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The U.S. public wants more news coverage of climate change, surveys find

As hurricanes, floods, wildfires, and heat waves have intensified over the past decade, public concern about climate change has grown dramatically. Today, 65% of the U.S. public is worried about the issue, up from 52% a decade ago, according to nationally representative surveys conducted by scientists at Yale University and George Mason University.

KCSM-TV discontinues MHz programming, citing FCC regulations

KCSM-TV in San Mateo, Calif., has dropped international programming from MHz Networks after determining that the programs did not meet legal requirements for noncommercial stations. MHz and KCSM negotiated for several months before the station discontinued the content July 15, said Jan Roecks, v.p. of administrative services for licensee San Mateo Community College District, which operates KCSM. KCSM’s website notes, “We complained to MHz repeatedly regarding underwriting and political call-to-action messages that did not comply with FCC regulations. MHZ has been either unable or unwilling to bring its broadcasts into compliance with the applicable requirements.”

KCSM Technology Director Michele Muller declined to provide examples. The station’s attorney, Larry Miller of the Washington, D.C. firm Schwartz, Woods & Miller, characterized the situation as a “private contractual dispute.” Miller hasn’t heard of other MHz client stations raising similar issues.

Joy Parker, WXXI station relations and web coordinator, dies at 43

Joy Parker, a station relations and web coordinator for WXXI in Rochester, N.Y., died July 12 after a years-long battle with ALS. She was 43. Parker joined the TV station in 1996 as an operations technician. In 2002 she was promoted to segment producer on programs such as Need to Know and Assignment: The World, and she worked as an associate producer on the local documentary Crucible of Freedom. “She always brought a lot of energy to her projects,” said Marion French, WXXI’s v.p. of education and interactive services and Parker’s supervisor.

Monday roundup: PBS, NPR ombuds address Gaza reporting; commercial TV station tries memberships

• Public media’s coverage of the conflict in Israel and the Gaza Strip has some audience members questioning news outlets’ objectivity. Last week, PBS Ombudsman Michael Getler and NPR Ombudsman Edward Schumacher-Matos published a total of three blog posts about coverage of the battle between the Israeli Defense Forces and Hamas, rounding up complaints from readers with diverging criticisms.

Getler focused on the PBS NewsHour’s coverage of the conflict in his two reports. In the first, he fielded complaints about the show’s selection of guests and its usage of the term “occupied.” The second column concerned Gwen Ifill’s interview with a UNICEF specialist regarding civilian casualties in Gaza, which Getler said prompted more mail than any segment since the conflict started. Schumacher-Matos took a broader view of NPR’s reporting on Gaza within Morning Edition, All Things Considered and newscasts, touching on subjects such as guest selection and the religious affiliations of the network’s on-the-ground reporters.

Bresnahan to lead two Central Illinois TV stations as dual president

Moss Bresnahan will become the public television system’s first dual president when he takes over in September at WTVP-TV in Peoria, Ill., and WILL-TV, 90 miles to the east in Urbana-Champaign. He succeeds interim dual General Manager Chet Tomczyk, who delayed his retirement from WTVP to temporarily lead the two stations. Tomczyk has been in charge of WTVP, a community licensee, and WILL, part of the College of Media at the University of Illinois, since September 2013. The unique agreement was designed to foster more collaboration on content between the stations and to save on salary costs. “We have two great stations here, and the staff at each is so dedicated and has such a great legacy,” Bresnahan said in an announcement Friday.

First scripted series from PBS Digital Studios updates Frankenstein for modern age

BEVERLY HILLS, Calif. — You have to love the irony. The first scripted narrative series from PBS Digital Studios is a modern update of Frankenstein, the science-fiction classic about creating new life. Just as in Mary Shelley’s timeless Gothic tale, PBS Digital Studios is using the latest in science and technology in its experiments to breathe new life into PBS programming. PBS Digital Studios, launched in March 2012, will premiere Frankenstein M.D. Aug.

Fibs, Yiddish and Crosbys: tidbits from PBS’s press tour

BEVERLY HILLS, Calif. — They don’t make the front page, but the comments and observations of panelists during PBS’s portion of the Television Critics Association press tour are often surprising and revealing. PBS’s two-day segment, which concluded here Wednesday night, included a rare confession from Henry Louis Gates Jr. and a takedown of Jenny McCarthy, whose opposition to vaccines has made her the bane of public-health officials. Here are some highlights. “Kind of a fib”

Gates, executive producer and host of Finding Your Roots 2, says celebrities rarely turn him down when he asks them to join him on a televised exploration of their ancestries.

NEH awards $2 million to pubmedia projects

Seven public media projects got a boost July 21 with the announcement of grants from the National Endowment for the Humanities, which included almost $2 million for pubcasters. The largest grants, each for $600,000, will support documentaries from WGBH in Boston and Firelight Media in New York. WGBH will use the grant for a two-hour American Experience episode, “Into the Amazon: The Roosevelt-Rondon Scientific Expedition.” The documentary, produced by American Experience Executive Producer Mark Samels, covers a 1913 expedition to an unmapped territory of the Amazon led by Theodore Roosevelt and Brazilian colonel Candido Rondon. Firelight Media, whose documentaries frequently air on PBS, will use the grant to fund Tell Them We Are Rising: The Story of Historically Black Colleges and Universities. Firelight founder and filmmaker Stanley Nelson is leading the project to produce the two-hour documentary.