Programs/Content
Expansion of Nashville Public Radio prioritizes staff diversity with goals to better serve growing city
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With launch of “This is Nashville,” WPLN aims to deliver coverage that’s “driven by the community, for the community.”
Jon Hart
Kansas City pubTV buys Triple A music station
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A new kind of public media signal expansion will rock Kansas City, Mo., under a license transfer agreement announced April 19 by KCPT. The Missouri-based community licensee is purchasing KTBG-FM, a split-format NPR News and Triple A music station licensed to the University of Central Missouri in Warrensburg. KCPT will pay $1.1 million in cash to the university and provide $550,000 worth of in-kind services, according to Kliff Kuehl, KCPT c.e.o.
“I’m a big fan of the station and love what they’ve been doing,” Kuehl said. “We want to make it a place to go for live, local music, the arts and culture of the nonprofit community in the Kansas City area.”
KCPT’s plans for its new station include an $600,000 engineering project to boost the KTBG’s signal and reach. The station’s transmitter will be relocated to a site 20 miles closer to Kansas City.
Programs/Content
Triple-A strikes chord with disenchanted listeners
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One musical voice gaining ground on public radio sounds a little scruffier than the rest. Rather than a viola or sax, it bears a six-string axe and a heavier backbeat than your average chamber ensemble. Triple-A, an eclectic format that blends rock, folk, blues, world music and other genres, has already proven popular and lucrative for stations such as New York’s WFUV, Philadelphia’s WXPN and southern California’s KCRW. But smaller stations in fly-over country, inspired by the format’s major-market success, are also displacing jazz and classical music for newer musical genres that carry themselves like outsiders. As a result, listeners may be tuning in to the sultry lilt of young chanteuse Norah Jones or the twang of O Brother blues rather than Mozart and Gershwin.