People
With board support gone, KBOO leader calls it quits
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The Portland community station has new leadership at the top and on its board after a failed bid to revamp workplace practices.
PBS
Stations fear exclusion from show production as PBS shifts strategy
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When PBS unveiled its fall slate of primetime programs during its recent conference in Miami Beach, Fla., in May, many of the featured titles were notably missing one thing: presenting or producing stations that typically help shepherd series through the PBS editorial process.
Programs/Content
Pipeline 2013
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This year’s Pipeline survey lists 120 television projects planned, underway, or completed for future seasons on public TV, beginning with Winter 2013.
Firelight Media
PBS discount plan a ‘no-brainer’ for WLVT
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The public TV station serving eastern Pennsylvania’s Lehigh Valley recently decided that the best way to survive as an independent station was to step back from its status as the primary station serving its market. For WLVT in Bethlehem, a small city less than 70 miles north of Philadelphia, becoming a PDP station “was a natural,” said Tim Fallon, acting c.e.o. “It just doesn’t make sense that two stations, just two channels away from each other, have exactly the same programming.”
WLVT, which is locally branded as PBS39, was hard-hit by budget cuts in 2009 when the state sliced its $1 million in annual support to $100,000. Nearly half of its staff was laid off. When longtime C.E.O. Patricia Simon stepped away in March, the board appointed Fallon, a businessman and longtime station board member and volunteer. After taking over at WLVT, Fallon came to an “alignment of vision” with WHYY President Bill Marrazzo on how the stations could complement each other.
Car Talk
Where does Car Talk belong? Let listeners decide
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In this commentary, NPR’s v.p. of programming responds to Ira Glass’s suggestion that stations not devote prime weekend airtime to Car Talk reruns after the Magliozzi brothers retire this fall. Like Ira, I’m really excited about all the innovation in public radio today. Each of these new programs will need several things if they are to grow and prosper: an intellectual spark, real talent giving them a unique, authentic voice, money, smart plans for development, and stations willing to take a small risk. There is one other critical thing they need to grow and prosper: Car Talk. Airing Car Talk on Saturday mornings doesn’t stand in the way of innovation.
Programs/Content
Want new radio hits on Saturday? Step 1: Drop Car Talk when the guys retire
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I enjoy Car Talk. I like those guys. And as a public radio lifer, I’m grateful for what Tom and Ray Magliozzi did to bring a vast audience to public radio, year after year.. … But — with all respect to Doug Berman and my colleagues at Car Talk Plaza — I think when they stop making new episodes in October, they should be pulled from Saturday mornings.
Public Media Policybase
Public Radio Program Directors Association Inc., Bylaws, 2008
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Revised and adopted Sept. 15, 2008
ARTICLE I. BASIC POLICY
It is the basic policy of the corporation to be noncommercial, educational, nonsectarian and nonpartisan. The corporation shall operate for the mutual benefit of noncommercial radio stations, organizations and individuals serving the public radio community, and carry on activities as a business league exempt from federal income tax pursuant to Section 501(c)(6) of the Internal Revenue Code of 1954, as amended. ARTICLE II. MEMBERSHIP
Section 1.
Programs/Content
As cume slips, duo aims to keep PBS ‘relevant’
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For the past four years under PBS President Pat Mitchell, the network has had two chief program executives — at headquarters in Alexandria, Va., John Wilson, a veteran public TV programmer who came to PBS a decade ago from KAET in Phoenix; and in Los Angeles, Jacoba (Coby) Atlas, a news and documentary producer who previously worked with Mitchell at CNN. In this interview they describe for the first time a new formal practice of using minimum ratings, along with other factors, to judge the success of programs. They also discuss brainstorming with producers to create new programs and the tight budgets that limit how many new things PBS can try. Atlas and Wilson spoke with Current at PBS headquarters and later by phone. This transcript is edited. Setting ratings floors
In your programming plan in the PBS budget for next year, you talk about establishing a new set of goals for judging programs. What factors will you consider?
Programs/Content
Arts on public television: signatures of past, present and generations to come
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Pulitzer Prize-winning playwright Wendy Wasserstein wowed a lunchtime audience at the Public Television Annual Meeting in June 1994 with her personal testimonial for public TV, relating her experience in terms far more vivid than the bland, generic phrases usually used to describe and defend the medium. Wasserstein received the Pulitizer as well as a Tony and other awards for her play The Heidi Chronicles in 1989. From the podium at the PBS conference, Wasserstein looked out on a vast dark room full of noshing broadcasters … When WNET invited me to speak to this intimate little luncheon in Orlando today, I jumped on a plane because I had nightmare visions of an imminent merger, and Donald Duck and Mickey Mouse hosting the MacNeil/Lehrer Report and Charlie Rose opening his show by singing, “Be my guest, be my guest . .