WUIS, a public radio station operated by the University of Illinois Springfield, will transition from classical to news and talk in July, reports the Illinois Times. The shift follows the retirement of Karl Scroggin at the end of March, who had hosted the weekday Classics since 1984. The station has already started streaming a 24-hour classical digital channel with live announcers. “We recognize classical radio is one of those things that’s slowly going away, but we’re still willing to make an effort to get it to people who want it,” General Manager Bill Wheelhouse said.

These bylaws were approved,  Nov. 15, 1988, when AIR was incorporated as a nonprofit in New York. ARTICLE ONE: MEMBERSHIP Section 1. Membership A.I.R. shall be a membership organization. There shall be three categories of membership: a. Organizational Membership – shall be open to organizations providing radio/audio programs and services (including but not limited to, production, presentation, research, distribution, exhibition, or education). b. Individual Membership – shall be open to individuals only. c. Affiliate Membership – shall be open to all other organizations, foundations, and corporations who are interested in the field of radio/audio production. I. Membership shall be automatically conferred upon payment of dues.

The Public Television Affinity Group Coalition adopted its statement of Mission and Principles in February 2004. RESOLUTION Whereas, representatives and staff of the Major Market Group, The National Educational Telecommunications Association, the Organization of State Broadcasting Executives, the Program Resource Group and the Small Station Association have been working in cooperation with staff of the Association of Public Television Stations, the Corporation for Public Broadcasting and the Public Broadcasting Service; and, Whereas, these licensee representatives have drafted and recommended for acceptance by all public television entities a statement of our shared vision; now therefore be it Resolved, that we, the licensee members of the Public Broadcasting Service, do hereby request that the PBS Board of Directors consider acceptance of this statement as a representation of member interests and as a guide for strategic planning and operations.

Joaquin Alvarado, who departed as senior v.p. for digital innovation for American Public Media in March, is joining the Center for Investigative Reporting as its first chief strategy officer, the nonprofit news organization announced today (May 2). Alvarado will work to expand membership, engage diverse audiences and increase revenue for the San Francisco-based center, the nation’s oldest nonprofit investigative reporting organization. Alvarado also will take a leadership role in the center’s new YouTube investigative channel. “When I joined the board of CIR last year, I said that CIR exemplifies a truly networked newsroom with some of the most talented reporters and producers working today,” Alvarado said in a statement.

PBS and WNET are hosting an online question and answer session tonight (May 2), after a special screening of Sherlock: Season 2 from Masterpiece, live from New York City. Appearing will be actor Benedict Cumberbatch; Steven Moffat, co-creator; Sue Vertue, producer; and Rebecca Eaton, series executive producer, with opening remarks by Stephen Segaller, WNET programming v.p. Watch online at this link, beginning at 8:15 p.m. Eastern. The broadcast debut of Sherlock’s second season is Sunday.

A three-part, six hour documentary series, Latino Americans, will air on PBS in fall 2013, chronicling the lives of Latinos in the United States from the 1800s until today. The production, more than four years in the making, is a collaboration among WETA in Washington, D.C.; Latino Public Broadcasting; and Bosch and Co., a Miami-based production company specializing in films by and about Latinos. There will be a Spanish version of the series, a companion book by PBS NewsHour Senior Correspondent Ray Suarez, bilingual online educational resources and a national outreach campaign. Project staff members have been working with the Latino Americans Content Advisory Panel, organized in 2008, to develop the series narrative.

The International Documentary Association is hosting a panel discussion, “Doc U: The Future of Docs on PBS,” May 10 in Los Angeles, to examine the impact of NEA funding cuts as well as PBS’s decision to shift the nights for indie showcases Independent Lens and POV (Current, March 12). Negotiations continue among Independent Television Service, POV and PBS about the shows’ timeslots. Appearing on the panel will be Simon Kilmurry, e.p. of POV; Brenda Brkusic, e.p. of program development and national productions at PBS SoCal; Gordon Quinn, artistic director and founding member of Kartemquin Films; and Lyn Goldfarb, award-winning documentary director and producer.

PBS’s draft fiscal 2013 budget would raise member dues by 2 percent. That would add $3.6 million to PBS’s total revenue, bringing the total membership assessment to $185.5 million. The PBS Board also recommended a cap of plus or minus 20 percent on the change to a station’s FY13 dues. There would be no cap for FY14, subject to board approval. In a memo to stations, PBS President Paula Kerger said the board felt the cap “was the best way to ensure that dues accurately reflect the current financial situation of each station.” Total projected revenues are $283.2 million, down from $287 million in FY12.

It’s the last day of work for Valerie Arganbright, managing director of membership at Minnesota Public Radio, first hired by MPR in 1990. So 89.3 The Current had a special Coffee Break chock full o’ tunes with Valerie in the title. Because, as one commenter pondered, “I guess it was too hard to find songs with ‘Arganbright’ in them?” One suggestion: “Ride of the Valleries” by Wagner.

ITVS will launch a bilingual American Graduate Latino this November as part of CPB’s ongoing American Graduate: Let’s Make It Happen initiative targeting the high school dropout crisis. American Graduate Latino will supply American Graduate broadcasts and online programming in Spanish and English to assist viewers, teachers and community leaders in preventing dropouts. At the core of the bilingual initiative are two documentaries executive-produced by director Bernardo Ruiz (American Experience: Roberto Clemente) scheduled to air in 2013 on Independent Lens. The films, produced in association with Latino Public Broadcasting and distributed in English and Spanish, will explore why Latino students are dropping out and tell the personal stories behind those numbers.

Lonna Thompson, c.o.o. of the Association of Public Television Stations, will be a panelist in the FCC’s channel-sharing workshop on May 22. The FCC recently was authorized to conduct spectrum auctions to clear broadcast bandwidth for use by mobile devices; one of the options each station faces is sharing a 6 MHz channel with another broadcaster. The webcast workshop will focus on how broadcasters are approaching the financial and strategic opportunities presented by channel sharing, the FCC said. Thompson and other panelists — John Cunney, head of telecom media technology at Santander Global Banking & Markets; Eric De Silva, partner, Wiley Rein; and John Hane, counsel, Pillsbury Winthrop Shaw Pittman — will discuss the business and operational challenges and potential solutions faced by broadcasters considering channel sharing.

Video of the most recent Public Media Futures forum, April 28 in Los Angeles, is now online. Focused on innovations in local programming and new models for sustainable funding, the gathering was sponsored by USC Annenberg’s Center on Communication Leadership & Policy, in partnership with American University’s School of Communication. Additional coverage here.

The 13 U.S. journalists just awarded John S. Knight Journalism Fellowships to pursue proposals for journalism innovation at Stanford University during the upcoming academic year include several with public-media ties. Barbara Allen, a producer/engineer at Chicago’s WTTW-TV, will develop a transmedia platform to allow audiences to virtually experience historical events; Andrew Donohue, editor of the nonprofit news outlet Voice of San Diego, will create sustainable investigative news projects built around crowd-sourcing, transparency and narrative storytelling; Latoya Peterson, a former Public Media Corps fellow and editor and owner of Racialicious.com, will work to democratize communication and societal participation through the multimedia and text capabilities of mobile technology; and Eric Westervelt, Berlin correspondent for NPR News, will create a digital international news platform using all aspects of new media.

WLIW21, a WNET station, is premiering a 30-minute local news show, Long Island Business Report, on Tuesday (May 1) as a special, with the aim of attracting sponsors. “We hope to re-launch in the fall,” host Jim Paymar told the Long Island Business News website. “The station is behind the project. It’s a matter of fundraising and getting sponsorships. We’ll be looking for funds from corporations and foundations and individuals who believe in public broadcasting and the type of program we’re doing.” The show is being produced as a collaboration between WLIW and the host’s Paymar Communications Group.

Rebecca Eaton, e.p. of Masterpiece and the woman who brought the hit Downton Abbey to America, admits she’s “pretty addicted” to her job, in a Q&A with Collider.com (which describes itself as “the homepage for young men the world over obsessed with staying ahead of the curve in the marketplace’s most lucrative leisure pursuits”). In her role, Eaton says, “There’s always a crisis somewhere, and you get the satisfaction of solving the problem. And then, there’s always the mystery of whether a program will work or not, and waiting for the reviews or seeing what the audience figures are.” Eaton also reveals a fairly hands-off approach: Once shows are in production, “my motto is to leave them alone.