Underwriting credits for the Department of Homeland Security’s E-Verify program, an electronic database that allows companies to verify employment eligibility of new hires, have stirred up objections from listeners and some station managers, reports NPR Ombudsman Alicia Shepard. The credits, which began running last month, create the perception of a conflict of interest between NPR’s news coverage and funding relationships. “It just makes you a little queasy,” says Sean Collins, executive producer of Latino USA, a weekly series that is also carrying the spots. “I don’t think we do a good enough job of reiterating the concept of a firewall.

The Public Radio Tuner is now being offered to iPhone users, but this blogger is less than impressed with the application. “Seriously, you can’t mark a station as a favorite and there is no search function. Not the most convenient app I have seen.” Web technologists at APM, NPR, PRX and PRI are collaborating on enhancements to the tuner, to be released in early 2009.

The latest analysis from public radio’s Grow the Audience project identifies a “short list” of market factors that drive performance of individual NPR News stations–namely education levels, competition within each market for NPR News listeners and the presence of key psychographic segments. The report [PDF], published online last week by Station Resource Group and Walrus Research, concludes that strategies to grow the public radio news audience start with the two most-listened to programs, NPR’s Morning Edition and All Things Considered. In addition, the analysts predict that the cume ratings for NPR News would grow substantially if hybrid news/classical music stations in Houston, Tampa and Atlanta went to all-news formats.

On Sunday, West Virginia Public Radio’s Mountain Stage will celebrate its 25th anniversary with its 684th production, Joan Osborne, Kathy Mattea and a multilayer cake from Baltimore’s Charm City Cakes (home of the Food Channel’s Ace of Cakes). The show has presented nearly 1,700 musical artists of all genres, produced on stages around the state, in both Charleston, W.Va. and S.C., and as far afield as San Diego and Winnipeg. Traditionally, host Larry Groce invites the performers for a joint number at the end of each broadcast. (The producers also have done 39 standard-definition TV shows and nine HDTV specials.)

NPR’s Baghdad-based reporting team narrowly escaped an assassination attempt on Sunday. After conducting interviews and having lunch with their two Iraqi drivers in a kebab shop, correspondent Ivan Watson and producer/translator Ali Hamdani were returning to their parked car when Iraqi soldiers intercepted them and pulled one of the drivers away from the vehicle. The armored BMW, which had been planted with a so-called “sticky” bomb, exploded into flames. Multimedia reporting on the incident, including video, photos and Watson’s reportage for NPR, are here.

Europeana, the continent’s online cultural library, attracted so much attention on its debut Nov. 20 — 10 million hits an hour, 3 million simultaneously — that the website crashed and won’t be back until mid-December, according to a notice on the nonfunctioning site. Technical second-guessers told PCWorld.com that traffic was three times the expected level and planners failed to buy adequate hardware load balancers. The European Commission said 52 percent of the digitized cultural objects were contributed by France, 10 percent each from the United Kingdom and the Netherlands and tiny shares from the other member states. For a preview, click the video starring Descartes, Darwin, Beethoven and Callas and featuring Little Kim.

There have been facetious presentations of dancing on public radio, but none has been as visually compelling — or as facetious — as this performance of the NPR Dancers to the works of B.J. Leiderman and his various Salieris. Thanks to Alaskans Duncan Moon and John Proffitt, who noticed the video, which came out of the creative ferment of the Upright Citizens Brigade Theatre improv company.

NPR’s next president made one giant leap in the news business two years ago when she moved from long-form documentary production into digital media for the New York Times Co., but it wasn’t the first or the last of Vivian Schiller’s career.In the early 1980s, Schiller was living in the Soviet Union, working as a translator and guide for professional groups touring the country, when she was hired as a “fixer” for the Turner Broadcasting System. The job required her to do everything from translating during negotiations for TV productions to making dinner reservations, and it gave her an entrée into television.

To make time for talks with concerned stations, NPR has put on hold a proposed trial of online giving on NPR.org.

Patty Wente, the former g.m. of KWMU-FM in St. Louis, reached a settlement Nov. 13 with the station’s licensee, the University of Missouri-St. Louis. Wente will receive $50,000, and her departure from the station will be officially recorded as a resignation, not a firing. In exchange, the former manager will drop a grievance against the university, among other conditions. The city’s Riverfront Times posted the full settlement on its website. Wente was fired June 2 based on preliminary findings from a review of KWMU’s finances and management under her tenure. Since leaving KWMU she has started a consulting business, The Wente Group.

Records turned over to Congressional investigators have revealed that the host of public radio’s The Infinite Mind has accepted payments from drug makers while opining about their products on the show, reports The New York Times. Dr. Fred Goodwin, a psychiatrist, earned $1.3 million between 2000 and 2007 for marketing lectures, the records show. Goodwin told the Times that he had informed Bill Lichtenstein, the show’s producer, of his consulting work, a claim the producer denies. NPR announced it will drop the show from its Sirius Satellite Radio channel. Slate spanked Goodwin and the show earlier this year for similar conflict-of-interest issues related to an episode about Prozac.

Worldfocus and SundayArts, both new to the production slate at WNET.org, as the station’s licensee now calls itself, will be produced starting next spring in a new glass-walled, street-level production and broadcast studio at Manhattan’s Lincoln Center, the New York Times reported today. The studio is being built in cooperation with Lincoln Center at 66th and Broadway. Check out 360-degree photo of the intersection on Google Maps. The 15-year lease marks a return to the Lincoln Center area, where WNET was based for years, and an expansion of studio space, which it had reduced considerably when it moved its offices down to West 33rd Street.

More than a quarter of pubTV stations are having problems with liquidity and almost as many with debt burden, with “some stations in dire straits,” CPB station grants chief Kevin Martin told the CPB Board today. Martin said the financial distress “cuts across large, medium and small, urban and rural stations.” Community licensees are over-represented among those in trouble, but little stations are not. “When you looked at financial strength versus size, there’s no indication that size matters,” says Walter Parsons of BMR Associates in Seattle, Wash., the lead consultant. “Strong stations are large and small, less strong stations are large and small.”

It no longer makes sense for the federal government to fund a corporation for public broadcasting, writes David Sasaki, outreach director of the global citizen media project Rising Voices and contributor to the MediaShift Idea Lab blog on PBS.org. He proposes that President-elect Barack Obama create a National Journalism Foundation, modeled on the National Science Foundation and funded with some sort of tax on internet service providers or the giant telecom companies, to replace CPB. The foundation would fund PBS and NPR in addition to web-only journalism projects such as EveryBlock and FiveThirtyEight.com. “We need a federal body in charge of supporting the nation’s journalism, communication, and information needs,” Sasaki writes.

Laura Linney will be the new host of Masterpiece Classic, series e.p. Rebecca Eaton announced today in an online video release. Linney succeeds Gillian Anderson. Masterpiece Classic‘s second season as a distinct Masterpiece brand, separate from Masterpiece Mystery! and Masterpiece Contemporary, begins in January with a new adaptation of Thomas Hardy’s Tess of the d’Ubervilles. The season includes a special collection of Charles Dickens stories.