For a week in February (Feb. 19-26), the FCC will offer 67 local FM frequencies assigned to specific cities and towns. The commission postponed the filing window from December on the request of public media groups seeking more time to prepare. (Original announcement.) Though the frequencies will be reserved for noncommercial use, they remain unused in the commercial FM band — that is, above 92.1 MHz. The places on the list were chosen because at least 10 percent of their population now have access to no more than one noncomm radio service. The FCC will use a point system giving preference to local applicants with local boards and to those who don’t hold other licenses.

What should public radio do about the aging of its audience, as documented in the latest Walrus Research report? Given that the trend parallels a much more profound shift of aging among the U.S. population as a whole, media analyst Mark Ramsey writes, any attempts to create “younger-oriented versions” of NPR’s tentpole news magazines would be the “wrong way to go.” “That’s like asking Lady Gaga to cover a Peggy Lee tune and expecting it to be a hit, assuming Lady GaGa would even be interested in covering it (which she would not),” Ramsey writes on his blog Hear 2.0.

Scholastic Media, the international children’s publishing, education and media company, is introducing iPhone and iPod apps for several kid’s shows including PBS’s Clifford the Big Red Dog and WordGirl. Clifford’s is titled BE BIG with Words; kids are rewarded with pictures of words they spell. For WordGirl fans there’s Word Hunt (above), in which players save a city from villains by using vocabulary words. They’re available from the Apps Store.

Getty Images, one of the world’s largest creators and distributors of still images, footage and multimedia, is now offering WGBH Educational Foundation’s extensive library of high-def footage, it announced yesterday. Included are series such as Nova, Frontline and American Experience, as well as limited runs. The agreement gives producers, filmmakers, corporate and entertainment clients access to the offerings. Check out WGBH’s footage here.

The National Telecommunications and Information Administration has set Feb. 4 as the application deadline for most grant applications for the fiscal year 2010 round. (Federal Register notice.) An exception: Feb. 26 is the deadline for new noncommercial FM station projects filed in the FCC’s weeklong application window that closes the same day (see item above). The agency’s PTFP staff will hold webinars for applicants in coming weeks. NTIA staffer Walter Sheppard is seeking station executives to review applications—who aren’t applying for grants this year. wsheppard@ntia.doc.gov.

As the Federal Trade Commission convened its two-day workshop on how journalism can survive and thrive during the shift to web-based media distribution, Future of Public Media project Director Jessica Clark called for policymakers to look beyond proposals to provide the taxpayer support needed for public broadcasting to expand its role in journalism. “[S]erious policy proposals need to go further,” Clark writes for PBS’s MediaShift blog. “Simply producing additional news doesn’t address the demand side of the issue.” Clark calls for policy changes promoting public engagement with media. “This means more than just handing out yet another serving of information to a surfeited audience; it’s about engaging users at every phase–planning, funding, production, distribution, conversation, curation, and mobilization–to make sure that all stakeholders’ voices are included.”

Pacifica Radio’s new executive director, effective tomorrow, is Arlene Engelhardt, a programmer and former board president at affiliate station WMNF in Tampa. She was appointed by the Pacifica Foundation’s national board last week, succeeding Grace Aaron, the board chair who has served as interim director since January. The top staff position has been open since the resignation of Nicole Sawaya in September 2008. Engelhardt is co-host of Women’s Show, “an eclectic feminist/womanist radio magazine” on the Tampa community radio station. She has been a peace activist, an executive with United Cerebral Palsy and a v.p. of product development for a multimedia publishing company, according to Pacifica.

ITVS and PBS are offering more than 20 indie films via iTunes, according to ITVS. The initiative is part of the Independent Digital Distribution Lab, which kicked off in April to expand broadband distribution and explore revenue-generating partnerships for independent filmmakers and pubTV. Featured are films from Independent Lens, Global Voices and other series and broadcasts.

The webcast has begun for the FTC’s workshop, “How Will Journalism Survive the Internet Age?” Participating pubcasters include Joaquin Alvarado, CPB’s senior veep for diversity and innovation; NPR head Vivian Schiller; Jon McTaggart, senior veep and COO, American Public Media; Alisa Miller, president and CEO, Public Radio International; and Jason Seiken, senior veep, PBS Interactive. The workshop continues tomorrow.

The Public Radio Satellite System is marking its 30th anniversary, it announced today. PRSS launched in 1979, and was the first to use satellite technology to develop a national distribution network for radio. Back then, PRSS sent out programming to 192 public radio stations; now it transmits nearly 400,000 hours of programming annually from more than 200 producers to more than 800 public radio stations. Last month it launched the Technology Research Center with NPR Labs to provide research, consulting, and testing capabilities for pubradio stations, other networks and producers. It will also market its consulting services to commercial clients.

Nightly Business Report has decided on a co-anchor to work with Susie Gharib, the show announced today. Tom Hudson was formerly in that slot at the nationally syndicated First Business program. Hudson replaces longtime anchor Paul Kangas, who announced his retirement in May. Hudson, already working with the show, makes his on-air debut on Wednesday, and comes on as co-anchor Jan. 4.

Harvard University history prof Niall C. Ferguson has won an International Emmy Award for his documentary series, The Ascent of Money, which aired on PBS in July 2009, reports the Harvard Crimson. The series examined the history of money, credit and banking, going back as far as ancient Babylon. It was based on his course, “International Financial History, 1700 to Present,” which he last taught at the college in 2007.

PBS and the NewsHour today announced a partnership with Boston-based GlobalPost to make use of its international correspondents for “timely on-the-ground information about breaking news developments” for both broadcast and online audiences, according to a statement posted on Jim Romenesko’s media blog on the Poynter Institute’s website. The effort will supplement the NewsHour’s current international reporting, the statement noted. GlobalPost correspondents and videographers will produce weekly video segments for NewsHour and the show’s web site; GlobalPost and NewsHour staffs will collaborate on story selection and production. GlobalPost has some 70 reporters in more than 50 countries, and already is partnered with WorldFocus as well as many print publications.

Ruth Reichl, host of PBS’s Gourmet’s Adventures With Ruth, opens her refrigerator and pantry to Salon.com for a peek at what one of America’s most respected foodies noshes on. A few goodies: Arkansas black and Knobbed Russet apples, three kinds of butter, frozen banana leaves, strawberry elderflower jam, lacinato kale and “gallons of turkey stock.” You know, the usual.

WGBH will broadcast some television programming on the radio starting Tuesday, the Boston Globe reports. It’s part of the station’s move to transform 89.7-FM into a viable competitor for news powerhouse WBUR’s 90.9-FM. The station will use existing shows such as the NewsHour and local Beat the Press, as well as create a new midday weekday public affairs show. The moves are part of WGBH’s purchase in September of classical music station WCRB-FM 99.5 for $14 million, which allowed WGBH to shift classical programming and convert 89.7 to an all news and talk station.