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The U.S. public wants more news coverage of climate change, surveys find

As hurricanes, floods, wildfires, and heat waves have intensified over the past decade, public concern about climate change has grown dramatically. Today, 65% of the U.S. public is worried about the issue, up from 52% a decade ago, according to nationally representative surveys conducted by scientists at Yale University and George Mason University.

Development

Possibility of native ads on pubradio sparks concern

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DENVER — A public radio station’s foray into native advertising, which seamlessly integrates paid content into a website’s editorial fare, stirred strong opinions at a July 10 session at the annual Public Media Development & Marketing Conference. Attendees packed the room to hear about plans for native advertising on the site of Southern California Public Radio in Pasadena, Calif. The broadcaster received a $33,000 grant in April from the Investigative News Network and the Knight Foundation to experiment with native advertising, also known as sponsored content. Over the six-month pilot stage, which ends in December, SCPR will develop a native-advertising framework for online and mobile platforms. “SCPR believes that the framework emerging from this grant will map out the common ground between the interests of its audience, underwriters, and journalistic principles,” INN said in a statement about the grant when it was announced. “At its conclusion, the organization will be much closer to determining whether sponsored content is a viable revenue stream for mission-driven, nonprofit content producers.”

According to the Interactive Advertising Bureau, native advertising encompasses “paid ads that are so cohesive with the page content, assimilated into the design, and consistent with the platform behavior that the viewer simply feels that they belong.”

In experimenting with native advertising, SCPR joins nonprofits Voice of San Diego and the Texas Tribune, which began placing native ads on their websites this year.

People

Masterpiece leads PBS slate of 34 Primetime Emmy nominees, and more awards in public media

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Downton Abbey and Sherlock: His Last Vow each picked up 12 primetime Emmy nominations July 10, earning the lion’s share of the 34 nominations for PBS programs.

Downton Abbey, a co-production of Masterpiece and Carnival Films, was nominated for outstanding drama series and outstanding directing for a drama series, while Michelle Dockery, who plays Lady Mary Crawley in the period drama, was nominated for lead actress in a series. Four additional cast members are vying for Emmys: Maggie Smith and Joanne Froggatt, both nominated for supporting actress in a drama series; Jim Carter, nominated for supporting actor in a drama series; and Paul Giamatti, a contender in the category guest actor in a drama series. Downton Abbey also received nominations for five craft awards: art direction for a period series, costumes for a series, hairstyling for a single-camera series, music composition for a series and sound mixing for a comedy or drama series. Sherlock: His Last Vow, the third installment in the series presented on PBS by Masterpiece Mystery, was nominated for best television movie. Benedict Cumberbatch, who plays Sherlock Holmes, was nominated for lead actor in a miniseries or movie; and Martin Freeman, who plays sidekick John Watson, was nominated for supporting actor in a miniseries or movie.

Margaret Low Smith

Margaret Low Smith, NPR’s senior news veep, will depart for The Atlantic

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Margaret Low Smith, NPR’s senior vice president for news, is leaving the network to take a position with The Atlantic as president of its live-event division, AtlanticLIVE. Smith has worked for NPR for 32 years, heading the news division since 2011. Before holding that job, she worked as VP of programming. She started at NPR in 1982 as an overnight production assistant for Morning Edition. “Her departure will be felt as profoundly as any in recent memory,” NPR Chief Content Officer Kinsey Wilson wrote in an email to station executives.

Programs/Content

Final Poirot episodes reach U.S. via on-demand service

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Three of the five final episodes in the Hercule Poirot detective series, a longtime favorite on Masterpiece Mystery!, will debut in the U.S. next month as an on-demand series available exclusively through online British content distributor Acorn TV. Masterpiece’s Mystery strand will present the broadcast debut of two detective stories, The Big Four and Deadman’s Folly, July 27 and Aug. 3, respectively. British drama fans who want to catch the series finale will have to sign up for Acorn TV, the subscription-based streaming service specializing in British drama. The distributor will provide the episodes via its website and Roku channel. RLJ Entertainment, which owns Acorn Media Group and Acorn TV, also controls a majority share in Agatha Christie Ltd., the company that manages Christie’s literary works.

Development

California Arts Council directs state aid to three public media outlets

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In the first and potentially only government-backed grant program supporting arts coverage by California’s public media stations, KQED, PBS SoCaL and Radio Bilingüe each received one-time funding from the California Arts Council. The Council created its Arts on the Air program as one of several initiatives funded by a special $2 million allocation from the California state legislature. The state aid was split between two arts education initiatives and three grant programs; the council created Arts on the Air specifically to support public, nonprofit media outlets and directed $200,000 to be distributed through a competitive grants process. “It’s a modest program, but the council really wanted to find organizations that would really impact public feeling about the arts, that would build public will and understanding about the value of the arts in our communities,” said Caitlin Fitzwater, spokesperson for the Arts Council. In San Francisco, KQED’s $75,000 grant will help fund an expansion of Spark, a weekly television show and educational outreach program that profiles local artists and art organizations.

Development

GPB Radio to operate Atlanta’s WRAS without tax-based funding

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Georgia Public Broadcasting will fund its new daytime public radio news service on Atlanta’s WRAS through private revenues, not state subsidies, according to Michael H. McDougald, a broadcaster who chairs the state network’s governing commission. GPB “has no intention of using taxpayers’ money to support this new initiative,” McDougald said in an open letter responding to criticism from Public Broadcasting Atlanta, which broadcasts a hybrid format news and music service to the state capitol on WABE-FM. McDougald said the state-owned pubcasting network expects earned revenues to fully support its news and talk programming on WRAS. GPB took over daytime programming of Georgia State University’s 100,000-watt FM station on June 29 through a channel-sharing agreement with the university. The deal drew criticism from GSU students who previously controlled all programming on the station, supporters of their music service and Public Broadcasting Atlanta, a community licensed public radio and TV service.

People

Ange-Aimée Woods, Colorado Public Radio arts reporter, dies at 41

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Ange-Aimée Woods, a Canadian journalist who played a key role in the recent expansion of Colorado Public Radio arts coverage, died July 2 in Montreal of apparent heart failure. She was 41. Woods joined CPR in October 2013 as the Denver station’s first full-time arts reporter. She’d spent the previous decade with CBC’s Radio One, working a variety of jobs including as a senior producer on the live drivetime program Homerun and a social media producer. During her seven months at CPR, she worked on launch of its weekly arts program Colorado Art Report.