“[I]t is fundamentally wrong to exclude the Latino experience on a subject of the magnitude of World War II, especially in a high-profile, publicly supported project like The War,” says Eduardo Díaz, executive director of the National Hispanic Cultural Center, in an Albuquerque Journal report on the controversy over Ken Burns’ forthcoming PBS series. In an editorial published today, the Journal calls on KNME to drop Burns’ documentary from its schedule and highlight local programs on New Mexico’s WWII veterans.
The gaming industry has discovered an enthusiastic and growing audience among retirees, according to the New York Times. “Baby boomers and up are definitely our fastest-growing demographic, and it is because the fear factor is diminishing,” said Beatrice Spaine, pogo.com marketing director. “Women come for the games, but they stay for the community….It’s kind of a MySpace for seniors.”
Leaders of the Congressional Hispanic Caucus met with public TV executives on Tuesday to discuss their concerns about the absence of Latino-American veterans in The War, Ken Burns’ 14-hour World War II documentary series slated for a PBS debut in September. Lawmakers may try to restrict pubTV’s federal funding if PBS doesn’t address their concerns, according to Politico, a newspaper and website covering the Washington, D.C., political scene. “The bottom line is we also have the right to do what we can economically with PBS to show our displeasure,” said Rep. Ciro Rodriguez (D-Texas). “I hope it won’t come to that.”
The MacArthur Foundation named Chicago’s Kartemquin Films, a frequent pubTV producer, as one of this year’s eight recipients of its MacArthur Award for Creative and Effective Institutions. The Chronicle of Philanthropy profiles Kartemquin, headed by co-founder Gordon Quinn. The company is known for Hoop Dreams, Refrigerator Mothers and the series The New Americans, among other social documentaries.
Nuestra Familia/Our Family, a Center for Investigative Reporting doc for public TV about the Latino gang that grew in California’s agricultural valleys, received an IRE Medal and the Tom Renner Award for crime reporting from Investigative Reporters and Editors Inc., IRE announced Monday. The award credits producer/director Oriana Zill de Granados, Julia Reynolds and George Sanchez of CIR. CPB and Latino Public Broadcasting were among the funders. [Program website.] The doc premiered last year on KQED and aired nationally last fall as part of Latino Public Broadcasting’s Voces series, distributed by American Public Television. The film was edited by David Ritscher, who is also production coordinator for Frontline/World.
The FCC released details yesterday about the settlement of 76 groups of mutually exclusive applications for new full-power noncommercial educational stations. (PDFs of order, attachment.) Universities affiliated with Iowa Public Radio are in line to receive a total of seven construction permits. Other current operators of public radio stations who prevailed include Spokane Public Radio, the University of Wyoming, Temple University and the University of Massachusetts. Unsuccessful applicants: Jefferson Public Radio, Kentucky’s Murray State University and WSKG in Binghamton, N.Y. The commission also announced plans to open a filing window for new noncoms in October.
Dan Savage erupts over a Garrison Keillor column about modern families and gay parenting. “These couples deserve our gratitude and support,” Savage writes. “What they don’t deserve is a rich, old hypocrite insinuating that they’re more interested in their fussy hairdos and over-decorated apartments than they are in raising their kids.”