Programs/Content

Final NPR newsmag clocks will take effect Nov. 17

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NPR has released the final versions of the new clocks for its newsmagazines and set a date of Nov. 17 for their implementation. The network unveiled proposed clocks in July after more than a year of work that involved staff and representatives from member stations. The clocks are the second-by-second scheduling of what happens when during the newsmagazines, including newscasts, music beds and funding credits. They also affect when stations can insert their own local content.

Quick Takes

NAB challenges parts of FCC’s plan for spectrum auction

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The National Association of Broadcasters filed a petition for review in the U.S. Court of Appeals for the District of Columbia Monday to challenge part of the FCC’s spectrum incentive auction order filed last week. NAB said it had no alternative but to file the lawsuit because the order as written could leave broadcasters footing the bill for tower relocation and other expenses when the spectrum is repacked. NAB also aims to have the court direct the FCC to drop a study that it plans to do ahead of repacking to determine broadcasters’ coverage areas. NAB said following the study, which would use a different methodology from previous surveys, could harm its members. “Under this new methodology, many broadcast television licensees, including NAB’s members, will lose coverage area and population served during the auction’s repacking and reassignment process, or be forced to participate in the auction (and relinquish broadcast spectrum rights),” the lawsuit reads.

Quick Takes

Join a webinar today on audio levels with Adam Ragusea, presented by AIR and PRX

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Current contributor Adam Ragusea’s July commentary “Why you’re doing audio levels wrong, and why it really does matter” has become one of our most popular posts in recent months. Today Public Radio Exchange and the Association of Independents in Radio continue the conversation with a webinar on audio levels hosted by Ragusea and American Public Media technical coordinator Rob Byers, whom Ragusea interviewed for his Current piece. The hourlong session starts at 1 p.m. Eastern time; register here.

People

Sherlock, Downton Abbey lead PBS to eight wins in Creative Arts Emmys

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Sherlock: His Last Vow won four of the eight Creative Arts Emmys awarded to PBS programs by the Academy of Television Arts & Sciences during the Aug. 17 Primetime Emmy gala celebrating technical achievement. Sherlock, a BBC production that aired on WGBH’s Masterpiece, picked up its four wins in the miniseries or movie categories. Editor Yan Miles won for outstanding single-camera picture editing for a miniseries or movie, and Director of Photography Neville Kidd won the Emmy for cinematography in a miniseries or movie. The detective drama also won awards for sound editing, with statuettes given to supervising sound editor Doug Sinclair; sound editors Stuart McCowan, Jon Joyce and Paul McFadden; Foley editor William Everett; and Foley artist Sue Harding.

Programs/Content

Stations’ joint effort brings streaming BBC shows to websites

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A joint effort among PBS and five member stations has created a more efficient way for stations to offer online streams of British imports such as Doctor Who and Death in Paradise while honoring BBC restrictions that limit web streaming. The BBC’s agreement for streaming programs besides Masterpiece limits access to viewers within a station’s market. But COVE, PBS’s online video platform, does not allow for filtering by location, which hampered stations’ ability to offer BBC content. Those restrictions made for an “unmanageable” situation, said John Decker, director of programming at KPBS in San Diego. But stations are now using a new web page created by PBS that allows for location-based filtering, and five stations have agreed to handle uploading of BBC content to ensure quality and prevent duplicative uploading.

Quick Takes

Monday roundup: Downton gaffe draws laughs; TechCrunch profiles Matter

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• A publicity photo from the fifth season of Downton Abbey made the rounds on the Internet for all the wrong reasons. The shot of stars Hugh Bonneville and Laura Carmichael featured an anachronistic plastic water bottle perched on a mantle. Producer ITV has since removed the shot from its press site, according to the BBC, and it’s also vanished from PBS’s pressroom. “You had one job, guys. One job,” Buzzfeed wrote.