An Alameda County, Calif., judge has upheld her previous ruling that the Pacifica Foundation’s board of directors acted within its bounds when it fired Executive Director Summer Reese earlier this year. Judge Ioana Petrou made the ruling Monday, a day before both Reese and the board were to appear in court to argue the matter. In her opinion, Petrou wrote that based on her earlier ruling, the board would likely prevail and that reversing the decision would cause “great harm.” Petrou gave Reese and her legal team until 5 p.m. Pacific time Monday to contest the ruling. A permanent injunction went into effect when the order was not challenged.

The production company Radio Diaries, whose stories often appear on This American Life and NPR’s newsmagazines, is aiming to raise $40,000 in a Kickstarter campaign to fund new pieces and an expansion of its podcast. The campaign began May 28 and runs until June 27. As of noon June 3, the campaign has raised $19,280. Radio Diaries has turned to Kickstarter to diversify its fundraising methods, said Executive Producer Joe Richman. “We, like a lot of other small independent production companies are scrappy, and we’ve made it work with whatever money comes through the door and always will,” he said. “But the funding model has changed so much in recent years, now it’s more important and a lot more sustainable and smarter to have a lot of different sources so no one piece threatens our ability to keep moving on.”

Samuel Chamberlin Newbury, who served as director of productions for Fred Rogers Co. for nearly three decades, died May 22 at his home in Pittsburgh of cancer. He was 69. Newbury is best remembered as the producer of Mister Rogers’ Neighborhood and as right-hand man of the show’s creator and namesake, Fred Rogers. He worked for Rogers’ production company Family Communications, Inc. (now known as Fred Rogers Co.) for 28 years from 1986 until his retirement in 2012. “He was incredibly smart, very creative, and Fred really liked to work with him because he was always prepared,” said Bill Isler, c.e.o.

Plus: A TV quiz show hits its 40th year on the air, and Arthur gets a hip-hop treatment.

A recent analysis of web metrics for NPR member stations’ websites showed continued growth in visits from mobile users along with declines in cumulative audiences and the amount of time web users spent with content. Though web metrics for public radio stations have grown dramatically since 2012, analytics from this spring were especially volatile, said Steve Mulder, director of user experience and analytics at NPR Digital Services, during a May 29 public radio metrics webinar with station representatives. Mulder drew analytics data from 204 stations that operate 415 web streams; together, their online platforms drew 14 million unique visitors and a cumulative audience of 3.3 million listeners from April 2013-14.

While public broadcasting covers poets and their work, a new anthology may be the first book of poems inspired by public media stories. Poet Robbi Nester of Lake Forest, Calif., edited The Liberal Media Made Me Do It: Poetic Responses to NPR & PBS Stories (Lummox Press), featuring works of 56 poets reacting to segments and programs aired by public stations. Nester answered a few questions by email. This exchange has been edited. Where did the idea for this book come from? I listen to public radio all the time when I am in the car and often when I am at home.

Plus: Reading Rainbow hits its fundraising goal, and a call to boycott NPR.

Downton Abbey creator Julian Fellowes has weighed in on PBS’s decision to delay airing the Masterpiece megahit for months after each season premieres in Britain. And as his countryfolk might say, he is cheesed off. “I want to have simultaneous transmission in America and Britain,” he tells the Telegraph of London. “The difficulty that we have is that people are discussing the series as it happens online before America’s seen it and on the internet we’re all in the same company. It’s madness.” Then he adds: “It’s what I’d like, but who cares what I think?” Scheduling Downton is a tricky subject for PBS.

And we're still waiting on spectrum auction specifics.

A mandate for a balanced budget and a drive to reduce its production commitments spurred NPR to cancel Tell Me More, one of the few remaining broadcast shows outside of its newsmagazines that the network produces itself. NPR will end the production as of Aug. 1 as part of a broader newsroom restructuring announced May 20. Twenty-eight jobs in its newsroom and library will be cut; eight of the positions are currently unfilled. Tell Me More, a weekdaily program featuring host Michel Martin and focusing on news topics related to people of color, now airs on 136 stations. The show had struggled to add enough stations since its 2007 launch to break even, said NPR Chief Content Officer Kinsey Wilson.

The producers of public radio’s This American Life will take over distribution of their show starting July 1, using Public Radio Exchange to deliver the program to stations. TAL and Public Radio International, its distributor of 17 years, announced in March that they would part ways effective July 1. Under the agreement announced Wednesday, Chicago Public Media and Ira Glass will handle distribution and underwriting, while Marge Ostroushko will be responsible for marketing and station relations. Ostroushko handled those duties before PRI picked up the show in 1997. “We’re excited and proud to be partners now with PRX,” Glass said in a statement.

Peterson worked on several projects for CPB and the National Endowment for the Humanities and mentored younger CPB staffers.

• I think that I shall never see A poem lovely as Wait Wait … Don’t Tell Me! Granted, that’s probably not among the verses in The Liberal Media Made Me Do It!, a new collection of poems based on public broadcasting stories and shows. But the book does contain pubmedia-centric contributions from more than 50 poets who were inspired by Radiolab, Performance Today, A Prairie Home Companion and other fare. “For me, the greatest delight in receiving these pieces has been to recognize the stories I have heard on the radio, with the added dimension of another’s perception added in,” writes editor Robbi Nester.