Programs/Content

Jazz Ambassadors revisits time when Cold War diplomacy got hip

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It don’t mean a thing if it ain’t got that swing — and a handy role in a Cold War propaganda campaign. In the late ’50s, U.S. government officials eager to make a case for America’s superiority to Communist regimes found a new vehicle to deliver the message to a global audience. They staged a series of global tours of top jazz musicians to showcase the popular and inclusive art form, promoting the democratic values enshrined in the music while also offsetting the backlash brewing among African Americans fed up with discrimination. Those tours wound down in the ’70s, but a new film next year will revisit their legacy. Presented by New York’s WNET, the 90-minute Jazz Ambassadors will showcase the overseas adventures of jazz legends such as Dizzy Gillespie, Louis Armstrong, Dave Brubeck and Duke Ellington.

Quick Takes

Friday roundup: Parachutist gets stuck on St. Louis tower; PBS station’s finance manager pleads guilty to embezzling

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• The broadcast tower of St. Louis’s Nine Network picked up an unexpected Halloween decoration Thursday night: a parachutist who was stuck for two hours about 120 feet off the ground, reports KMOV-TV. Firefighters rescued 27-year-old Timothy Church after he attempted to jump off the tower. The illicit leaper and an accomplice were charged with trespassing. https://twitter.com/CoryStarkKMOV/status/528035355585695744/

• Elsewhere on the crime beat, a former finance manager for WFWA-TV in Fort Wayne, Ind., pleaded guilty Thursday to embezzling money from the station in July 2010, according to the News-Sentinel.

System/Policy

FCC dismissal of indecency complaints clears way for renewal of pubcasters’ licenses

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Pubcasters Louisiana Public Broadcasting, Twin Cities Public Television and KCOS-TV in El Paso, Texas, were among the almost 700 broadcasters whose licenses were renewed en masse earlier this month, after the FCC quietly cleared many stations nationwide of indecency charges. The renewals had been on hold due to allegations that some of their programming may have violated FCC regulations barring broadcasters from airing indecent material between the hours of 6 a.m. and 10 p.m. The complaints were thrown out as part of an agency effort to reduce the backlog of applications to be processed. The complaint against LPB was apparently over an episode of Doc Martin, according to LPB President Beth Courtney. “You’re kidding me” was Courtney’s reaction when she learned of the complaint’s target, she said. “There was nothing that I saw under any guideline that would be a problem,” Courtney said, adding that the agency’s rejection of the complaint “was the appropriate response.”

The complaint pending against Twin Cities was apparently over “blurred nudity” in an episode of Globe Trekker, according to station spokesperson Elle Krause-Lyons.

Quick Takes

Thursday roundup: Serial spawns much chatter; Music X to launch at SXSW 2015

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• It’s Thursday, which means that fans of Serial are getting their weekly dose of podcast crack. The This American Life spinoff, which digs into the details of a 1999 Baltimore murder case, has spawned a bevy of equally obsessive commentary, including a podcast about the podcast from Slate. But the vortex of meta-analysis doesn’t end there — an English professor has started a weekly video chat with Rabia Chaudry, the lawyer who brought the murder case to the attention of Serial’s Sarah Koenig (and who is also blogging about Serial). “I am interested in exploring how new media engagement affects narrative and knowledge, and Serial presented an fertile ground in which to ask those questions,” writes Pete Rorabaugh. There’s also the Serial subreddit, which as a listener I am studiously avoiding lest I fall into a wormhole from which I cannot return. Plus, I haven’t listened to today’s episode yet.

Programs/Content

Clash over Poirot rights caps growing tensions between PBS, Acorn

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Acorn TV, the upstart streaming service specializing in British television, is still a tiny operation, with about 115,000 paid subscribers. Nonetheless, its fast growth is causing outsized concern at PBS and Masterpiece, public television’s longstanding home for British drama. Brewing tensions came to a head over rights to the final three episodes in David Suchet’s marathon 70-program portrayal of Agatha Christie’s Belgian detective Hercule Poirot. As a result of the rift, Acorn TV premiered the episodes to its streaming subscribers in August and syndicated them directly to local public TV stations, with Masterpiece nowhere in the picture. The broadcast window for the finale’s broadcast opens Nov.

Quick Takes

Thursday roundup: USDA backs digital projects; PBS hires Fox exec for digital

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• Public TV stations in four states, Puerto Rico and the Virgin Islands will receive a total of $2.5 million in federal grants for upgrading transmitters, translators and production equipment. The grants from the U.S. Department of Agriculture, announced Wednesday, are part of the 2014 Farm Bill reauthorized by Congress. We’ll have to expense a trip to the islands to report back on their new equipment. • PBS has hired Don Wilcox, a former executive with Fox Broadcasting Corp., as v.p. of digital marketing and services. At Fox, Wilcox was v.p. and g.m. of branded entertainment, overseeing websites including Fox.com, American Idol’s and TheXFactorUSA.com, which now just redirects to a YouTube page, so maybe he left Fox with that one on his thumb drive.

People

Susan Sollins, e.p. of arts documentary series, dies

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Susan Sollins, executive producer of the biennial public TV series Art in the Twenty-First Century, died Oct. 13. Her age and the cause of death were not disclosed. In 1997, Sollins founded ART21, a nonprofit organization devoted to chronicling contemporary art and artists. In 2001, it launched Art in the Twenty-First Century, a series of short films focusing on contemporary artists both established and lesser-known.

System/Policy

Wilson in farewell to NPR: “Thank you for the best six years of my life”

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Kinsey Wilson, NPR’s outgoing chief content officer, sent this farewell email to NPR staff Friday. When I arrived at NPR six years ago, my wife remarked that it was as if I’d finally come home. Here was a place where the journalism I valued was deeply embedded in the culture. And where it was clear that curiosity, innovation and risk-taking could flourish. It was like having the New York Philharmonic and Miles under the same roof.

System/Policy

Public radio organizations weigh in on FCC public file proposal

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A proposal to require noncommercial radio stations to disclose program funders and share other public file records online has prompted widely varying reactions among public and religious broadcasters. In filings with the FCC, Native Public Media, an association representing tribal media organizations, warned that the change would be too burdensome and could lead to the demise of some of its radio stations. American Public Media Group — the largest owner of public radio stations in the U.S. — welcomed greater standards of transparency. Meanwhile, the National Federation of Community Broadcasters staked out a middle ground, proposing an exemption for stations with small staffs. Another major player among noncommercial radio broadcasters, Educational Media Foundation, objected to online disclosure of its stations’ program donors, as did Native Public Media.