Programs/Content
California public media stations team up for 2016 election coverage
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KPCC, KQED, KPBS and Capital Public Radio have formed the California Counts Collaborative.
Current (https://current.org/tag/california/)
KPCC, KQED, KPBS and Capital Public Radio have formed the California Counts Collaborative.
The United States’ first 24/7 television channel for indigenous people has begun airing on a handful of public television stations across the country. The channel’s launch was limited, as producing station KVCR in San Bernardino, Calif., seeks a national distribution deal and additional funding. In addition to KVCR, FNX: First Nations Experience is carried by KEET in Eureka, Calif., LPTV in Bemidji, Minn., and Navajo Nation TV-5, which covers parts of New Mexico and Arizona. Chicago’s WYCC and Oklahoma’s CATV-47 plan to begin airing the channel soon. Meanwhile, technical difficulties with FNX equipment have delayed its launch on Wyoming PBS.
Northern California’s KQED-TV is revamping its Friday evening public affairs show by reviving a title from its distant past.
As expected, the San Mateo County (Calif.) Community College District announced Dec. 7 it is seeking a buyer for public broadcaster KCSM-TV. In June, the college district said it was selling the station to end its predicted $800,000 structural deficit. Independent Public Media, a nonprofit consortium headed by WYBE founder John Schwarz and former WNET exec Ken Devine, has already signaled its interest in keeping the channel available for public media (Current, Oct. 17).
The FCC closed its investigation of a management agreement between the University of San Francisco and the Los Angeles–based Classical Public Radio Network June 7 after each of the parties agreed to pay the federal government $25,000 as part of a consent decree.
The two remaining finalists bidding for KCSM-TV in San Mateo, Calif., are local groups aligned with Independent Public Media and Public Media Company. The bid amounts have not been disclosed. Independent Public Media is headed by former pubcasters John Schwartz and Ken Devine, who are working to preserve noncom TV licenses for the public system. (Current, Oct. 17, 2011).
Judy Jankowski, who held top management positions at several public broadcasting stations, died Dec. 17 [2011] at Kindred Hospital in Westminster, Calif. She was 61. She started her long pubcasting career as a traffic manager at WOUB in Athens, Ohio, worked as g.m. of Pittsburgh’s WDUQ from the mid-1980s until 1994, and then managed another leading jazz station — KLON, now KKJZ in Long Beach, Calif. — until retiring in 2005.
A consultant’s study of public TV’s crowded Los Angeles market, commissioned by CPB, predicts a highly integrated collaboration among the area’s four stations would provide hefty financial savings and grow revenues for all four. The eight-week study by Booz & Co. — a major consulting firm spun off by Booz Allen Hamilton — said the present structure of the market has stunted the four stations. They’ve suffered a 10 percent revenue decline since 2005 and a 26 percent drop in net assets since 2007. All have average audiences below the PBS national average rating of 1.1 percent.
After negotiating with PBS for eight months over a proposal to reduce its dues and remake public TV in the Los Angeles market, the city’s biggest public station announced last week that it is preparing to completely drop out of the network. If KCET proceeds with its back-up plan for financial relief, as of Jan. 1 PBS would be left without a station committed to air the bulk of its schedule in the nation’s second-largest media market. It would be the first departure of a major-market member in the network’s history. KCET President Al Jerome told Current in an extended interview that he’d prefer to remain with PBS, but — if the network doesn’t budge — he has unanimous board backing to forgo the PBS brand and the icon series from its National Program Service.
After negotiating with PBS for eight months over a proposal to reduce its dues and reconfigure pubTV in the Los Angeles market, the city’s bigget public station announced this week that it may drop out of the network by Jan. 1. If KCET proceeds with that option, PBS would be left without a station committed to carrying its primetime and children’s schedules in the nation’s second-largest media market. It would be the first departure of a major-market member in the network’s history. KCET President Al Jerome told Current that he’d prefer to remain with PBS, but says — if the network doesn’t budge — he has unanimous backing from the station’s board of directors to forgo the PBS brand and the icon series of its National Program Service.
Two public broadcasters active in southern California during the 1960s and 1970s, James Lee Mathes and Fred Burgess, retired to Kansas together in the 1980s. They died within seven months in 2007. James Lee Mathes
James Lee Mathes, 73, a pioneer in public TV at KCET and the University of Southern California in Los Angeles, died March 27 [2007] in his home state, Kansas. He had pancreatic cancer. Mathes worked on such KCET projects as Carl Sagan’s Cosmos series and an eight-nation simulcast, as well as fundraising and general administration.
Lance Orozco is one of Southern California’s most honored and recognized journalists. Yet he doesn’t work for the Los Angeles Times or a commercial megastation. Orozco has instead landed dozens of awards from area press groups by making an unlikely news powerhouse out of tiny KCLU-FM in Thousand Oaks, a Ventura County suburb northwest of Los Angeles. The station employs just four full-time staffers but has won a flood of praise for the extensive local coverage spearheaded by Orozco, its news director and reporting dynamo. Last month the Associated Press Television and Radio Association of California and Nevada awarded KCLU and Orozco nine of its Mark Twain Awards, including one naming him Radio Reporter of the Year.
KCET in Los Angeles unveiled a multimillion-dollar initiative to help prepare kids for kindergarten by training the adults who care for them. Two new daytime talk series — one produced in English and the other in Spanish — are centerpieces of the project. Through daily broadcasts of A Place of Our Own and Los Ninos in Su Casa, KCET aims to provide skills, information and inspiration to unlicensed caregivers and enlist them in the important work of nurturing early learning skills. These friends, neighbors and relatives of parents often work in isolation and have little access to training. Shaped by input from leading educators and formative research on its target audiences, the station’s education initiative has raised $20 million so far, including the largest grant in KCET’s history—$10 million from the energy company BP.
A leading advocate for independent producers and openness in the governance of public broadcasting, Laurence S. Hall died Feb. 21 [2004] after a recurrence of cancer, according to one of his sons, Ole Hall. He was 74. Hall was one of “the three Larrys” — the others being Lawrence Daressa and Lawrence Sapadin — who were among the leaders of the 1980s movement to secure a role for independent producers in public TV. If there was one person responsible for that “modest miracle of legislation,” Daressa said recently, it was Hall.
ITVS, the CPB-funded organization operating in the tricky middle-ground between independent filmmakers and public TV stations, has appointed a leader in the San Francisco indie community as its next chief executive. [She succeeded James Yee, who died in March 2001.]
Sally Jo Fifer, executive director of the Bay Area Video Coalition since 1992, will join the Independent Television Service as its top executive in August. BAVC grew explosively under her leadership — through partnerships with Silicon Valley companies during the soaring tech boom and through job-training contracts with federal, state and local government agencies. The ITVS Board sought an executive with entrepreneurial skills and a proven ability to “raise money and think creatively,” says Mark Lloyd, chairman of ITVS and president of the Civil Rights Forum on Communications Policy. “Sally’s experience with the Bay Area Video Coalition certainly suggests that she has those qualities.”
San Francisco’s KQED-TV remains one of the most-watched public TV stations in the country, but, in the 1980s and ’90s it suffered under the expectations of a viewership that recalled its early years. David Stewart reminds us of KQED’s fertile ’50s and ’60s. In his history of public TV, The Vanishing Vision, James Day recalls that the first year of KQED/San Francisco, 1953, was nearly its last. Its headquarters was in the back seat of a station wagon. Day, the president, and a staff of eight had managed to keep the station on the air, but the board, alarmed by its increasing debts, had decided to call it quits.