System/Policy
Stanley Nelson, John Oliver among WGA members petitioning stations for fair freelancer contracts
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The petition accuses GBH, WNET Group and PBS SoCal of delaying their response to the union’s demands.
Current (https://current.org/current-mentioned-sources/nick-yee/page/516/)
The petition accuses GBH, WNET Group and PBS SoCal of delaying their response to the union’s demands.
With advancements from OpenAI and Meta, newsrooms may adapt and build new features to enhance the reader and listener experience.
Jian Ghomeshi, host of CBC Radio’s Q, said Sunday that he was fired by the Canadian pubcaster over a threat about allegations regarding his sex life going public. In a lengthy Facebook post, the ousted host said that an ex-girlfriend had been collaborating with a freelance writer on a story that would claim that Ghomeshi had been abusive in their relationship. The former host said the allegations were without merit and that he had filed a $50 million (Canadian) lawsuit against the CBC over his firing. Ghomeshi acknowledged that the relationship had included “rough sex (forms of BDSM)” but that all activities had been consensual. CBC executives agreed that “information provided showed that there was consent,” he wrote: “They said they’re not concerned about the legal side.”
The FCC has postponed its auction of television broadcast spectrum to early 2016, according to a blog post on the commission website Friday. Gary Epstein, chair of the Incentive Auction Task Force, wrote that “court challenges to the auction rules by some broadcasters have introduced uncertainty” into the run-up to the auction, which is mandated by Congress to clear broadcast bandwidth for the growing number of mobile devices. Under the FCC’s earlier timetable, the auctions had been slated for mid-2015. Though Epstein didn’t identify the court cases, two organizations’ complaints have been consolidated and are pending before the before the D.C. Circuit of the U.S. Court of Appeals. The National Association of Broadcasters filed a petition in August, challenging the FCC’s methodology for predicting coverage areas of TV stations among other elements.
A new marketing campaign mounted by Philadelphia’s WXPN-FM takes aim not at other local radio stations but targets the threat of online music services such as Pandora and Spotify. The Triple A station launched a six-week campaign last week to bolster recognition of the station in its market, attract new members and try to lure people away from online competitors. The “Vinyl at Heart” campaign features bus wraps and billboards as well as refresher campaigns and live events. Research commissioned by the station four years ago sowed the seeds for the new campaign by revealing untapped potential for new listeners in the Philadelphia market. “One of the key findings was that of the people in the region that liked the kind of music we play, only half knew we even existed,” said Roger LaMay, WXPN’s g.m. “It wasn’t shocking, but nonetheless it was one of those findings that grabs you and says you need to do something.”
Those results paralleled a study of classical music listeners presented at last month’s Public Radio Program Directors conference.
• Public TV stations in four states, Puerto Rico and the Virgin Islands will receive a total of $2.5 million in federal grants for upgrading transmitters, translators and production equipment. The grants from the U.S. Department of Agriculture, announced Wednesday, are part of the 2014 Farm Bill reauthorized by Congress. We’ll have to expense a trip to the islands to report back on their new equipment. • PBS has hired Don Wilcox, a former executive with Fox Broadcasting Corp., as v.p. of digital marketing and services. At Fox, Wilcox was v.p. and g.m. of branded entertainment, overseeing websites including Fox.com, American Idol’s and TheXFactorUSA.com, which now just redirects to a YouTube page, so maybe he left Fox with that one on his thumb drive.
Susan Sollins, executive producer of the biennial public TV series Art in the Twenty-First Century, died Oct. 13. Her age and the cause of death were not disclosed. In 1997, Sollins founded ART21, a nonprofit organization devoted to chronicling contemporary art and artists. In 2001, it launched Art in the Twenty-First Century, a series of short films focusing on contemporary artists both established and lesser-known.
Pubcasters fear that hundreds of translators could be threatened by the spectrum auction planned for next year.
Plus: Clocks for a few NPR shows are delayed, and comedians honor Jay Leno for a PBS broadcast.
ADDISON, Texas — More than one-third of the roughly 300 attendees at the annual National Educational Telecommunications Association’s professional development conference this week are first-timers, making for one of the most crowded Newcomers Welcome sessions in years. And those newbies have plenty of sessions to choose from at the conference, which runs through Wednesday at the Hotel InterContinental in this Dallas suburb. Topics include development, collaborations, marketing, community engagement, FCC regulations, education, promotion — one session even analyzes the “complex, arcane” structure of the public broadcasting system. The conference opened Monday with keynote speaker Evan Smith, editor-in-chief of the Texas Tribune, addressing the power of public conversation. The nonprofit newsroom in Austin, which celebrates its fifth anniversary in two weeks, was “invented more or less on the fly,” Smith said, as newspapers in the state withered.
Plus: WNET goes deep on poverty, and a jazz radio legend has died.
Public TV stations are starting two new programming co-ops modeled after the Arts and Culture Major Market Group project, which gathers and repackages local content for more than 30 stations nationwide. WNET, which handles the arts project, now has producers compiling station contributions for a new technology initiative as well. The local segments feed into SciTech Now, a half-hour newsmagazine hosted by PBS NewsHour’s Hari Sreenivasan that premiered Oct. 1 in New York, Houston and Seattle. Another program-sharing pilot aiming for small and midsize stations, based at Maryland Public Television, draws from the popular genre of outdoors shows.