John Goberman has produced more than 200 live national telecasts since launching the PBS performance series more than three decades ago. Goberman was cited by Symphony Magazine as one of the 50 most important individuals making a difference in American music. He pioneered the video and audio technology by which concerts, opera, ballets and plays could be telecast during live performances without disruption of performers and audiences. His television work has garnered 13 national Emmy Awards, three Peabodys and the first Television Critics Circle Award for Achievement in Music. Goberman plans to focus on producing another type of performance that he helped to pioneer — “Symphonic Cinema,” in which orchestral scores are performed live to the films for which they were originally commissioned.

A new configuration of public TV stations in Alaska will begin sharing a single programming feed July 1 under the name Alaska Public Television, a move that shifts distribution duties from KUAC in Fairbanks to KAKM in Anchorage. The change disbands AlaskaOne, a network operated by KUAC for 17 years that excluded Anchorage. KUAC will not participate in Alaska Public Television but will attempt to make it on its own with a renewed focus on programming tailored to its local community. Viewers in Anchorage will receive much the same programming from Alaska Public Television as before, while viewers of Bethel’s KYUK and Juneau’s KTOO may notice some changes.

I enjoy Car Talk. I like those guys. And as a public radio lifer, I’m grateful for what Tom and Ray Magliozzi did to bring a vast audience to public radio, year after year.. ... But — with all respect to Doug Berman and my colleagues at Car Talk Plaza — I think when they stop making new episodes in October, they should be pulled from Saturday mornings.

What if Congress stopped allocating federal aid to pubcasting? The latest bleak financial analysis from CPB, released last week, adds some specifics about how service would be affected in dozens of congressional districts across the land. Fifty-four public TV licensees in 19 states and 76 public radio operators in 38 states would be “at high risk of no longer being able to sustain operations” if federal aid ends, CPB asserts in a report backed by Booz & Co. and delivered to the appropriation committees June 20. Congress asked CPB for a report on the field’s economic options when lawmakers approved the most recent advance appropriation in December.

The FCC took another step March 19 toward licensing more low-power FM stations, a move long advocated by community radio leaders. The agency will work through a backlog of thousands of applications for FM translators under a new system that it formally adopted, modifying a proposal floated last summer (Current, July 25, 2011). The pending translator apps must be processed before any new LPFM licenses can be awarded. The commission will toss out FM translator apps in larger markets to make way for LPFMs in those areas while continuing to process requests for translators in less-populous areas. Applicants can seek no more than 50 translator licenses nationwide, a new limitation cracking down on speculative filings seen in the past (Current, March 28, 2005).

CPB has awarded a $500,000 grant to NPR to support the network’s international news coverage. The grant, announced at a March 26 awards dinner honoring NPR correspondent Lourdes Garcia-Navarro, will support salaries and travel costs for reporters and producers in Jerusalem, Cairo, Beirut, Shanghai and Beijing. Last year NPR spent more than it had anticipated covering the Arab uprisings and the earthquake and nuclear disaster in Japan. As NPR’s foreign desk steps up its reporting from the Middle East, Asia and Africa, reporters are putting themselves “on the front line of historic news events,” said CPB Chair Bruce Ramer, who announced the grant.

It was raining in Baltimore Sept. 23 when independent producer Jay Allison delivered his “benediction,” the traditional closing speech of the Public Radio Program Directors annual conference. The bleary, conferenced-out audience listened closely. Allison, who learned the nonfiction radio craft when NPR was a startup and went on to start up a few radio institutions himself, reminded attendees why perseverance matters. They gave Allison a standing ovation before dispersing under the dark sky. In the 1970s, a guy at NPR loaned me a tape recorder, and I just made myself at home on M Street, producing pieces, editing day and night.

As expected, the San Mateo County (Calif.) Community College District announced Dec. 7 it is seeking a buyer for public broadcaster KCSM-TV. In June, the college district said it was selling the station to end its predicted $800,000 structural deficit. Independent Public Media, a nonprofit consortium headed by WYBE founder John Schwarz and former WNET exec Ken Devine, has already signaled its interest in keeping the channel available for public media (Current, Oct. 17). Bids are due Feb. 14, 2012. The buyer will be chosen based on price offered, and whether and how quickly the FCC would approve transfer to the bidder, according to the request for proposals.

The state-operated Utah Education Network and several municipalities are among about 100 members of US Ignite, a new partnership creating services for future broadband networks running up to 100 times faster than today’s Internet. This White House announced the partnership this morning, and President Obama will sign an executive order streamlining the approval process for building broadband infrastructure on and under federal property and coordinating excavations. It will reduce costs, for instance, by permitting broadband construction during highway-building. For a vivid demo of the power that the new networks make possible, John Underkoffler of Oblong Industries, showed off a video of G-speak, a commercially available human-machine interface based on Oblong’s design for the Wii-like technology used in the Tom Cruise movie Minority Report.

“Car Talk is the exemplar for consolidation and homogenization on the noncommercial end of the dial,” writes Paul Riismandel, adviser to WNUR-FM at Northwestern University, on Radio Survivor. Riismandel notes that “as syndicated programming has taken over the programming schedule of public stations, local news, information and culture is pushed off. Car Talk is a program which pushed the frontier of this movement.” He cites the 1997 uproar when Wisconsin Public Radio canceled its popular local About Cars program to carry Car Talk, which culminated in a hearing before the state legislature (Current, March 17, 1997).

Southern Oregon University’s law firm threatened the Jefferson Public Radio Foundation board with “expensive” lawsuits in a letter addressing issues of ownership and control of the pubradio stations, the Mail Tribune in Medford, Ore., reports. More than 12 phrases in a six-page March 22 letter from the Portland firm of Miller Nash LLP, obtained by the newspaper, suggest or threaten potential legal action, and describe “in great detail,” the newspaper said, possible legal strategies against JPR Executive Director Ron Kramer and the board — including the potential of dissolving the JPR Foundation entirely. Kramer oversees both JPR and the foundation; OSU terminated his station duties on March 25, effective June 30 (Current, April 9).

Judy Freudberg, who wrote for Sesame Street for almost 40 years, died June 10 of a brain tumor, according to Hollywood Reporter. She was 63. Freudberg won 17 Emmy Awards for her work on the pubcasting series, and collaborated with Tony Geiss on Sesame Street’s first feature film, Sesame Street Presents: Follow That Bird (1985), and on two animated movies for executive producer Steven Spielberg: The Land Before Time (1985) and An American Tail (1986). Freudberg joined Sesame Street in 1971, during its third season, as a script typist and began writing for the program four years later.