Plus: Reading Rainbow hits its fundraising goal, and a call to boycott NPR.

Downton Abbey creator Julian Fellowes has weighed in on PBS’s decision to delay airing the Masterpiece megahit for months after each season premieres in Britain. And as his countryfolk might say, he is cheesed off. “I want to have simultaneous transmission in America and Britain,” he tells the Telegraph of London. “The difficulty that we have is that people are discussing the series as it happens online before America’s seen it and on the internet we’re all in the same company. It’s madness.” Then he adds: “It’s what I’d like, but who cares what I think?” Scheduling Downton is a tricky subject for PBS.

And we're still waiting on spectrum auction specifics.

A mandate for a balanced budget and a drive to reduce its production commitments spurred NPR to cancel Tell Me More, one of the few remaining broadcast shows outside of its newsmagazines that the network produces itself. NPR will end the production as of Aug. 1 as part of a broader newsroom restructuring announced May 20. Twenty-eight jobs in its newsroom and library will be cut; eight of the positions are currently unfilled. Tell Me More, a weekdaily program featuring host Michel Martin and focusing on news topics related to people of color, now airs on 136 stations. The show had struggled to add enough stations since its 2007 launch to break even, said NPR Chief Content Officer Kinsey Wilson.

The producers of public radio’s This American Life will take over distribution of their show starting July 1, using Public Radio Exchange to deliver the program to stations. TAL and Public Radio International, its distributor of 17 years, announced in March that they would part ways effective July 1. Under the agreement announced Wednesday, Chicago Public Media and Ira Glass will handle distribution and underwriting, while Marge Ostroushko will be responsible for marketing and station relations. Ostroushko handled those duties before PRI picked up the show in 1997. “We’re excited and proud to be partners now with PRX,” Glass said in a statement.

Peterson worked on several projects for CPB and the National Endowment for the Humanities and mentored younger CPB staffers.

• I think that I shall never see A poem lovely as Wait Wait … Don’t Tell Me! Granted, that’s probably not among the verses in The Liberal Media Made Me Do It!, a new collection of poems based on public broadcasting stories and shows. But the book does contain pubmedia-centric contributions from more than 50 poets who were inspired by Radiolab, Performance Today, A Prairie Home Companion and other fare. “For me, the greatest delight in receiving these pieces has been to recognize the stories I have heard on the radio, with the added dimension of another’s perception added in,” writes editor Robbi Nester.

A public radio licensee’s bid to boost underwriting revenue by skirting restrictions on credit language met with a flat rebuttal from the FCC May 15. The licensee of Phoenix’s KBAQ and KJZZ asked the Commission in March to approve a three-year “limited and controlled demonstration project” to relax limits on language in the stations’ underwriting credits. Maricopa County Community College District proposed allowing qualitative terms, such as “award-winning” and “experienced,” and information about sales, discounts and interest rates. Such wording is currently barred under FCC rules. Maricopa argued that the relaxed restrictions would help the stations increase underwriting income amid a challenging climate for public broadcasting funding.

Plus: Sesame Street and the Great Society, and PRX looks at the technical side of distributing WFMT shows.

The public TV program The Aviators has come under increased scrutiny from its distributor after Current revealed apparent product placement in the show’s on-air segments. Executive Producer Anthony Nalli removed a sponsorship page from the program’s website earlier this month after Current inquired about promises that sponsors could “expertly integrate their brands directly into the content of the show in a subtle, non-invasive and very effective manner.” Other pages on the site made similar offers. Nalli said the matter was a misunderstanding over wording. “I used the language of advertising, not of public television,” Nalli said. He noted that the program follows pubTV and FCC rules against product placement.

College Broadcasters Inc. and the Student Press Law Center are speaking out against a channel-sharing agreement that gave Georgia Public Broadcasting control of Georgia State University’s 88.5 WRAS-FM during daytime hours. Under the agreement announced May 6, GPB will program the station with news from 5 a.m. to 7 p.m. The student organization that until recently controlled all programming will take over nighttime hours. The announcement surprised and disappointed the station’s student hosts, who set up a website to protest the agreement. In letters to the University administration, CBI and SPLC expressed support for the students and denounced the deal, which was made without notifying the programmers.

SoundWorks launched Thursday with four podcasts, and PRI plans to add more in coming weeks.

The final installment of our interview with Linda Winslow, outgoing executive producer of the PBS NewsHour.

Plus: First Look backs press-freedom groups.