Programs/Content
Tonya Mosley explores a family mystery in ‘She Has a Name’
|
“This is a story that needs to be told … for my sake, for our family’s sake, and for those who will listen to it in Detroit and see themselves in it,” Mosley said.
Current (https://current.org/series/podcasts/page/2)
“This is a story that needs to be told … for my sake, for our family’s sake, and for those who will listen to it in Detroit and see themselves in it,” Mosley said.
Collin Campbell discusses his return to public media as NPR’s SVP of podcasting strategy and why limited-run podcasts still have a place in the network’s portfolio.
The Mass Humanities Audio Storytelling Project offers participants four months of training, access to equipment, and a stipend to produce a documentary pilot.
The “6 S Audience Engagement Framework” articulates “the crucial elements needed to take hosts and content from ordinary to remarkable.”
It’s clear that studios are severely undervaluing their podcast audiences.
In an era where the “easy money” is gone, celebrity sluggers are beyond reach, and commercial outfits are pulling back, public radio organizations can win by leaning into data and ideas.
The next season looks at L.A. as a “prismatic reflection point” in artists’ development, says producer Myke Dodge Weiskopf.
“Marfa Public Radio Puts You to Sleep” featured somnolent readings of the Public Broadcasting Act, NPR’s style guide and more.
“It goes such a long way to hear that news anchor speak just like you,” says host and creator Marquis Lupton.
“No matter which direction we start from — event or idea first — we’re striving for the marriage of story and meaning.”