In a memo to his newsroom, Los Angeles Times Editor Jim O’Shea describes this week’s installment of Frontline‘s “News War” as “simplistic and excessively negative.” The documentary, which aired on Tuesday, examined the newspaper’s struggle to continue covering national news as shareholders press for lower costs and higher profits. [Via Romenesko]

PBS Teachers, a web portal serving up educational content from both PBS and local stations, went live today. The site includes a new guest-hosted blog, Media Infusion.

Sue Schardt shares thoughts inspired by last week’s Integrated Media Association and Beyond Broadcast conferences. “This was the first time I’d heard so many people admitting — in the halls, not on the podiums — that they’re afraid,” she writes.

Merlin Mann shares five terrible fake pledge-week specials. “Surviving members of every 50s doo-wop band fight to the death with clubs — shirtless and totally coked-up — in massive Thunderdome-like arena.”

PubTV groups that received three big federal Ready to Teach grants are paying substantial sums to for-profit subcontractors, Education Week (registration required) reports in tomorrow’s issue. Mary Ann Zehr’s article doesn’t criticize the decisions but points to them as examples of increased outsourcing to for-profit researchers. PBS and WNET both turned to Hezel Associates for evaluation of their edtech projects; the Syracuse, N.Y., company is expected to bill $8 million total. Rocky Mountain PBS is subcontracting $1.75 million or about 35 percent of its grant to Digital Directions International. In contrast, Education Week says, Alabama PTV subcontracted to nonprofits EDC and Boston College.

The broadcast tower of Iowa Public Radio’s KHKE-FM collapsed recently, falling prey to “an inch-think coating of ice and 30-40 mile per hour winds,” says IPR’s Todd Mundt. The network is putting up an interim low-power antenna while it determines how to pay for rebuilding.

Listeners to WFAE-FM in Charlotte, N.C., spend more time with their station than listeners to any other station in the country, reports the Charlotte Observer. They listen to WFAE an average of 7.8 hours a week. Miami’s WLRN is second with a Time Spent Listening index of 7.3 hours.

In a stunning and suspensefully narrow turn of events, dog owners outpledged cat owners in this year’s Pet Wars event on Montana Public Radio, winning by just 13 votes. The cats won last year by 32 votes, reports the Great Falls Tribune.

A Selected Shorts cruise sets off from Dubai next month, with host Isaiah Sheffer, Morning Edition commentator Frank Deford and several actors on board. Public TV viewers paid thousands of dollars in 2004 to schmooze at sea with Jim Lehrer and other personalities.

In a profile of BBC World anchor Katty Kay, the Washington Post reports that news program’s “niche audience” numbers 1 million American viewers, a stat that puts the show ahead of most hosted cable news programs.

While the Association of Public Television Stations and its member stations’ activists will be busy enough fighting off the cutback of more than $140 million just proposed by the White House (separate story), the group is working on a slate of new longer-range proposals to take to Congress. ¶ Notably, public TV will seek additional funding for an American Archive project that would preserve and catalog programs and clear rights for long-term public access, APTS President John Lawson said in an interview. ¶ APTS will also ask for changes in copyright law to ease clearance and expand rights for educational uses, he said.

The Marines, a Feb. 21 documentary directed by former PBS program exec John Grant, prompted many viewers to write to PBS Ombudsman Michael Getler using phrases such as “propagandistic paean,” “utter piece of garbage,” and “infomercial . . . recruiting our youngsters to the ‘warrior ethos’ of the Marines.” In his weekly webcolumn, Getler agreed with the film’s critics. “I felt as though PBS was the willing victim of friendly fire from the producers and, especially, the funders on this one and didn’t take any visible action to protect itself,” he wrote. “This is really a very well done testimonial and recruiting film masquerading as a documentary.”

Public Radio Exchange (PRX) and a trio of prominent women producers called “Launch” will field the two teams competing in CPB’s Talent Quest, the corporation said this week. Launch includes Mary Beth Kirchner, Julie Burstein and Marge Ostroushko. PRX, which is run by a bunch of guys, frankly, plans to choose its talent through four elimination rounds on the Web. Each team will choose three potential pubradio hosts (to be announced at PRPD in September) and work with them on pilots. The winner will be announced early in ’08. CPB will lay out the contest for the public Feb. 28 on the set of Austin City Limits.

David Liroff, the WGBH v.p. who’s already a prominent national voice in system planning, got that job officially this week. CPB hired him as senior v.p., system development and media strategy, overseeing station grant policy, technology investments and other wonky important matters. He succeeds Andy Russell, who moved to PBS this month.

A newly released report by the U.S. Government Accountability Office (79-page PDF, see pages 6-7 and 44-52) found little to support the view of Rep. Ginny Browne-Waite (and AIM) that public broadcasting has become a “billionaire” from merchandising deals. The Florida Republican made the claim in 2005 before asking for the GAO study. Few programs generate back-end revenues, GAO explains. The successful ones pay license fees of only 2.5 to 7.5 percent of merchandise retail prices, anyway, and neither PBS nor CPB is likely to get much of that because they don’t make big front-end investments. That’s pretty much what Current reported in 1995 when politicians claimed Barney was making PBS rich.