Nice Above Fold - Page 887
- A new report from Audience Research Analysis (PDF) begins to address public radio’s recent stagnation in audience growth by looking at some listening trends. One observation: “At a time when many station managers seem certain that airing more local programming is their best competitive strategy, listeners are generally showing less interest in listening to it.”
- The Traffic Directors Guild of America is completing its annual salary survey for traffic continuity, office and business managers in public and commercial broadcasting. The online survey ends Friday, Dec. 16. Results will be published in mid-January. For more information on the guild, see its website.
- The audience of WETA-FM in Washington, D.C. is “smaller, no more generous than the classical audience was, and no more reflective of the demographics of the Washington area” 10 months after the station dropped classical music in favor of news, writes the Washington Post‘s Marc Fisher. (Earlier coverage in Current.)
- CPB Chair Cheryl Halpern personally co-funded, with El Al Airlines, a joint exhibition of 61 paintings by 50 young Israelis and Palestinians, and trips to London for four teenage artists for the opening at the Ben Uri Gallery, the Hampstead and Highgate Express reported last week. The peace-minded paintings featured such images as doves flying over the Mideast and the Palestinian and Israeli flags flying side by side. The exhibit closes Dec. 23.
- A ruling on the fate of KALW-FM in San Francisco is expected later this month, reports the East Bay Express. Station execs are accused of misrepresenting the state of their public file. [Details of the FCC accusation in 2004 FCC document, in Word format: Commission orders hearing on whether KALW lied.]
- Media activist Jeff Chester of the Center for Digital Democracy has asked PBS’s new ombudsman to see whether the network’s underwriting rules are permitting underwriters to back programs that serve their interests. He cites the recent American Experience history of Las Vegas, underwritten by the city’s tourist authority and a foundation related to the Las Vegas Sun. [Current article.] WGBH told Current that most funding for the show came from usual series sources not related to Las Vegas and that none of the funders saw the program before underwriting the episode.
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