System/Policy
CPB defunding and reauthorization are scary. We should talk about them anyway.
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It’s time to get over the Beetlejuice effect — we need to drag the monster out from under the bed, look it in the eyes and call it by name.
Current (https://current.org/current-mentioned-sources/rachel-otwell/page/107/)
It’s time to get over the Beetlejuice effect — we need to drag the monster out from under the bed, look it in the eyes and call it by name.
The settlement allows two members representing KDHX hosts and volunteers to be seated on the station’s board.
The fund, which will seek donations in perpetuity, will also back community-based initiatives and research aimed at providing equitable and inclusive access to curriculum-based content.
Rocky Mountain Public Media’s The Drop is experimenting with direct licensing for independent musicians by creating an NFT playlist.
Adams succeeds Molly Wood, who left “Marketplace” last year.
“When I think of Connie, I think of somebody who was buoyant, bubbly and excited even if people were depressed and concerned or worried about whether NPR would exist,” said Jonathan “Smokey” Baer, who worked with Goldman as a production assistant on “All Things Considered.”
“Playing in the FM Band: The Steve Post Story,” a feature-length documentary about a pioneer of freeform radio, zooms in on some odd stuff.
The Ohio Newsroom, a project among the state’s public radio stations, already has four CPB-funded freelancers on board assisting with reporting and editing.
Three new beers run the gamut of styles and pay tribute to local broadcasters in liquid form.
Archival footage from Iowa PBS could be used for independent video projects under a bill passed Monday by the Iowa House.
On “Sesame Street,” Delgado was able to build a character who challenged stereotypes. Luis was a business owner, a neighbor, and later a husband and father.