The Center for Investigative Reporting is launching an investigative news channel on YouTube, funded by an $800,000 grant from the Knight Foundation, to serve as a hub for investigative journalism. The channel will feature videos from commercial and noncom broadcasters and independent producers, including NPR, ABC News, The New York Times, the Pulitzer Center on Crisis Reporting, the Center for Public Integrity, American University’s Investigative Reporting Workshop and ITVS. The center plans to add  contributors and seek submissions from freelance journalists and independent filmmakers from around the world. “One of the goals of this partnership will be to raise the profile and visibility of high-impact storytelling through video,” said Robert J.

WBEZ’s This American Life is planning its third live simulcast show, May 10 from the Skirball Center at New York University to 550 movie theaters nationwide. “I saw this amazing dance performance by Monica Bill Barnes’ company,” said host Ira Glass in the announcement, “and I thought — that is totally in the style of our radio show. But obviously you can’t have dance on the radio.” So TAL “built this lineup of stories mixed with super visual things,” he said, centered on the theme, “The Invisible Made Visible.” In addition to the dancers, guests include fellow pubcaster Glynn Washington, host of Snap Judgment; comic Mike Birbiglia with a new short film; and live music by the rock band OK Go.

WHYY’s Fresh Air is one of the fastest-growing public-radio shows on the web, reports Nieman Lab. One major force behind that success is web producer Melody Joy Kramer, who has “slowly and single-handedly built a huge following by approaching the job as a digital native, a citizen of the community she wanted to reach. She figured out how to turn radio stories into conversations.” The show’s Twitter account now has 70,000 followers, up from 3,800 before she arrived in January 2010 from Wait Wait . . . Don’t Tell Me!, where she was a writer and managed co-host Carl Kassel’s Facebook page.

Apps for tablets and smartphones may get buzz, but public media stations have a growing opportunity to reach audiences not just with apps, but via web pages optimized for mobile devices. Traffic to station websites from mobile devices has grown from 9 percent last July to 14 percent in March, according to Steve Mulder and Keith Hopper of NPR Digital Services. And while both usage of NPR apps and visits to NPR’s mobile site have grown, the latter has outpaced app usage in growth over the past two years. NPR now has twice as many mobile web users as mobile app users.

Tim Regan-Porter, director of the new Center for Collaborative Journalism in Macon, Ga., provides early details on how the Knight-backed partnership among Mercer University, the local Telegraph newspaper and Georgia Public Broadcasting will work, in a post today (April 10) on MediaShift. The ambitious vision, Regan-Porter said, is “not only establishing a new model for journalism education but also helping to transform local communities and save democracy itself.” Mercer journalism students will train in a working newsroom, alongside professional journalists, through the four years of the program — some students even living above the center, Regan-Porter said. GPB is boosting local coverage by launching Macon Public Radio, which will make the central-Georgia community the only town outside Atlanta to have “significant locally focused public-radio programming,” he said.

The National Endowment for the Arts is considering substantial cuts — possibly totaling $1 million — in funding for PBS arts programming through the NEA’s Arts in Media initiative, according to the New York Times. The NEA told execs with Great Performances and American Masters that the shows would each receive $50,000 in the 2012 financing cycle, down from $400,000 each in 2011. Independent Lens would get $50,000, down from $170,000; P.O.V., $100,000, down from $250,000. KQED in San Francisco was turned down for a $350,000 request; it received $200,000 for its PBS series Sound Tracks in 2011. Simon Kilmurry, executive director of P.O.V.

Rick Lore is Maryland Public Television’s new v.p. and chief development officer Lore is responsible for membership, on-air fundraising, major and planned giving, publications, outreach and community engagement at the state network headquartered in Owings Mills. Lore joined MPT on an interim basis last fall after Joe Krushinsky left his job as v.p. of institutional advancement. Krushinsky now directs station development services at PBS. Previously Lore served as executive director of Friends of Milwaukee Public Television, the fundraising affiliate of Milwaukee Public TV; directed  on-air fundraising for PBS; and led development at New Hampshire Public Television. Lore, who began his pubTV career in 1989 in San Jose, Calif.,

The prestigious National Headliner Awards, announced April 9, includes several public media outlets.

The pull of economic strains and push of technical advancements continue to spark collaborations among stations, with seven pubTV outlets signing onto a CPB-backed joint master-control project in Florida and two Oregon stations preparing to link via fiber lines and share a single schedule. The CPB Board on March 27 unanimously approved a $7 million grant for a centralcasting facility that will serve six stations in Florida and one in Georgia. The Jacksonville Digital Convergence Alliance LLC will run one master control with customized programming streams for WJCT in Jacksonville; WFSU, Tallahassee; WPBT, Miami; WBCC/WUCF, Orlando; Tampa stations WUSF and WEDU; and WPBA, Atlanta.

Members of a Seattle-based media-watchdog group weighed in March 31 [2012] on a yearlong dispute between an antiabortion group and KUOW, the city’s all-news pubradio outlet, bringing the disagreement to an end for the time being. A majority of panelists convened by the Washington News Council voted in agreement that KUOW had made errors in a story involving the Vitae Foundation, and that the mistakes merited on-air corrections or clarifications. KUOW had already corrected and clarified the story, though only on its website. But most members of the WNC panel agreed that KUOW had no responsibility to give the Vitae Foundation additional on-air coverage after the story aired.

An agreement between NPR and Triton Digital, a provider of digital services to radio stations, will give NPR stations a new option for measuring and monetizing online audiences while also allowing the network to access analytics and metrics for all participating stations. The master agreement between NPR and Triton, announced March 27, provides two services to stations: Webcast Metrics, which measures listening to live streams, and Ad Injector, a system that replaces on-air underwriting credits with online sponsorship credits. “They’re independent products, but the idea is that they can work hand in hand,” says Bob Kempf, v.p. of NPR Digital Services.

CPB is evaluating proposals from six regional journalism hubs for another year of operation and will furnish the centers with a shared set of best practices to follow if they receive additional funding. The guidelines will be designed to address challenges that the seven Local Journalism Centers have encountered during their two years of growth, such as negotiating editorial control and finding paths toward financial sustainability. Launched in 2010 with $10.5 million in CPB funding, the LJCs brought public broadcasters together in regional collaborations to report on focused areas of coverage, such as agriculture, border issues and health care. With the hubs entering their third year of operation, CPB hired a consultant to review which LJCs have succeeded, which have struggled and which factors have made the difference.

The FCC’s tentative agenda for its April 27 public meeting includes several items of interest to public broadcasters. The commission will consider a report and order establishing a regulatory framework for channel sharing among TV licensees. Stations face the option of relinquishing some spectrum and sharing a 6 MHz channel  — possibly pairing commercial and noncom broadcasters — as part of the upcoming spectrum auction and subsequent repacking (Current, Feb. 28). Also on the agenda is consideration of a notice of proposed rulemaking inviting public comment on allowing non-CPB grantees “to conduct on-air fundraising activities that interrupt regular programming for the benefit of third-party non-profit organizations.”