• A publicity photo from the fifth season of Downton Abbey made the rounds on the Internet for all the wrong reasons. The shot of stars Hugh Bonneville and Laura Carmichael featured an anachronistic plastic water bottle perched on a mantle. Producer ITV has since removed the shot from its press site, according to the BBC, and it’s also vanished from PBS’s pressroom. “You had one job, guys. One job,” Buzzfeed wrote. • Matter, the media-startup accelerator funded by the Knight Foundation and KQED and supported by Public Radio Exchange, is the subject of a new episode of TechCrunch’s web series “Incubated.”

Joint licensee KUAC in Fairbanks, Alaska, and Alaska Public Radio Network have agreed on a three-month extension that will allow the station to continue airing APRN content while it addresses a $170,000 funding shortfall. The University of Alaska Fairbanks, which owns KUAC, announced July 1 that it would cut the station’s funding by that amount to offset its own $12 million budget shortfall. The reduction amounts to about 6 percent of KUAC’s total budget. APRN helps stations in Alaska share content and offers the programs Talk of Alaska and Alaska News Nightly, both of which air on KUAC. The agreement between KUAC and APRN allows the station to continue running APRN content without paying dues until November 30.

Plus: The legal fight over podcasting takes an odd turn, and Kai Ryssdal takes the Ice Bucket Challenge.

KEET-TV, one of the smallest PBS member stations, has grown its membership by 40 percent and raised more than $600,000 over the past six months in an effort to keep its federal Community Service Grant. Local businesses in Eureka, Calif., have posted banners pushing “The Power of One,” the motto of KEET’s campaign. Website pop-ups show viewers holding signs with titles of their favorite public TV shows. A local utility provider is pitching in, donating a portion of each paid petroleum bill to the station. At issue is KEET’s inability to meet the $800,000 minimum in nonfederal financial support that CPB requires of CSG grantees, which the station has never done in its 45-year history.

Plus: Greenwald criticizes NPR, First Look Media scales back plans, and CPB's Theriault talks local journalism.

The Washington Post had a blockbuster front-page investigation with a lengthy Aug. 3 story about an unreliable witness in a Texas execution case. But the story came from a new kid on the block. “The Prosecutor and the Snitch” was the first story to be published by The Marshall Project, a nonprofit news site focused on criminal justice reform. The Marshall Project, named after former Supreme Court Justice Thurgood Marshall, plans to officially launch in October. Founder and Chairman Neil Barsky, a former hedge fund manager, has also worked as a reporter for outlets including the Wall Street Journal, and he directed the 2013 documentary Koch.

The month-long election for NPR’s Board of Directors closed Monday, with two incumbents and two new faces joining the board. NPR announced Tuesday that Mike Crane, director of Wisconsin Public Radio in Madison, and Mike Savage, g.m. of WBAA in West Lafayette, Ind., will join the board. For what is believed to be the first time, Savage got on the ballot with a written petition signed by at least 15 authorized representatives. Candidates are usually picked by a selection committee headed by the NPR board chair. Incumbents Caryn Mathes, g.m. of KUOW in Seattle, and Flo Rogers, c.e.o. of KNPR in Las Vegas, were re-elected to second terms, and Patricia Diaz Dennis and former NPR interim CEO Paul G.

The public radio economy is built on $432 million in annual listener contributions to local public radio stations. Each year nearly 3 million listeners and their families recognize the value of a station brand in their lives, and they voluntarily give that station money. We’ve known since the 1980s that listeners give out of enlightened self-interest, not altruism. The primary motivation for donating to a public radio station is nearly universal — they recognize that the programming they hear via the station brand is personally important and that they would miss it if it were to go away. This finding has been confirmed through multiple studies over decades and more than 1,000 donor surveys conducted over the past nine months by Emodus Research, which I founded last year to learn more about the emotional connections that motivate audiences to listen and donate to public stations.

Plus: An Israeli show inspired by This American Life offers an English translation, and NPR's ombud weighs in on sexism in coverage.

Back in the day when young writers were pitching magazines to publish their work, there used to be a common complaint by magazine editors: “Some of the writers have never even seen our magazine! Don’t they realize how rude and disrespectful it is to pitch us stories that we would never publish, because they’re just not us!” I have been working on recruiting a journalism staffer for a major public radio station. And, frankly, after sitting through a bunch of interviews and reading even more applications, I am stunned that almost none of the applicants have taken the time to do basic homework.

NATIONAL ASSOCIATION OF BLACK JOURNALISTS Public broadcasters received 17 Salute to Excellence Awards from NABJ with NPR, Chicago’s WBEZ and Milwaukee Public Television taking home multiple awards. NPR won two awards in the network radio category and one in digital media. NPR’s coverage of the 50th anniversary of the March on Washington won best long form news, while the article “USC Students Allege Racial Profiling by LAPD” won best short form news. The story “Science Rap B.A.T.T.L.E.S. Bring Hip-Hop Into the Classroom” was recognized for best digital media feature story. Two other radio programs won awards among network radio. “Reconciliation Way,” a documentary produced by State of the Re:Union and WJCT in Jacksonville, Fla., 

The broadcast signal for WQPT-TV in Moline, Ill., is now originating from WTVP-TV in Peoria, about 90 miles to the southeast. WQPT previously outsourced its master control operations to Westar Master Control Services in Cedar Hill, Texas. The station’s signal now travels across fiber from WTVP to WQPT’s transmitter in Orion, Ill. The change “provides financial savings for WQPT, a new source of revenue for WTVP, valuable technological advances for both stations and an invaluable chance for the sister stations to work together,” said WTVP President Chet Tomczyk in an Aug. 8 announcement. “This new broadcasting arrangement is a positive step forward for both stations and provides WQPT with stellar signal quality,” WQPT General Manager Mary Pruess said, adding that each station’s programming, governance and community services remain separate.

Plus: Paula Kerger takes her interns to breakfast, and Planet Money hops on Reddit.