Jay Kernis’s vacation from the TV news business lasted less than two weeks.The former NPR programming exec has joined an NBC News team that’s creating a new primetime newsmag hosted by Brian Williams for debut in October. As a piece producer on the as-yet-unnamed show, he’s working on a story with former CBS anchor Harry Smith, who ended his 25-year CBS career to work on NBC’s new broadcast. Kernis played a key role in creating and updating NPR’s flagship programs in two separate stints in public radio. When he left NPR for CBS News in 1987, Smith was the first anchor he worked with, he told Current.

PBS SoCal, formerly KOCE-TV, is ramping up its kids offerings, reports the Los Angeles Times. The station, which took over as PBS primary in the Los Angeles market when KCET left the network in January, is expanding daily programming by 90 minutes and adding a children’s block from 6 to 8 a.m. weekend mornings for the first time. The changes begin Monday (Aug. 8). Jamie Annunzio, the station’s director of education, said it’s all part of “our commitment to increase and maintain quality and educational children’s content.”

NPR, PBS and the Association of Public Television Stations are among broadcast organizations asking the Federal Communications Commission to once again extend the deadline for stations to install Common Alerting Protocol-compliant Emergency Alert System equipment. They want at least a six-month extension from the current Sept. 30 date. The clock originally began ticking in October 2010. In the filing, APTS and PBS argue that because “the deadline for reply comments is set for early August, it is likely a Final Order by the Commission will be released relatively close to the current CAP-compliance deadline. This could make it extremely difficult for stations to comply with newly revised regulations by the current deadline.”

Two names familiar to public broadcasters are coming to PBS as new vice presidents of programming. Beth Hoppe, who begins work Aug. 8, developed the reality frontrunners Frontier House and Colonial House; Donald Thoms, arriving later this month, created the Independent Lens documentary series. In a statement, PBS Chief Operating Officer Michael Jones called them “smart, talented individuals who truly understand public television and have excellent experience in content development.” Since 2009, Hoppe has been an e.p. at Discovery Studios, where she developed the series Human Nature and other projects. She also worked as president and c.e.o. of indie TV producers Optomen Productions from 2004 to 2009; and from 1998 to 2004, she served as director, science programs, for WNET in New York.

170 Million Americans for Public Broadcasting and ANTI- Records are releasing “Raise Your Voice!,” a 16-track music compilation free only to pubcasting fans who sign up for the ongoing online advocacy campaign. Artists include Wilco, Tom Waits, Dr. Dog, Mavis Staples, Lost in the Trees, Neko Case and Booker T. Jones. In a statement, Ari Picker, frontman for Lost in the Trees, said: “Our culture needs public broadcasting. And public radio has been an enormous resource for musicians like myself.”

Traci Morris, director of operations for Native Public Media (NPM) will represent tribal interests on the Federal Communications Commission’s Consumer Advisory Committee. The committee helps “amplify the voices of many of the least-served communities and constituencies in current policy debates,” said Sascha Meinrath, director of the New America Foundation’s Open Technology Initiative, an NPM partner, in a statement. FCC Chairman Julius Genachowski said that as the representative of Native Public Media, Morris “will be a voting member of the CAC, helping us to ensure that all Americans have access to modern communications services.”

Jasper White, a chef and longtime close friend of pubcasting icon Julia Child, has a nice remembrance of her in the Herald News of Fall River, Mass., to mark the anniversary of her Aug. 15 birth. In America, “the culinary arts were lagging way behind the others in the last half of the last century,” he writes. “It took a catalyst to awaken America’s palate, to make the love of food an acceptable behavior and to raise expectations and standards of our cuisine. That catalyst was Julia Child.” Through her shows on PBS, “she made education fun,”  he notes, adding that “changing the face of public television is also one of her great accomplishments.”

The National Endowment for the Humanities has announced $40 million in awards for 249 projects. Several public media recipients include the American Routes radio series, $250,000; WGBH’s American Experience, $700,000 for a two-hour documentary film and multiplatform project on the 1964 “Freedom Summer” Mississippi voter registration and education effort; Public Radio International, $300,000 for Studio 360 from PRI and WNYC; and WETA, $750,000 for The Roosevelts, a 14-hour documentary series. A complete list (PDF) is here.

While much focus remains on the dropoff of investigative and local reporting, arts reporting and criticism is also in flux. “Arts journalism faces an unclear future as social media takes over, and non-journalists can share their opinions as easily as journalists,” said Thomas Huizenga of NPR Music at a Communications Leadership Forum at the Annenberg Center’s Washington D.C. office on Tuesday (Aug. 3). “The impact of criticism is lost in the new media. Journalists have now fallen to the bottom of the list.” Participants included Felix Contreras of the NPR Arts Desk and Susan Clampitt, former executive director of WAMU and now a Commissioner on the District of Columbia Commission on the Arts and Humanities.

As new forms of journalism take root in the rapidly evolving digital media landscape, standards for objectivity in reporting must evolve too, writes Stephen Ward, director of the journalism ethics program at the University of Wisconsin in Madison, for MediaShift. The tradition that holds “just the facts” reporting as a journalistic ideal — with no interpretation or opinion from the reporter who has gathered those facts — should be abandoned and redefined. “Objectivity is not about perfect neutrality or the elimination of interpretation,” Ward writes. “Objectivity refers to a person’s willingness to use objective methods to test interpretations for bias or inaccuracies.

South Carolina’s ETV, which operates statewide public TV and radio networks, is shedding a total of 21 full-time and two part-time positions due to cutbacks in state funding and federal grants, The State newspaper is reporting today (Aug. 3). Rob Schaller, ETV spokesman, tells Current the layoffs took effect July 29. Fifteen full-time staffers and two part-timers are gone, and six open positions won’t be filled. “That leaves fewer than 150 employees at the state’s public educational broadcasting network, which also, among other things, offers a multimedia educational system to more than 2,500 of the state’s schools, colleges, businesses and government agencies,” the paper notes.

In an interview for an upcoming “Empowering Independent Media” report update, Eric Newton, senior adviser to the president of the Knight Foundation, said community engagement “is a key” to the success of independent news efforts. “The content must engage people, the connectivity must engage them and when appropriate they need to be asked directly for money to help,” he said. “News proprietors need to be able to clearly show the impact of the work. If people do not believe news and information matters, if they do not see the impact of journalism, it is difficult to establish and maintain professional media organizations.”

At 58 years and counting, the Backyard Farmer gardening show from Nebraska’s NET may be the longest-running locally produced show on television. And now it’s becoming a hit online, too. Producer Brad Mills tells the Associated Press that the show is often in the top 10 of YouTube’s science category; one show on container gardening has raked in nearly 66,400 views. The program also hit No. 17 overall at iTunes U, the educational arm of Apple’s iTunes Store. Mills says people who move away from Nebraska and miss the show often go online to see it.

Visual storytelling “may seem anathema to the magic of radio,” writes Amanda Hirsch for the iMA Innovators Blog, but some public radio stations and producers have found ways to populate their websites and social networks with photos and videos. Hirsch points to efforts at KUT in Austin, Minnesota Public Radio, and among producers of State of the Re:Union as the best examples of visual storytelling in public radio.

PBS President Paula Kerger, American Public Media’s digital innovation s.v.p. Joaquin Alvarado and WNET President Neal Shapiro are among media leaders participating in the Aspen Institute’s FOCAS (Forum on Communications and Society) meeting today through Thursday (Aug. 2-4) in Colorado. This year’s gathering will explore the growing impact of network technologies on communities and citizenship. Others attending include Alberto Ibargüen, Knight Foundation president; former Secretary of State Madeleine Albright; Craig Newmark of craigslist; and Daniel Weitzner, the White House deputy chief technology officer for Internet policy.  Live streaming video is here, Twitter hashtag is #FOCAS11.