Nice Above Fold - Page 999
- The Rise and Fall of Jim Crow, debuting tonight on PBS, “does not shout, nor does it exult. It pays homage to sacrifice and achievement, and it leaves the door open to hope,” writes Ron Wertheimer in today’s New York Times. The website for the four-part series includes a section on how Jim Crow laws were sanctioned and supported by the national government.
- Pacifica voted to return to its old home of Berkeley after its executive director said the move would save money, reports the Berkeley Daily Planet. Just last month the board voted to delay the move, reversing an earlier vote to return to Berkeley–which itself reversed an earlier vote not to return to Berkeley! Got that?
- “Luckily I hadn’t had anything to eat or drink; if I’d had a cup of coffee I might have actually been sweating steam and the little recording booth might have exploded,” says Ftrain’s Paul Ford of a recent taping for NPR’s Rewind. (The bit about Rewind is after the bit about Paul falling off a truck, which relates not a whit to public broadcasting but amuses nonetheless.)
- “If PBS only had a sense of humor and encouraged more independent creativity and originality, its programs would serve audiences far better,” writes Lawrence Grossman, in the latest Columbia Journalism Review. The ex-PBS and NBC News president reviews two recent books on public TV, and offers his own prescription for fixing it.
Furlaud ornaments do float away — into listeners' fond memories
I know more than a few public radio listeners who, while admiring the news reports on Morning Edition and All Things Considered, reserve their most ardent enthusiasm for what Bob Edwards once called “ornaments” — short, revealing commentaries scheduled between the “important” stories. A master of the form, Alice Furlaud, has been supplying commentaries for nearly as long as NPR has been broadcasting, first from Paris and more recently from her home on Cape Cod. Like another of my favorite NPR commentators, the psychiatrist Elissa Ely, Furlaud is a uniquely gifted, acerbic writer with a New England plainspokeness that adds considerable authority to what she says.
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