Pointing pointedly in the direction of Janet Jackson’s chest, PBS chief Pat Mitchell painted public broadcasting as a “safe haven” for families with kids in yesterday’s House appropriations hearing on CPB funding, the Hollywood Reporter reported.

A Wired article looks at “Walkman Busting”, an occasional segment on public radio’s The Next Big Thing.

The Pacifica network has wrapped up elections for its station boards and national board, the first to be held since activists gained control of the network in 2001.

Jim Russell, executive producer of the forthcoming Public Radio Weekend, takes another stab at explaining the sound and feel of the show.

NPR Ombudsman Jeffrey Dvorkin addresses Wal-Mart’s underwriting on NPR and a spoof of The Passion that upset some listeners in his latest “Media Matters” column.

The LA Times reports that trustees of the Coast Community College District, the licensee of KOCE, are considering whether to keep the Orange County public TV station, rather than proceed with a sale that religious broadcaster Daystar Television Network has threatened to challenge in court.

The American Psychological Association called on federal regulators to restrict advertising to children aged eight and younger. Research indicates that young kids aren’t able to critically interpret television ads, the association said in a report issued yesterday. Their gullibility, combined with aggressive marketing to children, contributes to the youth obesity epidemic.

Common Cause is urging people to ask their lawmakers to support public broadcasting.

Public TV and radio host Rudy Maxa has moved to Minnesota to live with his fiancee, who he says is a “great kisser,” reports the Star Tribune (registration required). (Via Romenesko.)

Minnesota Public Radio will begin distributing many of its own programs this summer, depriving longtime distribution partner Public Radio International of strong offerings with combined audiences equal to 40 percent of its total listener-hours. MPR, public radio’s second-largest producer of programs behind NPR, will distribute 10 shows, including A Prairie Home Companion, directly to stations starting July 1. Marketplace and its companion Morning Report will follow a year later when their PRI contracts expire. MPR will also distribute its own specials and limited series. PRI will continue to distribute Classical 24, the 24/7 classical service it produces jointly with MPR.

Producer Bob Malesky remembers an NPR arts show that wasn’t: a collaboration with author John Gardner that never got off the ground.

In a brief report last week, the FCC forwarded to Congress results of an earlier study on low-power FM. The Commission seconded the MITRE study’s recommendation that third-adjacent protections against LPFMs be dropped. Sen. John McCain said he will introduce legislation adopting the FCC’s suggestions. [Earlier coverage in Current.]

The Recording Academy presented a 2004 Trustees Award to jazz pianist and public radio host Marian McPartland. The award recognizes “music people who have made the greatest impact on our culture,” said Neil Portnow, president of the Academy. “Their outstanding accomplishments and passion for their craft have created a timeless legacy that has positively affected multiple generations and will continue to influence generations to come.” Through her public radio series Piano Jazz, McPartland has introduced generations of listeners to the genre. The series, which received a George Foster Peabody Award for excellence in broadcasting, celebrates its 25th anniversary this spring. McPartland, 85, also operates her own recording label and continues to record, tour, lecture and teach.

The Idaho Legislature is the subject of Frederick Wiseman’s next cinema verite documentary. Starting with his controversial film Titicut Follies in 1967, Wiseman has filmed the day-to-day workings of American places and institutions — public housing developments, high schools and an old Maine seaport town, among other subjects. His last PBS broadcast, Domestic Violence, was filmed in a shelter for abused women and children, called the Spring, in Tampa, Fla. Wiseman, who doesn’t discuss his film projects until they’re near completion, declined Current’s request for an interview. But he told Idaho statehouse reporter Betsy Russell that he chose the Idaho Legislature because he wanted to film an American institution in the West.

Public TV stations adopted this statement of mission at the PBS Members Meeting, Feb. 23, 2004. For more information. See also Current‘s coverage, published March 8, 2004. Public television is the only universally accessible national resource that uses the power and accessibility of television to educate, enlighten, engage and inform. Because of its public service mission, public television is more essential than ever in the cluttered media landscape. In a world of commercial media conglomerates, public television is the only locally owned television provider in most communities. Its array of education and outreach services, combined with local ownership, means that public television stations are actively engaged in their communities, creating content and providing services that respond to local needs.