Seven years in a ‘dynamic environment’

Cecily Truett and Larry Lancit rolled the dice. In the spring of 1991, they took their production company and its best known product, and laid them at the feet of GKN Securities Corp., a small investment firm, which organized the initial public offering of their production company. By then, the Lancits had filled a trophy case with awards as producers of Reading Rainbow. But Lancit Media Productions’ earnings were barely enough to scrape by. It was certainly not enough to expand.

Funny and civilized Frank Muir: patron of Pythons and radio games

Hands-up, all those who listen regularly to My Music, the half-hour radio panel game produced by the BBC and distributed by WFMT-FM in Chicago to about 60 public radio stations in the U.S.

Ah, I see a hand there in the back. It’s all right, you may remain anonymous. How many, then, have heard of its companion program, My Word!? Two more. Let the four of us leave the room to recall some favorite segments from these superb series, two of the most civilized radio programs on the air today.

Teletubby on a happy walk

Eh-oh!

Over the hills and far away, Teletubbies come to play. In Teletubbyland, a lush green landscape of undulating hills spotted with clumps of bright flowers, the world is safe and fun — a place to explore and learn through play. We know this because the sun baby, who rises over the set at the beginning of each episode, gurgles, coos and shrieks with pleasure at the adventures of the Teletubbies, four alien yet adorable, toddlerlike beings who live there, cared for and entertained by otherworldly gadgets. Teletubbies, the groundbreaking BBC children’s series that’s prompted both an outcry and a massive consumer craze since its debut last March debut in Britain, is about to arrive in the PBS schedule, April 6. The series is based on the premise — already much-debated in Britain — that very young children are watching television but don’t understand it, so they might as well have a show that’s designed for them.

Fred Wiseman’s novelistic samplings of reality

As I write these words, Frederick Wiseman’s 30th film, Public Housing, is about to be broadcast, Dec. 1 [1998], through PBS, the national network that has presented all of his documentaries. It concerns the Ida B. Wells housing development on Chicago’s South Side. The sites of his past documentaries have varied from high schools to hospitals, from public parks to private playgrounds. He has shown us the inside of military and police units, welfare and model agencies, prisons, a primate research lab, a meat packing plant and a zoo.