Quick Takes
“Big Uneasy” over NPR’s response to Shearer film
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Was NPR’s decision not to devote more airtime to Harry Shearer’s documentary on New Orleans–even if it was paid for as underwriting–a case of censorship, quibbling over credit language, or fainthearted journalistic commitment to covering problems with the levy system constructed by the Army Corps of Engineers? All three theories played out over the blogosphere after Shearer wrote for the Huffington Post about his difficulties in getting NPR’s newsmagazines to report on his documentary The Big Uneasy and in placing underwriting spots promoting its Aug. 30 debut. “NPR has decided its initials stand for nothing,” Shearer wrote, taking a jab at the network’s recent decision to abbreviate its name on-air. “What the network itself stands for at this moment sounds a lot like censorship.”NPR Ombudsman Alicia Shepard looked into Shearer’s complaints last week and found that his desire to promote himself from a guest on Talk of the Nation to Morning Edition or All Things Considered, the NPR shows with the biggest audiences, were misguided–and complaining about it in the Huffington Post was disingenuous.