Current (https://current.org/tag/ethics/page/3/)
The leadership of WNET said a federal investigation into the station’s use of federal grants totaling almost $13 million is wrapping up, and the organization is financially sound. “There was sloppiness as opposed to real wrongdoing in terms of our accounting systems, which has been addressed,” said James Tisch, chairman of the WNET Board, in an interview.
Bill Lichtenstein, executive producer of pubradio’s The Infinite Mind, got a phone call Nov. 20 from a New York Times reporter with troubling information: the program’s host, psychiatrist Fred Goodwin, had been paid more than $1 million by drug giant GlaxoSmithKline since 2000. “My first question was, where did you get that information?’’ Lichtenstein said in an interview with Current. When the reporter said that Goodwin had told him, Lichtenstein was stunned. “When he began to read me the dollar amounts of fees, year by year, I went from stunned to shocked.”
The $1 million-plus figure had been uncovered by Iowa Sen. Chuck Grassley, ranking Republican in the Senate Finance Committee, which has been investigating the lack of financial transparency in medicine.
A revised ethics guide for public radio asks journalists to “remain reportorial” instead of spouting opinions when they’re off the air, and it urges that they apply the same standards to call-in shows and websites as they do to newscasts.
A revised ethics guide for public radio asks journalists to “remain reportorial” instead of spouting opinions when they’re off the air, and it urges that they apply the same standards to call-in shows and websites as they do to newscasts. CPB, which underwrote the project, will release the concise guide, Independence and Integrity II, on its website this week [PDF]. The authors are Alan G. Stavitsky, associate dean of the University of Oregon School of Journalism and Communication, who wrote the original pubradio ethics guide in 1995, and NPR ombudsman Jeffrey Dvorkin. Though the pair consulted widely — discussing issues with pubradio and other journalists at the Poynter Institute last spring and then in workshops at three stations — Dvorkin says they didn’t end up with ambivalence about what they wrote. One reason is that the authors avoided hairsplitting in favor of brevity.
The bad news: Public radio is a small part of a rapidly expanding nonprofit sector. Competition with other nonprofits for mind-share and donor support will intensify. Moreover, public radio lacks the financial transparency that donors increasingly expect.
This revised statement was adopted in July 2003 by Public Radio News Directors Inc., the association of journalists working in public radio. Public Radio News Directors Inc. is committed to the highest standards of journalistic ethics and excellence. We must stand apart from pressures of politics and commerce as we inform and engage our listeners. We seek truth, and report with fairness and integrity. Independence and integrity are the foundations of our service, which we maintain through these principles:
TRUTH
Journalism is the rigorous pursuit of truth.
A manager in ethical hot water can be compared to a frog in a soup pot, says Carter McNamara. If you put a frog in a pot of hot water, it will immediately jump out, McNamara writes in The Complete Guide to Ethics Management: An Ethics Toolkit for Managers. But if you put a frog in a pot of cool water and very gradually increase the heat of the burner, you can boil the frog before it knows what’s up. The point here is that most ethical problems are created not by management mischief but by poor decisions made by managers under stress. For public broadcasters struggling to manage rapid change, stress is constant.
WGBH acknowledged that one of the most compelling segments on Antiques Roadshow — the so-called “watermelon sword” appraisal — was faked without its knowledge. The station severed ties late last month with Russ Pritchard III and George Juno, former partners in an antique weaponry dealership who frequently appeared on the series.
KQED has dropped plans for a public TV documentary about pioneering Napa Valley winemaker Robert Mondavi after widespread newspaper reports that an organization funded largely by Mondavi had supplied the first and only seed money.