Ken Ikeda, executive director of the Bay Area Video Coalition, is departing after four years. “I was presented with an opportunity to help build a new organization and considering its objectives, it was something I couldn’t walk away from,” he said in an online exit interview. “I wish I could share more but I can’t right now. It’ll be public shortly, and in the end what I’ll be doing is not far from the work we do at BAVC.” The coalition is a pubmedia pioneer; it’s going strong after 35 years.

TRAC Media Service’s primer on “Everything You Should Know About Your Members” was first up today (Jan. 11) in its pre-NETA development workshop in Nashville. Kristen Keubler, director of station research for TRAC, fleshed out its continually updated 2001-03 survey of lapsed pubTV members and talked about the good news (many are longtime, enthusiastic viewers and have “formed a quasi-human relationship” with their station) and bad news (there are “practically no new adult viewers. Everybody has sooner or later sampled the station’s programming and decided to view or not to view”). Fear not: There are strategies that work to better connect with local viewers, and bring them along as members. 

Greetings from chilly Nashville, where even the Loews Vanderbilt Hotel lions need coats. Current is here to cover the annual NETA conference, and will be blogging (and photographing) the action through Thursday (Jan. 13). If you’re here, stop by Current’s Lucky No. 13 table to say hi and pick up a homemade brownie – and find out why they’re called “Darwinians.”

Well, that is certainly not a headline you see every day.

The author is president of Western Reserve Public Media (WNEO/ WEAO), which serves Akron, Youngstown and Kent in northeast Ohio. Right after I finished reading Barbara Cochran’s paper for the Knight Commission, “Rethinking Public Media: More Local, More Inclusive, More Interactive,” the phone rang. The 1990s called, and they want their White Paper back. Public television has been local, inclusive and interactive since its inception. No doubt there is always room to be “more,” but getting there by building up staff and tinkering with governance structure is a repeat of the past and will lead to more reliance on taxpayer support from state and federal sources that cannot or will not provide it.

Low-power FM advocates are celebrating a hard-won victory with enactment of the Local Community Radio Act, approved in the last days of the 111th Congress and signed Jan. 4 by President Obama. The law clears the way for expansion of low-power FM stations, a noncommercial licensing category established by the FCC a decade ago but confined to small markets and rural communities by interference-protection rules demanded by full-power broadcasters. Their transmitter power is limited to 100 watts, reaching from three to five miles. Approved with bipartisan support in both houses of Congress, the law gives the FCC more flexibility in assigning channels to LPFMs and resolving interference problems with full-power FMs and their translators.

No, PBS didn’t give each writer at the Television Critics Association Winter Press Tour a mini-pie like HBO did. But at least one critic was more impressed with the network’s actual programming. Todd VanDerWerff writes in today’s (Jan. 10) AV Club that “the kind of arts, news, and science programming PBS offers just doesn’t pop up anywhere else. What other network would air Frontline? Or Great Performances? Or Nova?” PBS also featured “fascinating people” on its panels. “Some biologists let us know why it was totally cool for them to get within a few feet of grizzly bears,” he writes, “and tried to help a TCA member figure out how to deal with the bear that makes trouble in her backyard.”

In an editor’s note on NPR.org, Dick Meyer, executive editor of NPR News, said the network committed a “serious and grave error” when it reported that U.S. Rep. Gabrielle Giffords had been shot to death in Tucson, Ariz. In its 2:01 p.m. Eastern broadcast on Saturday (Jan. 8), NPR informed listeners that Giffords was dead. That erroneous news also was posted on NPR.org, and sent as an e-mail news alert to subscribers. But Giffords had survived the shooting, which happened at a mall during a public appearance, and remained hospitalized Sunday night in critical condition after neurosurgery. “The information we reported came from two different governmental sources, including a source in the Pima County Sheriff’s Department,” Meyer said.

Emphasizing its non-ideological news coverage, PBS Newshour tried out a new catch phrase Jan. 9 during the Television Critics Association press tour in Pasadena: “Brave enough not to take sides, strong enough not to shout.” “We haven’t actually used it before today and we thought it might be a good opportunity to kind of roll that out,” said Simon Marks, president of MacNeil/Lehrer Productions. Marks said that slogan survived scrutiny while others didn’t. “At one point, we were looking at ‘The original no-spin zone,’ but we decided not to go there.” The new phrase is intended to emphasize the difference between PBS news values and those of other news operations.

Now, fans of Masterpiece can become part of the series that’s celebrating its 40th anniversary this year. They can join a special trust to help directly fund the program, or literally retrace the footsteps of Agatha Christie’s Hercule Poirot, Miss Marple and other characters. Executive Producer Rebecca Eaton (right, PBS photo) announced yesterday (Jan. 8) at the TV Critics Association Winter Press Tour in Pasadena, Calif., that a “Masterpiece Trust” has been established. That financial support — which would go directly to the show — could go toward replacing some of the funding lost when longtime sponsor ExxonMobil pulled out as of 2005.

PBS President Paula Kerger today (Jan. 8) told the Television Critics Association crowd that she doesn’t anticipate stations to start pulling out of PBS now that KCET has done so. “I don’t see any other stations poised to go down the same path as KCET,” she said at the annual Winter Press Tour in Pasadena, Calif. “These are difficult times for all our stations. We’re particularly focused to really looking at opportunities to help our stations (financially).” More press tour pubcasting news: — PBS reunited former Laugh-In cast members Lily Tomlin, Jo Anne Worley, Ruth Buzzi (on stage, right, PBS photo) and announcer Gary Owens, along with producer George Schlatter, for its announcement that it’ll carry the legendary comedy show for spring pledge.

Radio pubcasters are reacting “with shock and anger” at the departure from NPR of news chief Ellen Weiss, reports the Washington Post today (Jan. 8). “We have allowed Fox News to define the debate,” wrote Peter Block, a member of the board of Cincinnati Public Radio, on an e-mail group for public radio managers. “I do not think this kind of capitulation [by NPR] assures the future of an independent press. … Democracy is on the line and NPR is one of the last bastions of its possibility.” The Post also reported on Schiller’s compensation last year, including a one-time $112,500 bonus that was negotiated as part of her hiring package.

KCET’s ratings in its first week independent of PBS are down 50 percent from the same time last year, the Los Angeles Times reports. The Los Angeles station averaged a 0.3 household rating, according to Nielsen. For primetime, an average of 22,000 viewers tuned in, as opposed to last year, when 41,000 were watching. The station is averaging just 10,000 viewers throughout the day. KCET spokesperson Cathy Williams told the paper, “We think it is much too early to evaluate the ratings, particularly since we’re coming off a holiday weekend.”

For 25 years, Dick Pleasants hosted the Folk Heritage show on WGBH-FM, playing countless songs from up-and-coming folkies. For the past 15 years he’s been behind the mic on WUMB-FM in Boston. And tonight (Jan. 7) he’ll be the guest of honor at “A Pleasant(s) Evening at Sanders Theater: A Tribute to Dick Pleasants from his Friends.” Folk music icon Tom Rush told the Patriot Ledger in Quincy, Mass., that Pleasants is “one of the heroes who have championed this music for decades. He’s been enormously important playing the new stuff as it has come along and keeping the old stuff out there in people’s ears.”

The Independent Digital Distribution Lab — that’s IndiesLab to you — continues to help filmmakers maneuver through that great digital assortment of online platforms. Check out these details on its project with The Parking Lot Movie. The quirky doc managed to crack the Top 10 on the iTunes documentary list for three weeks straight.