WGBH, one of four public stations selected last year to pilot a Mobile Emergency Alert System (M-EAS) project funded by CPB and LG Electronics, will test the system on Monday (March 5), according to TV Technology. WGBH will send tornado emergency information to mobile devices via text, video, audio, maps and photos, using the mobile DTV standard ATSC M/H. The test will occur at 10:30 a.m. Eastern. Participating are KLVX in Las Vegas, and Alabama station WBIQ in Birmingham and WAIQ in Montgomery.

“What a difference a year makes,” Patrick Butler, president of the Association of Public Television Stations, told the crowd at the group’s Public Media Summit on Feb. 27 in Arlington, Va. Last year at this time, the House of Representatives had just voted to eliminate all federal funding for public broadcasting. Since then pubcasters have notched several victories, including protecting the fiscal 2011 appropriation for CPB to $445 million. In recognition of Butler’s performance during his first year, the APTS Board of Trustees gave him an extended standing ovation. APTS renamed its longtime Capitol Hill Day public TV political advocacy gathering as the Summit, which included sessions on how both TV and radio stations are “Moving from ‘Nice’ to ‘Necessary,’” and appearances by former U.S.

The Interrupters topped the P.O.V. blog’s exhaustive list of the best documentaries of the past year, based on lists from critical acclaim, documentary festivals, industry organizations and online voting. The Kartemquin Films production, which  recently ran on Frontline, tells the stories of three individuals in Chicago who literally interrupt situations on the streets that are brewing into violent confrontations. Don’t miss the blog’s cool graphic tracking dozens of films.

AOL and PBS today launched the multiplatform project “Makers: Women Who Make America” to showcase “hundreds of compelling stories from women of today and tomorrow,” as the site says. Tim Armstrong, AOL c.e.o., told Bloomberg News, “Women’s content is a major strategic focus for us.” “Makers” filmmaker Dyllan McGee called the online-first approach “the future of documentaries.” The 59 interviews on the site so far include Secretary of State Hillary Clinton, tennis great Billy Jean King, newswoman Barbara Walters, entertainment icon Oprah Winfrey and former Supreme Court Justice Sandra Day O’Connor. In 2013, PBS will premiere a related three-hour documentary telling the story of the women’s movement over the last 50 years.

Legislation enacted last week to authorize FCC auctions of TV spectrum contains some protections for pubcasters, but broadcasters will face technical challenges that will exceed the difficulties of their transition to DTV just four years ago. The new law sketches out an extraordinarily complex process of auctioning off TV broadcast spectrum to mobile digital carriers and repacking reduced TV channels in the remaining spectrum, though many questions remain unanswered. The law now assures broadcasters that any spectrum giveback will be voluntary, for noncommercial and commercial operators alike. The FCC will not force any relocations from UHF to VHF or from high to low VHF channels.

“What a difference a year makes,” Patrick Butler, president of the Association of Public Television Stations, told the crowd at the group’s Public Media Summit on Monday (Feb. 27) in Arlington, Va. Last year at this time, Butler notes, the House of Representatives had just voted to eliminate all federal funding for public broadcasting. But since then pubcasters have notched several victories, including resurrecting the fiscal 2011 appropriation for the Corporation for Public Broadcasting from zero to $445 million. “Washington wisdom has it that we are likely to bump along this year with a series of stop-gap funding measures through the election; and that the mother of all lame-duck Congresses will come back after the elections to deal with a host of pressing tax and spending issues,” Butler said.

The FCC has denied the request of a Native American college in New Mexico for more time to build a new noncommercial FM station. (PDF of decision.) Navajo Technical College in Crownpoint, N.M., had run into a number of setbacks as it worked toward getting its new station on the air. To start with, the school blew past its FCC-imposed deadline for starting the station due to a misunderstanding. It then revealed to the FCC that it couldn’t build the station at the location it had initially proposed because the solar-powered facility at the site would produce too little power.

There’s a growing disparity between the haves and have-nots among public stations. Their abilities to expand services and revenues are diverging. And if they were to collaborate on fundraising, they’d want different results from it. That was the scene as described by 20 execs and consultants in the Public Media Futures forum held Feb. 16 in Washington, D.C., by the communication schools of the University of Southern California and American University in cooperation with Current. Revenues tend to burgeon where there’s a lot of audience, of course. In public radio, just 32 licensees bring in half of the revenue in the country, said Tom Thomas, co-chief of pubradio’s Station Resource Group.

On his blog, media strategist Mark Ramsey argues that the old Arbitron diaries were better at showing which stations a listener actually values and engages with, as opposed to PPM, which doesn’t depend on a listener’s impressions to record and deliver data. Check out his video. If Ramsey is right, what are the implications for public radio? Are stations that have abandoned diaries missing out on valuable information, and, if so, how to recover it?

Alex Chadwick was lost. It took a journey to an unlikely place — the whitewater rapids of a Utah canyon — for him to find his way back to radio. In 2008, Chadwick found himself absent from the airwaves for the first time in decades. He had stepped down as host of the NPR show Day to Day to return to reporting, only to be laid off a month later, an unceremonious end to 31 years at the network. He then devoted himself to caring for his wife and partner in broadcasting, Carolyn Jensen Chadwick, who was battling multiple myeloma, a cancer of the blood cells.

Update: On March 16, This American Life retracted “Mr. Daisey and the Apple Factory,” its Jan. 6 broadcast that adapted monologist Mike Daisey’s story about working conditions in Chinese gadget factories. Read more. Crunching a two-hour stage monologue into a 39-minute radio piece was a huge challenge for Ira Glass, e.p. and host of This American Life. Glass decided to adapt The Agony and the Ecstasy of Steve Jobs after seeing monologist Mike Daisey perform the show that skewers Apple and Jobs for the harsh working conditions in factories where adored Apple products are assembled. Glass said the adaptation “turned out to be much more difficult than either of us expected.”

NPR President Gary Knell has restructured the news organization’s top ranks, elevating digital chief Kinsey Wilson to executive v.p. and chief content officer and appointing Margaret Low Smith senior v.p. of news, a job she took on an interim basis last year. When Wilson joined NPR as senior v.p. and general manager of digital media in 2008, the position was parallel to the senior news exec post then held by Ellen Weiss. Knell’s restructuring elevates Wilson in NPR’s organization chart to supervise all of NPR’s content areas — news, programming and digital media. “In Kinsey and Margaret, we have two journalists, strategists and leaders with a keen understanding of the craft that distinguishes NPR — and how we continue to innovate and evolve,” Knell said in a news release.

Miami-based Classical South Florida, an affiliate of American Public Media Group, is expanding its service to the state’s western coast with the $4.35 million purchase of WAYJ-FM, a 75,000-watt station that broadcasts to a potential audience of nearly 1 million listeners in Fort Myers and beyond. The purchase, announced Feb. 14, is part of a three-way transaction with seller WAY Media, a religious broadcasting network that’s moving its Christian pop music service and its call letters to 89.5 MHz in Naples, a 100,000-watt station, formerly WSRX-FM. Though the Naples station broadcasts at a higher effective radiated power (ERP), Classical South Florida’s new station has the better signal, with a higher antenna and larger potential audience.

After several years of work, the National Educational Telecommunications Association announced Feb. 23 that it is offering group health-insurance coverage plans to pubcasters. So far, 70 TV and radio licensees representing nearly 2,900 individuals are participating in the initiative. NETA is partnering with the Coca-Cola Bottlers Association to provide the coverage through that company’s Alliance of Professional Service Organizations (APSO) subsidiary. APSO currently serves nearly 300 employers, including the majority of the soft-drink bottlers and more than 200 other organizations, covering nearly 25,000 individuals. The partnership marks “the beginning of significant savings and improved insurance coverage opportunities for those who participate,” NETA President Skip Hinton said.