Maryland’s Salisbury University is considering selling radio station WSCL, reports The Salisbury Daily Times.

“Public broadcasting’s super salesman” David Ives, who led WGBH as it became a national production powerhouse, died on May 16. “As the man who approved major projects at WGBH, he became linked with enduring national favorites,” such as Nova, Masterpiece Theatre and Mystery!, recalls the New York Times in an obit.

Race: The Power of an Illusion, a three-part public TV series, “could more aptly be titled ‘PBS: The Power of Self-Delusion,’ a study of how a publicly owned television network with a mandate to challenge the mind can instead put even the most caffeinated brains to sleep,” writes Alessandra Stanley in the New York Times.

The FCC has fined WCVE in Richmond, Va., $10,000 for illegally constructing and operating a new antenna site. The station started broadcasting from the site before it requested FCC permission to do so. The commission later denied WCVE’s petition. Read the FCC order (PDF).

Fortune magazine profiles Christina Cooks, the public TV show from Christina Pirello and her husband/partner Robert. Her combination of macrobiotic cooking and flavor makes a business that grosses $300,000 from underwriters and $350,000 from books, workshops and other sources. See also the Christina Cooks website.

Creators of the Public Radio Exchange plan to launch their service this fall, opening a new channel for independent producers to sell work to stations. PRX operates somewhat like an Amazon.com of the indie world. A subscribing station gets an account and uses a web-based interface to browse and search for pieces uploaded by producers. They can consult background information provided by producers and reviews written by other users. Independent producer Jay Allison hatched the PRX idea in late 2001, hoping to ease indies’ ordeal of getting their work aired. Only a fraction of the vast indie output ever lands on programs such as NPR newsmags or This American Life, leaving producers to sell the rest door to door.

More than half of the country’s 357 public TV stations missed the May 1 deadline to begin digital broadcasting, according to APTS. As of late last week, only 163—just 46 percent of public TV stations—had launched their DTV signals. Not that it matters much. The 194 public stations that failed to flip the switch are eligible to petition the FCC for two six-month extensions. When commercial stations faced their deadline a year ago, two-thirds missed it and the FCC freely issued waivers. About 73 percent of TV households now have access to at least one digital public TV signal, APTS says.

White Teeth, a television adaptation of the best-selling book, “captures a more complicated and satisfying aspect of the novel: the poignancy and redemptive sweetness of the losers who populate [Zadie] Smith’s comic vision,” writes a New York Times reviewer. The two-part Masterpiece Theatre mini-series debuts on PBS May 11.

David Isay will unveil StoryCorps, a national oral history project, later this year. As he tells the New York Times, “This is our beachhead against ‘The Bachelor.'”

Walter Cronkite and CNN anchor Aaron Brown are the latest TV journalists to agree to appear on public TV stations in infomercials paid for by manufacturers. The New York Times put the spotlight on American Review and other series of shorts produced for a fee by WJMK Inc. of Boca Raton, Fla. Also featured was Healthology, a series of modules produced in Manhattan. The economics are similar to that of shorts World Business Review and Spotlight On and the series Visionaries, described in Current last year.

A Star Tribune review of Studio 360 calls PRI “public radio’s equivalent of HBO in terms of turning out cutting-edge programming.”

Astronomers have named asteroid #26858 “Misterrogers” in honor of the late children’s TV host, reports NEPA News. (Via randomWalks.) PBS will distribute a live broadcast of Rogers’ memorial service May 3.

The Jewish Action Taskforce has rescheduled protests against NPR’s coverage of the Israeli-Palestinian conflict. They will take place at NPR’s D.C. headquarters and at member stations May 14.

The Miami Herald has agreed to produce news segments for the city’s WLRN-FM, reports the Herald.

“What he reminds me of is that quirky, kind of odd friend you had in high school but never wanted to admit you knew,” says a This American Life fan of host Ira Glass, in a St. Paul Pioneer Press article. “But now you think, ‘Gee, I wish I had gotten to know him better.’ “