye-opening coverage”)—“Up in Smoke” by correspondent Judy Muller, producer Karen Foshay and editor Alberto Arce, and  “Cannabis Cowboys” by reporter John Larson, producer Rick Wilkinson, editor Michael Bloecher, and associate producer Alexandria Gales.

Jim McEachern, 71, NPR’s point man for infrastructure

Jim McEachern, who was the principal technical leader for the Public Radio Satellite System for its first two decades and was a key planner of NPR’s technical facilities, died March 3 at age 71. He was one of NPR’s first employees in 1971 and worked for the network for 33 years until he retired in 2004. McEachern leaves his wife, Mary E., children Terrance, Elizabeth and Molly, and sister Janet Macidull. The family will hold a celebration of his life Saturday, April, 3, at the Unitarian Universalist Church in Rockville, Md. In lieu of sending flowers, friends may donate to their local public radio stations.

News cycle attracts record listening

NPR programming on public radio stations topped its previous audience record by reaching 27.5 million listeners a week during Arbitron’s fall 2008 survey period. The weekly cume audience for all NPR programs and newscasts, Sept. 10 to Dec. 10, beat the previous high of 26.4 million set last spring. It is one of several ratings gains announced March 23 by NPR Research:

Measuring audiences for non-NPR as well as NPR programs on those member stations, the weekly cume hit another all-time high, 32.7 million, 6 percent larger than fall 2007.

Schiller: ‘No reason for NPR to go it alone’ on the Web

An often touted and tabled proposal to recast public radio’s web presence as a combination of content from NPR and its member stations is gaining traction among leaders in the field. With strong support from its new president, Vivian Schiller, NPR is beginning to plan a pilot project that would demonstrate how stations’ local news efforts could be integrated with NPR content. Creation of a news portal that integrates pubradio’s world, national and local news coverage will also be endorsed by Grow the Audience, a research and consultation project managed by the Maryland-based Station Resource Group and funded by CPB. The recommendation in the Grow the Audience report, which has yet to be released, was developed in consultation with web strategists who described the online service opportunity that public radio could seize, said Tom Thomas, SRG co-chief executive. The report will call for pubradio to build a collaboratively managed “world-class public-service media news portal” that integrates international, national and local content.

Schiller hit ‘every point’ on NPR’s c.e.o. wish list

NPR’s next president made one giant leap in the news business two years ago when she moved from long-form documentary production into digital media for the New York Times Co., but it wasn’t the first or the last of Vivian Schiller’s career.In the early 1980s, Schiller was living in the Soviet Union, working as a translator and guide for professional groups touring the country, when she was hired as a “fixer” for the Turner Broadcasting System. The job required her to do everything from translating during negotiations for TV productions to making dinner reservations, and it gave her an entrée into television. “I fell in love with media,” she said. Schiller rose from entry level to executive v.p. of CNN Productions, an award-winning documentary unit. Her predecessor in the job was Pat Mitchell, who left CNN in 2000 to become PBS president.

More power for HD Radio, more buzz on analog

An extensive study by NPR Labs points to significant trade-offs between the audience reach of digital HD Radio and the amount of interference to analog FM. Even though its transmission power is just 1 percent of analog FM’s, its range for listeners in cars comes close to equaling analog,  the CPB-funded study found. But HD reaches areas including little more than one-third as many indoor listeners. To extend its range, the National Association of Broadcasters in January joined other industry groups advocating an optional power boost for HD Radio, permitting stations to emit digital signals at 10 percent of analog transmitters’ power. The FCC has not yet begun a proceeding to consider the change.

What can come of NPR’s release of an API giving access to its story database?

Posted in Current’s former online forum, DirectCurrent, by moderator Steve Behrens on July 17, 2008 at 12:28pm
Last year, public radio’s Digital Distribution Consortium Working Group predicted (see page 10) that freeing content could result in mashups such as “a Hidden Kitchens regional food content site that mashes up DDC audio and video content with Google Maps and Flickr photos about local restaurants and food events; a Science Talk site that draws on DDC science content combined with selected blog posts on related topics.” And there probably will be much more significant unforeseen innovations, as the DDC authors would probably agree. But to media traditionalists, freeing content also rips it from a relatively concrete “place” (radio station or website) that carries underwriting and is clearly associated with an institution that seeks to generate good will and membership, subscription, foundation or taxpayer support. Thus the freed content gets much-improved distribution, and probably added value from the mashing-up. But the institutions best positioned to reap revenue are companies like Google that put relatively little money into generating content themselves.

50 miles from epicenter

It was purely by chance that a team of veteran NPR journalists was working in Chengdu, the capital of China’s Sichuan province, on May 12 [2008] when the destructive force of a 7.9 magnitude earthquake, its epicenter just 50 miles away, killed some 70,000 people and left millions homeless. “You never want to feel you’re lucky to be somewhere when a huge disaster strikes,” said Andrea Hsu, the All Things Considered producer who managed advance logistics for ATC’s first weeklong broadcast from a foreign country. Hsu was one of four NPR journalists in Chengdu when the earthquake struck, turning the tiny news operation she had set up in a Sheraton hotel into the only Western broadcast news source for coverage of the disaster. After a scouting trip in February, ATC chose Chengdu as its home base for a week of special broadcasts, May 19-23, intending to introduce listeners to a region of China rarely covered in Western media. The city was more ethnically diverse than most and boasted an interesting cultural history, and local officials seemed open-minded about granting access to NPR’s journalists, Hsu recalled.  Plus, the local food was really good.

Stern’s latest credit: completing the search for NPR’s future home

In 2012, when NPR moves to its recently acquired headquarters site seven blocks east of its present home, it will have much more room for growth than it had after its last move, with as much as four times the floor space. In 1994, when the network moved into its present home, 635 Massachusetts Ave. N.W., it had about 400 employees. The building, with less than 150,000 square feet, could accommodate just 480, NPR said at the time. The space was soon outgrown.

Stern lost support in his tryout as No. 1 at NPR

There was no single reason why the NPR Board ended Ken Stern’s 18-month run as chief executive officer — or at least none that any participant in the decision would describe publicly after Stern’s abrupt exit March 6 [2008].

Stern’s latest credit: completing the search for NPR’s future home

In 2012, when NPR moves to its recently acquired headquarters site seven blocks east of its present home, it will have much more room for growth than it had after its last move, with as much as four times the floor space. In 1994, when the network moved into its present home, 635 Massachusetts Ave. N.W., it had about 400 employees. The building, with less than 150,000 square feet, could accommodate just 480, NPR said at the time. The space was soon outgrown.

Stern lost support in his tryout as No. 1 at NPR

There was no single reason why the NPR Board ended Ken Stern’s 18-month run as chief executive officer — or at least none that any participant in the decision would describe publicly after Stern’s abrupt exit March 6 [2008]. Judging from what board members, station execs and other observers are willing to say, it came down to a lack of confidence in Stern’s ability to lead the organization in directions that public radio’s various stakeholders — especially NPR stations — could embrace. “I can’t comment on the nature of that decision,” said Dennis Haarsager, a longtime station leader now serving as interim c.e.o., “except to say that it was more forward-looking as opposed to backward. No malfeasance should be imputed from this.”

Indeed, Stern’s fans and critics alike say he contributed significantly to strengthening NPR’s financial standing and positioning it as a news organization capable of global coverage. Stern did not respond to Current’s interview request through NPR’s spokesperson.