CPB’s website, as of February 2013, carries this document, “Revised February 1, 2011,” redefining the assignment of its ombudsman. Kenneth Tomlinson, past chair of the CPB Board, had prompted controversy by hiring two ombudsmen in April 2005. Charter Establishing the CPB Office of the Ombudsman The founders of public broadcasting saw a clear need for a “system-wide process of exerting upward pressure on standards of taste and performance.” (The 1967 Carnegie Commission Report, p.36) In addition, the Corporation for Public Broadcasting (CPB) was expected to become the “center of leadership” with a “primary mission…to extend and improve . . . programming.”

PBS member station KBTC in Seattle/Tacoma is picking up the new Roger Ebert Presents At the Movies. Why is that news? Because some local viewers were mightily peeved that Seattle’s KCTS decided not to run it – one of the few pubTV stations that passed on the popular critic’s latest program. KCTS programmer Randy Brinson told a Seattle Times blogger that the decision not to carry the show was based on “scheduling logistics and financial reality.” In another word, pledge. It would “get pre-empted on a regular basis, as a normal course of events due to our occasional pledge programming.”

MHz Networks is alerting its 31 pubcasting affiliates nationwide that the shutdown by the Egyptian government of Al Jazeera’s bureau there does not affect broadcast of Al Jazeera English programming on Worldview. Some media were erroneously reporting that Al Jazeera English’s shows in the United States were also blacked out.

Did you miss the Sundance Film Festival Jan. 20-30 in Park City, Utah? Yeah, us too. Fear not, ITVS social media wizard Jonathan Archer “storified” the Tweets and other posts of ITVS-related events and adventures at the famous fest. One featured Tweet: “Glazed. Chocolate chipolte. Powdered. Plain. Homemade donuts. Great food at HBO party.” Oh fine, rub it in.

Guam’s Office of Public Accountabilty has released an audit of PBS Guam (PDF) that sets a longterm goal of converting it to a community licensee “to alleviate dependency on the government of Guam.” Government of Guam appropriations, 38 percent of station revenues, increased from $596,000 in fiscal 2009 to $610,000 in FY10. The audit shows a revenue decline of $2.6 million due primarily to a one-time $2.5 million grant to purchase and install a digital tower in 2009. The station also ended FY10 with a decrease in net assets of $204,000.

Tony Geiss, composer and lyricist for Sesame Street for almost 40 years as well as a creator of several Muppets, died Jan. 21 in New York City of complications from a fall. He was 86. He’s at left in the photo, speaking with fellow Sesame Street writer Lou Berger and Executive Producer Carol-Lynn Parente on the set. (Image: Sesame Workshop) Geiss won 22 Emmys for scriptwriting and songwriting. He created the Honkers Muppets and, most recently, Abby Cadabby. He was a co-creator of Sesame’s “Elmo’s World” segment, composing its theme song (which has been viewed more than 25 million times on YouTube).

Problems with signal interference from the U.S. Coast Guard’s emergency communications system has stymied launch of Tampa’s new full-time classical music service, according to the St. Petersburg Times. Since purchasing the license to 89.1 FM in Sarasota last fall, pubcaster WUSF-TV/FM has been broadcasting its new classical service WSMR at 30 percent power; the signal doesn’t reach far beyond Sarasota, disappointing expectant music lovers in Tampa. “The Coast Guard is huge and we don’t want to get in the way of a life being saved,” says JoAnn Urofsky, g.m. “But I’m still not sure why this stalemate happened.”

PBS has not yet decided whether to renew WNET’s newsmag Need to Know, which replaced Bill Moyers Journal in May 2010 (Current, March 22, 2010). PBS said in a statement to the New York Times that the show runs through June 2011, and it is currently “evaluating the series carefully.” Stephen Segaller, station v.p. for content, and Shelley Lewis, Need to Know e.p., sent an email to programmers December 3 thanking them for their feedback on the show. Apparently some of those comments had zeroed in on co-hosts Alison Stewart and Jon Meacham. The note, obtained by Current, said in part: “It’s fair to say (as some of you have) that Alison is far more comfortable in the anchor role than Jon, and Jon is a far more comfortable guest on other programs than he was (at first) as anchor on his own.

The Center for Public Integrity, the nonprofit investigative news center helmed by public radio veteran Bill Buzenberg, has a new contract to provide exclusive stories to Newsweek and The Daily Beast. A feature on the effectiveness of digital mammography, featured in today’s Web and print editions of Newsweek, is the first CPI investigation to be published under the editorial partnership. “The value of incisive investigative reporting is going up,” says Buzenberg, executive director of the center, in a news release. “This is a tremendous opportunity for us to provide quality journalism to a new audience and to get paid for our work.”

The hosts of WTTW’s nationally syndicated Grannies on Safari are in the midst of the chaos in Egypt, where protestors demanding the resignation of President Hosni Mubarak have been rioting for days. According to the Chicago Sun-Times, Regina Fraser and Pat Johnson (right, image: Grannies on Safari via AP) arrived with their group on Jan. 26 and are hoping to leave before their intended departure date of Feb. 4. At one point, their driver had to drop the group two blocks from the hotel because the bus couldn’t get through all the protestors. “We had to circumnavigate around the hotel because the crowds were massing up,” Fraser said.

Why exactly did NPR President Vivian Schiller tell her Senior News V.P. Ellen Weiss to resign or be fired? According to the Washington Post‘s account of the circumstances leading up to Weiss’s sudden departure on Jan. 6, Weiss’s management style as news chief, and her account of the decision to fire longtime news analyst Juan Williams last October, undercut support for her within NPR’s newsroom and leadership ranks. The Post‘s Paul Farhi interviews NPR News insiders and points to internal rifts over Weiss’s record and leadership style: “While several employees acknowledged her role in building NPR into a radio-news powerhouse and emerging digital-news player, they also questioned her methods….

KCET President Al Jerome continues to explain the station’s Jan. 1 departure from the PBS system. In the latest interview, in today’s (Jan. 28) Santa Barbara Independent, he describes KCET’s exit and subsequent programming revamp like “changing the tires going 90 miles per hour.” He adds that he considers the new lineup “a damn good schedule.”

It’s Friday afternoon, and you deserve a video break. Today’s feature is brought to you by BestWeekEver.TV, which serves up an Electric Company episode from waaaay back, when actor Morgan Freeman played a vampire caught in Spiderman’s (very fake rope) web. (Actually, the “Kitten Attacking a Spider” video underneath is pretty good too … )

Producers for History Detectives and America Revealed on PBS are among new members of the Writers Guild of America, East, the union said today (Jan. 28). The Guild also welcomed nonfiction TV producers for Discovery Network and MTV. Guild President Michael Winship said in a statement: “As a writer for public television myself, I know how valuable Guild membership has been for my colleagues and me.” Winship is a former senior writer for Bill Moyers Journal.

California Watch, a project of the Center for Investigative Reporting, today (Jan. 28) announced its new California Watch Media Network, which includes many of the state’s major news organizations. Participating outlets will receive stories and daily postings from the Center for Investigative Reporting, and collaborate with the center on news projects. The initial members are the San Francisco Chronicle, Sacramento Bee, San Diego Union Tribune, Orange County Register, Bakersfield Californian, and the Fresno Bee. “This new network represents a step forward in terms of how we market and distribute our content,” said California Watch Editorial Director Mark Katches.