Current (https://current.org/author/jeremy-egner/)
Two initiatives led by NPR will soon offer station websites greater automated handling of editorial content and national sales of underwriting to help support those sites.
Danny and Annie Perasa enjoyed the sort of dream marriage promised in diamond ads and sappy romantic comedies, only it all actually happened. All the laughs, the finished sentences, the little love letters — “glorified weather reports,” Annie called them — that Danny would leave for “my princess” each morning on the kitchen table at home in Bay Ridge, Brooklyn. All the funny stories. Like the one about Danny, with his monumentally bad eyesight, mistaking a herd of goats in St. Martin for a pack of “really incredible leaping dogs.” Or about the time he befriended a crew of Hells Angels on Long Island, who put him on the back of a chopper and gave him a lift to the train station.
Kenneth Y. Tomlinson repeatedly violated provisions of both the Public Broadcasting Act and the corporation’s guidelines for board members’ behavior, according to the report of a six-month internal investigation released Nov. 15 [2005]. Tomlinson, who resigned from the CPB Board earlier this month, meddled in programming decisions, injected politics into hiring procedures and ignored contracting guidelines, CPB Inspector General Kenneth A. Konz found. The report spurred another round of press coverage focusing on an institution that, until this spring, flew mostly under the Washington press corps radar. The inspector general’s findings substantiated much of the early press coverage.
Before Nancy Kruse’s fundraising company closed, leaving more than $400,000 in expected public radio proceeds unaccounted for, Kruse’s company bio described her as, among other things, “director of The Writing Center in San Diego” who “has a master’s degree in public policy from Georgetown University and, in 1997, was awarded a Eureka Fellowship for her leadership in nonprofit management.” However, Georgetown University has no record of her graduation and Eureka Communities does not list her as a past fellow. She did indeed run the Writing Center, once a nonprofit fixture of San Diego’s literary scene, but Kruse’s former co-workers, who knew her under the name Delaney Anderson, say she presided over the center’s collapse. The center’s last days in 1998 were marked by double-talk and creative accounting, they say, which also characterized the rapid decline and closing of Washington-based Nancy Kruse + Partners this year, according to many of that firm’s employees. The Writing Center’s leaders say Anderson/Kruse suddenly resigned weeks before the center’s demise amid eviction notices and bad debts. Kruse, who ran online fundraising auctions for more than 40 public radio stations in her company’s 16-month existence, has not explained to stations what happened to more than $400,000 in earnings she had reported from September’s multistation auction.
The CPB Board followed its own inclination over the urgings of numerous public broadcasters last week, naming former GOP chair Patricia S. Harrison as the corporation’s next president.
The White House confirmed that Tomlinson will not be dismissed.
A week of rallies, petitions, public service announcements and entreaties to Congress persuaded the House of Representatives to restore the $400 million appropriation for next year that Congress advance-funded two years ago.
After a week as target of dark accusations and suspicions, Ken Tomlinson was weary. “We’ve all said what we had to say,” the CPB Board chairman told Current. “Let’s all declare victory and move on.”
That may make sense to many public broadcasters, but Tomlinson’s critics aren’t likely to give the issue a rest. CPB’s independent inspector general, Kenneth Konz, said he will investigate charges by two key House Democrats that Tomlinson violated the Public Broadcasting Act by commissioning a political content review of Now with Bill Moyers and recruiting a White House staff member to write guidelines for CPB’s new ombudsmen. In St.
From a string of news sensations over the past month journalists and progressive activists have discerned the picture of a CPB greatly in need of reform. A May 2 front-page story in the New York Times charged that CPB Chair Ken Tomlinson conducted his own outside review of Now with Bill Moyers, worked to kill a legislative proposal last year that would have required more radio and TV vets on the CPB Board and has made clear that a former co-chairwoman of the Republican National Committee, Asst. Secretary of State Patricia Harrison, is his preferred choice for the vacant CPB presidency. The report has broadened the controversy, inspiring other articles and opinion pieces. But even before the Times story, Common Cause President Chellie Pengree urged CPB Board members to take the lead in reforming their board so that “individuals without partisan leanings” can lead the federally funded agency.
CPB will have not just one but two longtime journalists as ombudsmen, the corporation announced April 5. Ken Bode, former host of the PBS staple Washington Week in Review, and William Schulz, retired executive editor of Reader’s Digest, will monitor public broadcasting content and serve as liaisons for complaints. Appointed for two-year terms, they will cover journalistic programming whether CPB puts money into it or not, but Chairman Ken Tomlinson, formerly a longtime colleague of Schulz’s at Reader’s Digest, told Current they won’t weigh in on entertainment and educational programs — the Buster lesbian-mommies flap, for example. The ombudsmen will initiate their own reports and consider concerns raised by the public and government officials. They will decide which broadcasts or complaints to discuss and post their reports on CPB.org.
The Association of Public Television Stations has struck a deal with the
cable industry in which major cable operators will guarantee to carry as
many as four program streams from all public television stations in their
markets once the digital TV transition is complete. Public TV regards multicast carriage as essential if it is to take full advantage of digital broadcasting capabilities. Cable companies now are required to carry only stations’ primary video feeds—analog or digital—in the present period before the DTV transition is done. The agreement, yet to be ratified by stations, would be triggered when stations give back their analog spectrum. It will not affect multicast deals that stations or PBS have already negotiated with cable operators.
With Bob Edwards’ decision to leave NPR for a satellite radio company,
public radio is debating again a highly ponderable question: Should it embrace
satellite as a distributor for its programs or fear it as a competitor for
listeners and revenue? Edwards’ new weekday morning gig, The Bob Edwards Show, will
start the morning for a new channel, XM Public Radio. The one-hour show will
originate weekdays at 8 a.m. Eastern time and will repeat at 9 a.m. The channel
launches Sept. 1; Edwards’ show debuts Oct. 4.
A long-anticipated report on public television by the General Accounting
Office, released May 21, advises Congress that CPB illegally diverted
money intended for stations into the now-defunct Television Future Fund. The report, “Issues Related to Federal Funding of Public Television by the
Corporation for Public Broadcasting,” says CPB operated outside its authority
when it took money from the part of its appropriation that Congress designated
for station grants and used it for Television Future Fund projects. Between 1996 and this year, the Future Fund made grants for R&D projects
to improve public TV operations and fundraising. But GAO said CPB can’t legally
make selective grants from funds allocated for station grants. CPB President Bob Coonrod rebutted that conclusion in a statement printed
as an appendix in the report.