Chief Operating Officer Bob Ottenhoff is leaving the No. 2 position at PBS after eight years working for Ervin Duggan and the previous president, Bruce Christensen.
News of the change, already circulating in heavy rotation at the PBS Annual Meeting when Duggan announced it during the June 6 opening session, mystified station executives and even some PBS Board members. It added a new story element to what one former board member called “a range of colossally uninformed mispeculation” that Duggan was either (a) confidently moving ahead, (b) soon to lose his own job, or (c) both. High-ranking board members said nothing. Beth Wolfe, PBS’s chief financial officer since 1988, will take oversight of Ottenhoff’s departments, with the new title of chief administrative officer.
This code was published in June 1999 by the Association of Independents in Radio (AIR) and the Producers’ Advocacy Group (PAG) to guide negotiations between freelance producers and buyers of radio production, such as NPR. Reproduced with permission of AIR. INTRODUCTION
The Association of Independents in Radio* (AIR) and the Producers Advocacy Group** (PAG) present the following code in an effort to clarify and standardize rates and practices for working with freelancers in the public radio industry. In recognition of the central role freelancers and independent radio producers play in enriching the content of almost all the important programs on public radio, AIR and PAG recommend the following guidelines when public radio networks, stations or shows use the work of freelance radio producers:
Freelance producers should be paid at a rate which allows a decent living. At minimum we urge acquirers to match the prevailing rate scale, including benefits, paid to staff reporters and producers doing comparable work in comparable markets.