“We are going to create a whole new audience and a new way of receiving information in the Black community,” says Tracy Parsons, a community advisory board member involved in developing the new service.

"We need to stop thinking about audiences in terms of technology and start thinking about audiences of the brand, no matter how they access us."

"Success is in the details. Appointing a wise break producer for fund drives respects both staff and listeners."

“We need to be connecting with different communities, folks with different perspectives in the country and in the world,” says NPR's Eva Rodriguez.

“We’re celebrating new guarantees on pay, time off and promotions,” the bargaining committee said in a press release. “We’ll also have a seat at the table as WFAE grows and evolves in the coming years.”

In a letter to Sen. Ted Cruz, CPB’s chief executive refuted criticism that updated grant rules are discriminatory.

Arthur Ellis retired after a 36-year tenure with WHYY in Philadelphia.

Through the force of Seymour's character and fierce leadership, KCRW grew into a musical tastemaker and conduit for NPR’s growth.

A pilot of Cascade’s Local Streaming Initiative will introduce new tools for stations to customize the user experience for viewers and donors.

"The story of NJ PBS and 'NJ Spotlight News' suggests that public broadcasting can play a role in bolstering coverage of regional and statewide news. What’s needed to make it work is to bring together different newsroom cultures in a way that serves the audience rather than the bureaucratic imperatives of protecting turf and resisting change."

When done well, newsletters reach new members, uncover audience data and create an alternative distribution channel for journalism.

"Our jobs will become less focused on analyzing data to reveal the stories reporters think are important and more about structuring datasets so that anyone can use the latest AI tools to find answers to their own questions."

The Mass Humanities Audio Storytelling Project offers participants four months of training, access to equipment, and a stipend to produce a documentary pilot.

TV stations and joint licensees powered a 5.1% rise in new donor acquisition in the latest Index.

Celeste LeCompte and Betsy Berger are leaving their roles at CPM.