System/Policy
Alaska Public Media to expand broadcast reach through acquisition of TV station
|
The station, previously a CBS affiliate, reaches more than 85,000 viewers in southern Anchorage.
Current (https://current.org/current-mentioned-sources/tony-cavin/page/541/)
The station, previously a CBS affiliate, reaches more than 85,000 viewers in southern Anchorage.
The CWA unit representing StoryCorps workers is challenging how management handled recent layoffs, alleging retaliation.
Seven public media projects got a boost July 21 with the announcement of grants from the National Endowment for the Humanities, which included almost $2 million for pubcasters. The largest grants, each for $600,000, will support documentaries from WGBH in Boston and Firelight Media in New York. WGBH will use the grant for a two-hour American Experience episode, “Into the Amazon: The Roosevelt-Rondon Scientific Expedition.” The documentary, produced by American Experience Executive Producer Mark Samels, covers a 1913 expedition to an unmapped territory of the Amazon led by Theodore Roosevelt and Brazilian colonel Candido Rondon. Firelight Media, whose documentaries frequently air on PBS, will use the grant to fund Tell Them We Are Rising: The Story of Historically Black Colleges and Universities. Firelight founder and filmmaker Stanley Nelson is leading the project to produce the two-hour documentary.
Amgott was one of the first female producers in TV news.
Plus: AIR releases a Kickstarter tutorial, and a small Washington state community approves public access TV.
Madison Hodges, a longtime manager of public radio stations and advocate for the system who worked to increase the community impact of pubcasters nationwide, died July 18 in Tallahassee, Fla., from cardiac arrest following treatment of a rare bone cancer. He was 66. Hodges ran several university-licensed public radio stations over the course of his career and served as executive director of the University Station Alliance. He also oversaw station services at NPR and spearheaded initiatives with the Public Telecommunications Facilities Program to increase community involvement, help licensees secure CPB funding, identify gaps in public radio’s coverage and quantify stations’ community impact for license-holders. He began his broadcasting career as a reporter for a commercial radio station in Little Rock, Ark., before joining the city’s public radio station, KUAR.
BEVERLY HILLS, Calif. — The success of Downton Abbey, whose fifth season has been set for Jan. 4, has created a novel problem for PBS: too many programs to fit into the Sunday-night slot occupied by Masterpiece. It’s possible that PBS might schedule some of the excess series at another hour or on another day. But there are no plans to do so for now, according to Masterpiece EP Rebecca Eaton.
In a session with TV critics, PBS’s Kerger said the streaming experiment will “accommodate a wide range of viewing habits.”
Plus: A Mississippi reporter discusses his difficult past, and Carl Kasell assists with a marriage proposal.
The FCC recently released the entire text of its Report and Order detailing rules for the upcoming broadcast spectrum auctions, making it clear that it intends to make no effort to preserve public TV signal coverage. The 484-page report, “Expanding the Economic and Innovation Opportunities of Spectrum Through Incentive Auctions,” rejects the proposal supported by CPB and other leading broadcast organizations to preserve at least one station per geographic market. If you dive into this ponderous document, I recommend paragraph 367 and footnote 1090 (unfortunately, not a typo — there really are over 1,000 footnotes). In paragraph 367, the FCC states that it declines to “restrict acceptance of such bids based on the potential loss of television service or specific programming.”
The FCC further states that any such restrictions “could reduce the amount of spectrum available” to carry out the auction and undermine the “goal of allowing market forces to determine the highest and best use of spectrum.” The long and short of it is that if the entities that hold America’s 289 UHF public TV licenses decide to sell their underlying spectrum in the forthcoming “incentive” auction, that spectrum will be lost to noncommercial television forever. It need not be so.
PBS’s 43 nominations for News and Documentary Emmys topped all networks. Its programs will compete against each other in many categories. In some categories, including those for outstanding investigative journalism, best documentary and coverage of a current event, PBS earned more than half of the nominations. Frontline, the documentary series produced by WGBH in Boston, led with 11 nominations, including three of the six nominations for investigative reporting. Those went to “A Death in St.
The stars of Downton Abbey aren’t the only luminaries whom journalists will chat with during PBS’s portion of the Television Critics Association Summer Press Tour today and Wednesday. Other big names at the Beverly Hilton in Beverly Hills, Calif., include rapper and songwriter Nas, director Spike Lee, Oscar winner Geena Davis, actor Nathan Lane and television legend Dick Cavett. The twice-yearly tour is a chance for broadcasters to woo more than 200 reporters with news of their upcoming schedules, deploying sizzle reels, high-profile appearances, question-and-answer sessions and, of course, food and drinks. PBS President Paula Kerger will greet journalists during her executive session at 10 a.m. Pacific time. Later today, the press conference for Season 5 of Downton Abbey, PBS’s blockbuster series on Masterpiece, will feature Lady Edith (Laura Carmichael), Lady Mary (Michelle Dockery), Anna Bates (Joanne Froggatt) and Tom Branson (Allen Leech), as well as Executive Producer Gareth Neame and Masterpiece’s Rebecca Eaton.