Nice Above Fold - Page 535

  • No-chat zone ’twixt funders and reporters?

    Radio news veteran Jim Asendio resigned as news director of Washington’s WAMU-FM last week after an internal dispute over a private fundraising event turned into a public clash over the editorial firewall protecting the station’s newsroom. Asendio objected when top managers required him and two reporters from his staff to participate in a “Meet the Producers” breakfast and panel discussion that the station hosted for major donors Feb. 22. The choice was stark, the news director said: “I could either not show up and be in trouble, or show up and violate my ethics, so I tendered my resignation.” The showdown, first reported by Washington Post media critic Erik Wemple, put a spotlight on one of the touchiest subjects in cash-strapped newsrooms — firewalls designed to protect working journalists from undue influence by funders and to prevent appearances that such conflicts exist.
  • Philip Weinberg dies at 86; brought pubcasting to central Illinois

    Philip Weinberg, “the man responsible for bringing public broadcasting to central Illinois,” according to the Peoria Journal Star, died Thursday (Feb. 2) in Peoria, Ill. He was 86. “Not only did he start public radio on the Bradley [University] campus,” said Chet Tomczyk, g.m. of WTVP-TV, “but when he came across Sesame Street, produced by the Children’s Television Workshop, he decided that here was a show that people in this community needed to be exposed to.” So Weinberg arranged for the program to play on another local channel for six months before it could be carried on the pubTV station that Weinberg put on the air in June 1971, Tomczyk said.
  • Output: PBS's first-ever Online Film Festival screens 20 short films, gilded applause for The Moth, public education through Indian humor, and more

    Partners in the project are the pubmedia minority consortia — the Center for Asian American Media, Latino Public Broadcasting, Native American Public Telecommunications, the National Black Programming Consortium and Pacific Islanders in Communication — as well as the Independent Television Service and POV. The festival will be offered for video streaming on PBS.org and the redesigned PBS YouTube channel, which will be unveiled as the festival opens. The festival includes an audience participation element. Viewers can cast online votes for their favorite films, and PBS will recognize the winner with a People’s Choice festival award. PBS will use the Twitter handle #PBSolff to build social media buzz during the five-week run.
  • APTS trustees approve new membership dues formula based on CSG

    ARLINGTON, Va. – After holding membership dues flat for several years because of the recession, and researching numerous possible revamps of dues calculations, the Association of Public Television Stations will return to its original dues formula, based on a percentage of each pubTV station’s Community Service Grant, beginning with fiscal 2013. The APTS Board of Trustees today (Feb. 26) voted unanimously to adopt a formula based on 2 percent of the CSG, with a phase-in period during which no station will pay $2,000 more or less than its current dues. APTS is asking its three largest member stations, WNET in New York City, WGBH in Boston and WETA in Arlington, to continue to pay their current rate for the time being, said trustee John Harris, president of Prairie Public Broadcasting in Fargo, N.D.,
  • "Downton" Emmy category switch may prompt "TV awards smackdown"

    The hit Edwardian costume drama Downton Abbey from Masterpiece Classic is switching Emmy categories from mini-series to drama, “thereby setting up a fierce TV awards smackdown,” according to awards news site Gold Derby, in an exclusive report by Tom O’Neil, author of the books Movie Awards, The Emmys and The Grammys. Last year, O’Neil writes, Downton’s Season 1 won best miniseries “over widespread complaints” that it was a drama series “masquerading” as a mini-series in order to avoid competing with Emmy heavy hitter Mad Men. Season 1 of Downton had four episodes; Season 2, seven — exceeding the six that generally define a regular series.
  • At NPR, Wilson promoted to chief content officer, Low Smith to senior news v.p.

    NPR President Gary Knell has restructured the news organization’s top ranks, elevating digital chief Kinsey Wilson to executive v.p. and chief content officer, and appointing Margaret Low Smith as senior v.p. of news, a job she took on an interim basis last year. When Wilson joined NPR as senior v.p. and general manager of digital media in 2008, the position was parallel to the senior news exec post then held by Ellen Weiss. Knell’s restructuring elevates Wilson in NPR’s organization chart to supervise all of NPR’s content areas — news, programming and digital media. “In Kinsey and Margaret, we have two journalists, strategists and leaders with a keen understanding of the craft that distinguishes NPR — and how we continue to innovate and evolve,” Knell said in a news release.
  • Oscar nominee "If a Tree Falls" now streaming on P.O.V. website

    The full-length Academy Award-nominated documentary If a Tree Falls: A Story of the Earth Liberation Front, which premiered on P.O.V. last year, is now streaming on the show’s website through March 4. The film, exploring environmentalism and terrorism, is up for the documentary feature Oscar this Sunday (Feb. 26). It’s a co-production of ITVS, directed by Marshall Curry, and won best documentary editing at the 2011 Sundance Film Festival.
  • Downton gives public TV a ratings blockbuster

    The Season 2 finale of Downton Abbey on Masterpiece Classic, aired Feb. 19, won the biggest audience for a PBS program since the premiere of Ken Burns’s National Parks: America’s Best Idea in September 2009. Nielsen estimated that 5.4 million viewers watched the two-hour finale, giving PBS a 3.5 household rating. That doesn’t include the additional viewers of rebroadcasts, DVR recordings and online streams, PBS said. For the seven-week season, broadcast viewing was double the PBS average in primetime and 25 percent higher than in Downton’s first season. Online viewing grew much faster. For the full second season, Downton web streaming was up 400 percent over last season, logging 4.8 million views on the PBS Video Portal.
  • Some 5.4 million viewers watched "Downton" finale, PBS says

    Ratings for the Season 2 finale of Downton Abbey on Masterpiece Classic are in, and the Feb. 19 episode scored the highest numbers for a PBS program since the premiere of Ken Burns’s National Parks in September 2009. An average audience of 5.4 million viewers (a 3.5 Nielsen household rating) watched, not including those viewing through station replays, DVRs or online streaming. On the web, full episodes of Season 2 received 4.8 million views on the PBS Video Portal, an increase of more than 400 percent over Season 1. Downton content accounted for more than 9 million streams from 1.5 million unique visitors across all platforms since the Season 2 premiere on Jan.
  • This Keillor-hosted fundraiser isn't helping public radio

    Prairie Home Companion host Garrison Keillor has never tried to hide his liberal political leanings, but his decision to host a private fundraiser this week for President Obama’s reelection campaign has worked the conservative blogosphere into a lather about NPR’s political bias. The trouble is, NPR has no control over Keillor or his nationally syndicated weekly program. Neither does Minnesota-based American Public Media Group, which distributes Prairie Home Companion to public radio stations. Prairie Home Companion is not a news program — it’s an entertainment show — and Keillor’s own production company is responsible for its content. “Mr. Keillor’s political opinions and activities are his own, and do not reflect the views of APMG or its affiliated companies,” said Bill Gray, spokesman.
  • NETA, Coca-Cola Bottlers partnering on insurance for pubcasting stations

    The National Educational Telecommunications Association today (Feb. 23) announced that it is offering group health insurance coverage plans to pubcasters, a project it has been working on for several years. So far, 70 licensees, both television and radio, representing nearly 2,900 individuals, are participating in the new initiative. NETA is partnering with the Coca-Cola Bottlers Association to provide the coverage, through that company’s Alliance of Professional Service Organizations (APSO) subsidiary. The partnership marks “the beginning of significant savings and improved insurance coverage opportunities for those who participate,” NETA President Skip Hinton said in the announcement. APSO currently serves nearly 300 employers, including the majority of the soft-drink bottlers and more than 200 others, representing nearly 25,000 individuals.
  • Final choices set for U.S. pubmedia selections to INPUT in Sydney

    Official selections have been finalized for the United States public broadcasting content to be screened at INPUT, the annual weeklong international public media showcase, coming in May in Australia. Screening in Sydney May 7-12 will be “Flawed,” the story of a woman’s long-distance relationship with a plastic surgeon, from POV; “More Than a Month,” about the history of Black History Month, from Independent Lens; “Southern Belle,” which went inside a Civil War historical-reenactment summer camp for girls, from Nashville Public Television and MakeWright Films; “Wham! Bam! Islam!,” on the man behind a comic book of Muslim superheroes, from Independent Lens, and “Worker Drone,” part of the online Futurestates project from ITVS.
  • PBS's first Online Film Festival premiering on Feb. 27

    PBS kicks off its first-ever Online Film Festival on Feb. 27, showcasing 20 short pubmedia films from PBS.org and YouTube over five weeks. Partnering in the project are organizations that make up the pubmedia minority consortia — the Center for Asian American Media, Latino Public Broadcasting, Native American Public Telecommunications, the National Black Programming Consortium and Pacific Islanders Consortium — as well as the Independent Television Service and P.O.V. The festival will be available on PBS.org, and also marks the debut of the redesigned PBS YouTube channel. Viewers may vote for favorites online for a People’s Choice festival award. PBS will Tweet from #PBSolff during the five-week run.
  • Asendio resigned over ethics dispute with WAMU brass

    Jim Asendio’s sudden departure as news director of WAMU in Washington, D.C., was triggered by an internal dispute over his reporters’ participation in private meetings with major donors. Asendio objected when he and two journalists from his newsroom were required to participate in a “Meet the Producers” breakfast and panel discussion, which the station hosted this morning (Feb. 22). Involving WAMU reporters in the meeting was an unethical breech of the station’s editorial firewall, Asendio said in an interview with Current, and the sort of interaction that he forbid during his six-year tenure as news chief. “I maintain a strict firewall between the working journalists in the newsroom and the funders who fund the station,” Asendio said.
  • WFYI denies any link to TV production company approaching local nonprofits

    WFYI in Indianapolis is warning local organizations that it has no ties to Vision Media Television, a Boca Raton, Fla.-based company that says it can produce informational segments about the groups to appear on public television, reports the Indianapolis Business Journal. On its website, Vision Media Television references its relationship with Joan Lunden, but Lunden has posted a warning distancing herself from similar firms on her own website. PBS also includes a warning on its website, and cites Vision Media Television among various entities claiming to produce content for broadcast on  national public television for a fee. In Indianapolis, several nonprofits have been contacted by the company, which asks for up to $26,000 to cover production costs, and claims the content will run on public television.