System/Policy
Alaska Public Media to expand broadcast reach through acquisition of TV station
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The station, previously a CBS affiliate, reaches more than 85,000 viewers in southern Anchorage.
Current (https://current.org/current-mentioned-stations/wrkf/page/521/)
The station, previously a CBS affiliate, reaches more than 85,000 viewers in southern Anchorage.
The CWA unit representing StoryCorps workers is challenging how management handled recent layoffs, alleging retaliation.
The PBS Board of Directors elected Don Baer of Burson-Marsteller Worldwide as its new chair Wednesday, promoting him from vice-chair during a meeting at headquarters in Arlington, Va. The board also confirmed Baer, c.e.o. of the public relations and communications firm, for a second term on the 27-member governing body. His career includes nearly a decade at Discovery Communications, in roles from producer to senior executive, and working as senior adviser to President Bill Clinton and as a journalist for publications including U.S. News & World Report. Continuing as general vice-chair is American Council on Education President Molly Corbett Broad, also re-elected to the board. Jack Galmiche, president of Nine Network in St.
PBS Digital Studios is commissioning the digital media unit at New York’s WNET to produce 40 episodes for two new YouTube series, marking its first major content collaboration deal with a PBS member station. WNET’s Interactive Engagement Group will create short-form videos about gender identity. WLIW, the station’s Long Island affiliate, will produce a series on consumer technology. PBSDS will co-produce both. Representatives at PBS and WNET declined to discuss the value of the contract, which was announced Wednesday.
Acorn TV, the upstart streaming service specializing in British television, is still a tiny operation, with about 115,000 paid subscribers. Nonetheless, its fast growth is causing outsized concern at PBS and Masterpiece, public television’s longstanding home for British drama. Brewing tensions came to a head over rights to the final three episodes in David Suchet’s marathon 70-program portrayal of Agatha Christie’s Belgian detective Hercule Poirot. As a result of the rift, Acorn TV premiered the episodes to its streaming subscribers in August and syndicated them directly to local public TV stations, with Masterpiece nowhere in the picture. The broadcast window for the finale’s broadcast opens Nov.
Hawaii Public Radio overcame a brief panic about whether it could reach the goal for its fall pledge drive and exceeded it by about $7,000, wrapping up the campaign Oct. 16. The station had set a goal of $1.03 million, to be reached after a 10-day drive ending Oct. 10. But when that date arrived, HPR was still about $200,000 short of the mark.
Mina Kim is the new Friday host for Forum with Michael Krasny, a live public affairs program on KQED-FM in San Francisco.
At least three filmmakers affiliated with public media will receive part of $2 million in grants for documentaries announced today by the MacArthur Foundation. The foundation received nearly 400 proposals and is awarding 15 projects with cash ranging from $50,000 to $300,000. Filmmaker Robert Kenner, who previously directed the Academy Award nominee Food Inc., is receiving $200,000 to direct Command and Control for WGBH in Boston. The film is based on Eric Schlosser’s critically acclaimed book that examines the safety of America’s nuclear weapons arsenal. Chicago-based filmmaker Ines Sommer is getting $150,000 for Count Me In, which follows several residents in a “participatory budgeting” experiment that gives them direct say over portions of taxpayer spending in the city’s budget.
Plus: An NPR and KQED founder dies, and a TV critic questions PBS’s programming.
Jian Ghomeshi, host of CBC Radio’s Q, said Sunday that he was fired by the Canadian pubcaster over a threat about allegations regarding his sex life going public. In a lengthy Facebook post, the ousted host said that an ex-girlfriend had been collaborating with a freelance writer on a story that would claim that Ghomeshi had been abusive in their relationship. The former host said the allegations were without merit and that he had filed a $50 million (Canadian) lawsuit against the CBC over his firing. Ghomeshi acknowledged that the relationship had included “rough sex (forms of BDSM)” but that all activities had been consensual. CBC executives agreed that “information provided showed that there was consent,” he wrote: “They said they’re not concerned about the legal side.”
The FCC has postponed its auction of television broadcast spectrum to early 2016, according to a blog post on the commission website Friday. Gary Epstein, chair of the Incentive Auction Task Force, wrote that “court challenges to the auction rules by some broadcasters have introduced uncertainty” into the run-up to the auction, which is mandated by Congress to clear broadcast bandwidth for the growing number of mobile devices. Under the FCC’s earlier timetable, the auctions had been slated for mid-2015. Though Epstein didn’t identify the court cases, two organizations’ complaints have been consolidated and are pending before the before the D.C. Circuit of the U.S. Court of Appeals. The National Association of Broadcasters filed a petition in August, challenging the FCC’s methodology for predicting coverage areas of TV stations among other elements.
A new marketing campaign mounted by Philadelphia’s WXPN-FM takes aim not at other local radio stations but targets the threat of online music services such as Pandora and Spotify. The Triple A station launched a six-week campaign last week to bolster recognition of the station in its market, attract new members and try to lure people away from online competitors. The “Vinyl at Heart” campaign features bus wraps and billboards as well as refresher campaigns and live events. Research commissioned by the station four years ago sowed the seeds for the new campaign by revealing untapped potential for new listeners in the Philadelphia market. “One of the key findings was that of the people in the region that liked the kind of music we play, only half knew we even existed,” said Roger LaMay, WXPN’s g.m. “It wasn’t shocking, but nonetheless it was one of those findings that grabs you and says you need to do something.”
Those results paralleled a study of classical music listeners presented at last month’s Public Radio Program Directors conference.