Nice Above Fold - Page 973
PRNDI Statement of Ethics, 2003
This revised statement was adopted in July 2003 by Public Radio News Directors Inc., the association of journalists working in public radio. Public Radio News Directors Inc. is committed to the highest standards of journalistic ethics and excellence. We must stand apart from pressures of politics and commerce as we inform and engage our listeners. We seek truth, and report with fairness and integrity. Independence and integrity are the foundations of our service, which we maintain through these principles: TRUTH Journalism is the rigorous pursuit of truth. Its practice requires fairness, accuracy, and balance. We strive to be comprehensive. We seek diverse points of view and voices to tell the stories of our communities.Public broadcasting system revenues, 1982–2003
The system’s revenues passed $2 billion late in the 1990s and $2.3 billion during fiscal year 2003, the latest year for which the Corporation for Public Broadcasting has complete figures. Dollar figures below are in thousands. The portion from private, non–tax-based sources passed 50 percent of the total in fiscal year 1986 and has hovered around 60 percent since FY1999 (see “Private sources row”). Source: CPB’s annual Public Broadcasting Revenue reports. For breakdowns between public TV and public radio and other details, see CPB’s latest full report, for fiscal 2003 system revenues, in a PDF file. See also CPB appropriation history.
- In a bid to boost its online listenership and raise its profile nationally, Santa Monica’s KCRW is sponsoring a series of concerts in the entertainment capital of the East Coast. The sponsorships help “cement who we are as a place that is breaking and taking chances on new music,” says Nic Harcourt, KCRW music director, in the LA Times.
- Henry Hampton’s last documentary series, This Far By Faith, airs on many PBS stations tonight. The Los Angeles Times retells how the production faltered after Hampton’s death. Although a New York Times critic finds that dramatic reenactments and time sequences in early episodes are uneven, she ultimately describes the series, aided by its musical soundtrack, as “splendid viewing.”
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